I didn’t expect to care about the outfits so much. The first time Kaylan walks into that smoky cantina wearing something that looks halfway between a pilot’s jacket and a dominatrix vest, I actually paused. Like, *why* does this cheap little visual novel manage to make leather look expensive? Everyone else’s clothes seem one breath away from falling off - especially that Twi’lek bounty hunter with the split skirt that screams “fight me but also ruin me.” It’s ridiculous, yet it works. Maybe it’s because the lighting’s uneven, like someone forgot to polish the render - makes the skin look more real somehow, less glossy doll, more sweaty body after a chase scene. I kept thinking, “This shouldn’t be hot,” but it was.

The sound though - it’s weirdly good. Not the music (that’s just spacey hums and random drum hits), but the way the moans are layered under the blaster sounds, almost like they belong together. There’s this one oral scene in the ship’s medbay where the hum of the engine mixes with her breathing, and it’s… unnerving? I mean, I replayed it twice, so maybe not *that* unnerving. And then suddenly they throw in some heavy drama about betrayal and destiny, like I didn’t just watch someone get pinned against a console five seconds ago. It’s jarring, but kind of perfect. You’re half turned on, half emotionally confused, which might be the point - or maybe the devs just didn’t plan it that way. Hard to tell.

What bugs me is the hair physics. I know, weird thing to fixate on when everyone’s naked half the time, but still. Her braid clips through his shoulder right when things get intense, and I can’t unsee it. Yet I’d still call it romantic, in that messy, sweaty, “we might die in hyperspace” sort of way. The whole thing feels like fanfiction that got drunk and decided to grow up. I’m not sure if I love it or if it just caught me off guard, but I haven’t closed the tab yet.

The first time I logged into this thing, I didn’t even care about the classes or whatever plot it pretends to have - the way the avatars breathe, the tiny tremor in their lips before a kiss, that’s what got me. It’s like the devs poured all their soul into making skin look touchable. There’s this one girl in a half-armored cosplay outfit, silver hair glowing like some digital eclipse, and when she leans close, her breath fogs your screen. Maybe I imagined that, but hell, it felt real. The sci-fi cities behind her hum like they’re alive, something between a nightclub and a dream you shouldn’t be having. The game doesn’t shout about its mechanics, but when you figure out how to sync movement and body sensors, it’s almost too much - like your nerves are being rewritten to crave every vibration.

Sometimes the story pretends to be about mystery - a missing player, a corrupted zone - but nobody’s really fooling anyone. The real puzzle is how long you can last before giving in to pure heat. The VR immersion slips between sweet and filthy faster than your mind can keep up; one moment you’re chatting with a student NPC about history, next she’s on her knees, glasses sliding down, eyes wide like she’s learning anatomy for the first time. There’s group stuff too, awkward at first until it’s not. Someone mentioned modders replaced the background drones with moaning echoes; I laughed until it happened in my session and I swear it made everything feel more chaotic and alive. The music, though? Too clean. Needs something grittier, maybe a heartbeat instead of these sterile synths.

I still can’t get over the fact that clothing physics act like they’ve got personalities - skirts that refuse to stay where they should, latex that remembers your touch. You can taste the future here, but it’s messy and dripping and maybe a bit too honest. Every time I log out, reality feels thinner, like a veil that won’t settle right.

FSS Lamashtu feels like somebody mashed up a cold war naval thriller with a filthy space brothel and then forgot which part was supposed to be serious. You’re the freshly minted captain of this “experimental cruiser” that is absolutely not built for exploration, unless you count exploring how many holes your crew can take in a single patrol. Officially it’s the proud weapon of the Alliance, last hope in a long-ass war. Unofficially it’s your floating fuck-lab, staffed with officers who look like they came out of a horny AI art generator after you typed “war crime but sexy” too many times. The ship layout screen is almost a character by itself: bridge, medbay, cargo, those little tucked-away compartments you quickly learn are perfect for “private disciplinary sessions.” You jump between menus pretending to care about fleet orders, but the only thing you actually remember is which corridor you cornered that technician in when she kept “accidentally” brushing her giant tits against you.

The story likes to pretend it’s about geopolitics and rebellion, and sometimes it even tricks you. You’ll get this long briefing about the Neo-Terran strategic line, convoy raids, morale of the Alliance, all that stuff. Then two clicks later, you’re watching a proud enemy pilot on her knees, mascara running, mouth full of cum while she tries to spit out her rank and serial number. The tone whiplash is almost funny. There’s a certain charm in how the game refuses to pick a lane: you capture prisoners, you break them in slowly or just slam straight into collar-and-chain slavery, you’re supposed to feel the “moral weight” of it, but the next scene has them begging for anal like they read the script ahead of time. The AI CG does that exaggerated wetness thing, where every hole looks like you dumped a bucket of lube on it, and every creampie is this ridiculous white flood that should qualify as a bio-weapon. Sometimes the faces twist into that extreme, over-the-top ahegao that doesn’t even look human anymore, more like a melted idol poster, and it somehow fits this world where war propaganda and porn have fused into one genre.

