You’re stuck on night duty in a shitty little goblin prison camp, tired, bored, staring at torchlight and wooden fences, when this gobbo girl starts talking to you from her cage. That’s the whole vibe of the game: very small, very focused, kind of like reading a horny short story where you’re the idiot making the choices. It’s first person in the “inside your head” way, not like some twitchy shooter. You’re just standing there, listening to this green, sharp toothed, weirdly cute prisoner flirt with you, tease you, and slowly figure out what kind of guard you actually are. She doesn’t feel like a normal “monster girl” either. She’s got this mix of trashy goblin energy and weirdly sweet moments, like she’s trying to decide if she wants to fuck you, scam you, or both at the same time.

The erotic part hits harder because the whole place feels wrong. The camp is quiet, but not peaceful. You have that creepy feeling that there’s way more going on in the dark than the game tells you outright. Torches, shadows, distant noises, that sort of low-key tension. While you’re talking with her, you’re also thinking “If someone walks in on this, I’m fucked” and not in the fun way. The conversation slowly drifts from small talk to her asking questions about your body, your “meat”, your morals, making you pick if you’re a hard-ass guard or a pervert in uniform. She leans against the bars, presses herself out just enough, talks filthy in that goblin slang, and the game lets you actually decide how far you go with it. You can let her grind against you through the bars, listen to her describe what she’d do if she got her hands free, or you can do the pathetic thing and pretend you’re just “being professional” while your cock is clearly not on the same page. There’s romance in it, kind of, but in that messed up “is this affection or manipulation” way. You can feel a tiny bit of real connection under all the dirty talk, which almost makes it worse.

What I liked is that it doesn’t drag. It’s short, like one nasty little evening shift, so every choice feels heavier. You don’t spend half the game walking around, you’re just stuck at that fence, trapped in this strange, horny conversation with a monster girl who is a hundred percent smarter than your character. It really plays with that survival headspace too, not with hunger bars and shit, but survival of reputation, survival in a brutal camp where being soft gets you punished. You’re thinking “If I help her, what happens later? If I use her, what does that say about me?” Then you forget that and just think with your dick for a bit. The creepy tone creeps back in between the lewd lines, like when she laughs a little too long at something, or when she hints what goblins do to captured humans. It’s sexy, uncomfortable, funny in a dark way, and it ends before it gets boring, which in this genre is honestly rarer than a pure-hearted goblin.

A husband, a stupid fight, and that sick feeling in your gut when you suddenly notice how short your own shadow looks next to another guy’s. That is basically where this story sits, grinning at you. You follow this poor bastard of a husband who starts the evening thinking he is “the man of the house” and ends up wondering if his wife is getting her pussy filled by somebody taller, thicker, and a lot more confident. The game plays like a teasing lecture about NTR, but not in a cold way. It is like a drunk friend whispering in your ear, “You see that guy talking to your wife? Yeah, that is how it starts.” The visuals sell that uneasy vibe: soft, slow camera-like cuts, those slightly too-long pauses on her lips when she smiles at someone else, her shirt clinging in all the right places, and his eyes squinting like he is trying not to imagine her on her knees, drool on another man’s shaft. The pace is not rushed, it pokes you. You get moments where almost nothing “big” happens, just small looks, off-hand comments, her phone lighting up with a message while she is in the shower and you are left staring at the screen, imagining every filthy word she might be reading.

There is a strong “PSA from hell” vibe, yeah, like some horny officer in a police comedy explaining step by step how your wife goes from “I would never cheat” to getting her ass slapped by a stranger in some cheap hotel on vacation. The husband is technically the male protagonist, but it never really feels like you are in control. You are more like a ghost stuck in his skull, dragged through his jealousy, his twisted fantasies, his humiliation. One scene that hit hard: he is sitting on the bed, replaying his argument with his wife, and his brain starts playing its own porn parody. Suddenly she is there in his mind, bent over the kitchen counter, big tits pressed on the cold surface, some smug bastard gripping her hips while she moans his name instead. The sounds get louder than his own thoughts. Little sticky lip noises, wet slaps, her breathy “harder” that he is not sure she ever said to him in real life. The game leans into that: you never know where reality stops and his corrupted imagination starts. Sometimes you see Sara in normal everyday clothes, then next transition she is in a tight uniform, unbuttoned just enough, or a cheap lingerie set that looks like it was bought for someone else’s eyes. You get flashes of oral, her cheeks hollowed around a thick cock, but it cuts away too soon, almost mocking you. And in the middle of all this, the tone suddenly slides into this weird humor, like a wink to those who know Konosuba jokes and tentacle memes, like the narrator is some half-drunk wiz giving you “NTR survival tips” while the real lesson is just: if you feel it happening, it probably started a long time ago, back when you ignored how she smiled at her “friend” a little too much. The game never holds your hand. It kind of laughs while you squirm.