What sticks in my mind most is how physical the ship starts to feel. You’re not just choosing sex options, you’re shaping routines. That science officer who starts with stiff posture and carefully zipped uniform? A few “private evaluations” in your quarters, and suddenly she’s walking around with visible bite marks on her neck, trying not to react when you casually grope her in front of others. There’s a scene in the hangar where two captured enemy girls are supposed to be processed for interrogation, and you can decide if that means basic questions or “group demonstration of Alliance hospitality.” The way their bodies are posed, covered in semen from multiple angles, has that bukkake ritual vibe, everyone participating because the war needs “unity.” You get toy usage too, not just as accessories but as tools of control: a vibrator left inside during a formal strategy meeting, the slow dawning horror on your new slave’s face when she realizes the remote is in your pocket while admirals talk about casualties. The game never really resolves whether you’re a genius commander or just a sex-obsessed tyrant who got lucky with experimental hardware. At some point there’s a tender-ish lesbian moment tucked awkwardly between brutal scenes, two crew girls comforting each other after a mission, fingers exploring, tongues slow and hesitant, and for once you’re not in the frame at all. It feels almost like the game forgot its own premise for a second, then remembers, throws you back into forced deepthroat in a dark interrogation room, and moves on like nothing happened.

You wake up as Lieutenant Arkay, already balls deep in Empire bullshit and not even sure if you’re the bad guy or just the horny one who signed the wrong paper. General Orbius dumps you on this secret research station called S.H.A.D.O.W., floating in space, quiet and cold, with that soft humming sound in the background that makes everything feel like it’s vibrating under your feet. Doors slide open with that smooth hiss, lights bloom across the floor, and every corridor feels like it’s hiding some dirty secret around the corner. It’s all very sci-fi and serious at first, then the “research” part hits: monster girls in containment, clone soldiers that look almost the same until you notice their tits or their eyes or the way they bite their lip when you grab them by the throat. There’s this weird mix of military discipline and pure filth that actually works. You’re still writing daily reports for the Empire, but between lines you’re thinking “yeah, I made her cum 3 times and then filled her ass, is that classified too, sir?”

The game plays like a sandbox of bad decisions. One moment you’re pretending to do your duty, checking data on some console like a good officer, next you’re cornering a clone in a maintenance bay, hand on her neck, thumb pressing into her pulse while the other one slides into her panties. The detail is nice in a dirty way: her breath getting shorter when you grope her, the way her thighs press together when you tease instead of fuck, the sticky sound when you finally push in after too much teasing. There is one scene where you’re in this observation room, watching a monster girl train with a group of clone girls. It starts as “combat exercise” and ends as you, behind one-way glass, jerking off while the monster girl pins one clone to the floor and licks her all over, and the others pile in. Full on group sex, tails wrapping around waists, hands everywhere, one of them riding a toy while you decide if you join them or just keep being the pervy voyeur. I actually liked the titfuck scenes more than I expected, which is stupid, because usually I skip those. Here, one MILF scientist in a tight uniform kneels in front of you in some random lab, pops her tits out of the white coat, grabs your cock and presses her soft boobs around it, slow, sticky strokes, leaving little smears of precum on her skin. You can feel in your mind that warm, slick slide, her glasses slightly crooked because you pulled her hair too hard. And I still think the anal scenes are the best part, except they kinda aren’t, except they are. The pacing is a bit strange: sometimes you spend too long just walking around the station, touching consoles, listening to Orbius talk about “important projects” while you’re just here waiting to creampie another clone. At one point I got stuck wondering if the clones even remember who fucked them yesterday or if it’s all blended into one long mission report titled “Arkay abuses his authority again.” Anyway, I got distracted by this tiny thing: the sound of doors. They always make the same noise, and now my brain links it with “someone is about to get groped.” It’s annoying. I kinda love it. I was going to say something about the fantasy part with the monster girls wielding strange powers, but now I just remember the way one of them clamps down around your cock when you push in her pussy while her tentacles hold another girl open for you, and yeah, whatever, lore can wait.

Okay listen, this Dragon Ball parody game is kinda wild but also frustrating as hell. You're basically some kid who becomes the new God of Destruction because Beerus got kicked out or whatever - honestly the setup doesn't matter much since you'll be too busy trying to figure out the customization system. And holy shit there's a lot of customization.

The angel Vados is supposed to help you raise the "mortal level" but really she's just there to guide you through banging every female character from the series. We're talking Bulma, Chi-Chi, Android 18, Videl, that green-haired Cheelai chick from the Broly movie, even some of the angel characters like Heles. The art style tries to match Toriyama's but it's clearly amateur work - not terrible but you can tell it's fan-made. What got me hooked though was the costume editor. You can modify literally everything these girls wear, from their regular outfits to bikinis to... well, nothing at all. Spent way too much time getting Android 21's lab coat just right before the actual sex scenes.

Combat exists but it's basically an afterthought RPG system where you grind levels to unlock more characters and outfits. The real gameplay loop is collecting all the different costume variations and scene animations. Some characters like Kefla and Caulifla have fusion mechanics that unlock special threesome content, which is pretty clever actually. Mind control elements pop up here and there but they're not the main focus - mostly just an excuse for why these characters would suddenly want to fuck the new GoD. Mobile version runs decent enough on my phone but the PC browser version has better controls for the customization menus. If you're into Dragon Ball girls and want to dress them up before the lewd stuff, this hits that specific niche pretty well.