I played Brothel Virgin like I was trying to sketch lace on a body that wouldn’t stay still. It’s messy and kind of hypnotic, and that’s probably what I liked about it first. The world feels like velvet that’s been worn too long - soft but a bit frayed, and when the screen fades into the room at the Crimson Reverie, there’s that quiet hum I only get at the end of a runway show when everyone’s pretending not to be aroused by the models. Jenny’s laugh sounds like lipstick smudging against a glass; I kept replaying her intro scene hoping she’d say my name differently, slower. She doesn’t. Small thing but it bothered me. Still, the lighting in her room (well, if you can call it lighting, it’s more like a blush across the walls) made me forget it fast.

Matty’s design confused me. She looks like she was drawn by someone who loves stretch marks too much and I respect that deeply. Her scenes go from comforting to - how do you say - sticky? I’m used to games where every gesture feels rehearsed, but here her hands have this clumsy warmth that almost made me feel guilty touching the screen. Maybe I’m just too sentimental. Then Raven shows up and she wrecks all that tenderness with one smirk. There’s a sound cue before she appears - like a zipper halfway down - and it’s cheap, but it works. I hate that it works. Her storyline plays with all those moments between dominance and longing, and I kept thinking about fabric texture again: latex pretending to be silk.

Some transitions drag; some dialogues feel written by two people who never met. But that’s part of the charm. It’s not perfect, not even close, but neither are the bodies it celebrates. Sometimes I caught myself wondering why the brothel walls shimmer like oil, or why Jenny doesn’t blink enough. Doesn’t matter. The thing is, if you stop expecting polish and just lean into the heat, like, really lean, you’ll find your own reflection looking back at you through those impossible colors.

Mythos feels like somebody smashed together a late night crime podcast, a horny anime parody and that weird urban legend subreddit you scroll on your phone when you should be sleeping, then sprinkled way too many tits on top and said “yeah, this is fine”. You pick if you’re playing as a guy or a girl right at the start, and it actually matters, not just in “pronoun changed, congrats” way. Some scenes twist a bit depending on your body, who stares at you, who you can seduce, whose hand “accidentally” lands on your ass in the train when the lights flicker and the supernatural stuff leaks through. There is this first big moment where you’re at Lisa’s memorial, staring at a photo of your ex who got murdered in some fucked up way nobody wants to explain, and two completely different types of people hit on you almost at the same time: a smug cop with that “I’m totally abusing my badge” vibe, and this soft spoken girl with huge tits spilling out of a tight uniform that should absolutely not be legal in a public place. The game doesn’t stop to tell you “this is a choice”. It just lets you go horny detective or horny victim or both and quietly tracks who you want to bend you over later.

Sex is not just “reward unlocked, here’s generic bouncing”. You’re running around this fake-modern city where vampires are landlords, tentacle things hang out in dark alleys like drunk ninjas and one busty elf professor keeps “tutoring” you after class, squeezing your thigh while talking about mythology like she isn’t about to slide under the desk and wrap her lips around you. There is a scene at a cheap business hotel during a “vacation” that is not really a vacation. You’re supposed to investigate, but instead you spend half the night pinned against the balcony railing by a frustrated MILF who is technically someone’s wife and technically not human and technically doesn’t give a fuck. She rides you slow while the neon signs below blink and you can choose if you pull out or let her take every drop and feel that messy creampie drip down her inner thighs while she laughs and calls you a good little snack. Later the same day, basically in the same clothes, the story casually throws you into this awful netorare-ish angle where you watch through a half open door as a different woman you got close to is getting pounded by some supernatural asshole with a cock way bigger than yours. The game lets you peek, or walk away, or join and turn it into harem chaos. If you stay hidden, you see her begging for more, getting titfucked until her face is glazed and you can’t decide if you hate her, hate yourself, or just want in. And that mood, that messy mix of comedy, jealousy, horror and “fuck it, let’s suck his balls too”, that’s pretty much Mythos all the way through, jumping between murder clues, meme jokes, romance sweetness, corruption temptations and stupidly hot tentacle scenes in the dark where you swear you’re still solving a case while something slimy is filling your ass and your mouth at the same time.