**Becoming a Femboy: When Parallel Universes Get Kinky**

So Austyn thinks hopping between dimensions sounds like a good Tuesday activity, right? Wrong. This little sci-fi adventure takes our boy to a reality where futanari and traps aren't just Pornhub categories - they're the fucking norm. And guess what? The universe decides you're a trap now. No take-backs, no refunds.

The game throws you into this weird sexual ecosystem where everything's backwards but also... not? You're dealing with characters sporting massive tits and even bigger dicks, which honestly creates some interesting dynamics. There's this whole teasing element that actually works better than expected - you know how most games just shove explicit content at you immediately? This one makes you work for it, building tension through handjobs and oral scenes before escalating to the real hardcore stuff. The masturbation sequences feel oddly personal too, like the dev actually understood that self-discovery angle instead of just making it another click-to-cum simulator.

But here's where things get messy (and I don't mean the good kind). The incest subplot feels thrown in there just because someone checked a fetish box on their development checklist. It doesn't flow naturally with the parallel universe premise at all. And don't get me started on how the titfuck mechanics work - they're simultaneously too complicated and not detailed enough? Like, pick a lane. The big ass appreciation scenes are solid though, probably the most polished part of the whole experience. Sometimes you'll find yourself getting genuinely invested in Austyn's adaptation process, then remember you're basically watching cartoon porn and question your life choices. The futa protagonist interactions create this power dynamic that's actually pretty hot when the writing doesn't get in its own way. Which happens more often than I'd like to admit.

Nothing about this game feels shy. It basically throws you into this messy sci-fi city where everyone is hot, slightly broken in the head, and way too horny for their own good. You’re this guy who somehow keeps ending up in girls’ memories, like you’re scrolling through their hidden photo folder but it’s alive and talking and pressing its tits against you. One moment you’re in some neon back alley with Ellen whose boobs are so big the camera can barely keep them on screen, the next you’re stuck in Miyabi’s weird fantasy zone where she pretends everything is “for the mission” while she grinds her huge ass on your lap and calls it “combat evaluation”. It’s not subtle. I like that. Porn games that pretend they’re innocent are annoying. Here, the dick is big, the girls are stacked, everyone knows why we’re here, and it just leans into it with a stupid grin.

What I didn’t expect is how the whole “memory fragment” thing actually works in scenes. Like, you’re mid fuck with Ellen, she’s on top riding you slow, talking about how she’s “just using you as stress relief”, but then the background glitches and suddenly you see this short flash of her alone in some empty lab, staring at your picture on her phone, hand between her legs. It lasts maybe two seconds, then you’re back to her moaning in your ear and pretending she doesn’t care. That hit me harder than the actual blowjob earlier where she’s drooling all over your cock and smearing lipstick on your abs. Same with Miyabi: there’s this moment in an infiltration where you’re both hiding in a locker. She pushes you against the wall, unzips you without a word, just angry eye contact, and starts stroking you way too fast like she wants to punish you for existing. Then a little memory crack pops and you see her earlier in the day rehearsing in the mirror how she’ll “casually” ask you to stay safe. It’s dumb, I know, but my chest actually hurt for a second. Then she takes you deep and chokes on it on purpose and I forgot what I was feeling. Porn with emotional lag, basically.

The game really teases you with the parody vibe too. You open it thinking “ok, horny Zenless spoof, cool”, and suddenly you realize the dev clearly spends too much time on Pixiv and not enough touching grass. The way Ellen’s tits bounce when she leans over the console to type something that absolutely doesn’t need her bending that low, or how Miyabi’s outfit looks like it lost a fight with gravity, feels like scrolling a very specific Twitter tag at 1% battery. There’s that one scene where you’re interrogating some NPC and Ellen just casually slides her hand into your pants under the table, keeps a straight face, asks about “zone stability” while slowly jerking you off, and gives this tiny smirk every time your HP bar shakes. I actually had to pause because I was opening Telegram at the same time and almost sent my friend a screenshot of her licking your cum off her fingers as a “wrong chat” moment. Also, tiny complaint: the text box sometimes covers like half of Miyabi’s ass at the exact worst time and I swear I got more annoyed at that than at any “game over”. Still, the mix of serious sci-fi nonsense with you rearranging these girls’ guts with a pornstar cock is stupid in a way that just works. It feels like someone made a horny fanfic in Google Docs, got too into it, and accidentally turned it into something you actually want to keep clicking through even after you already got off.

Quiet little towns in these games are never really quiet, but here it actually feels like it for a moment. Just a horny, slightly bored guy with a normal life, scrolling porn on his phone in bed, thinking about girls that are way out of his league. Then his blood wakes up and suddenly everyone wants to either fuck him, use him, or stab him in the heart. In that order. The whole vibe is this mix of fantasy and sci‑fi where the city looks almost normal on the surface, but behind it there’s this hidden vampire hierarchy that treats humans like resources and other vampires like walking status points. You’re the “dead” bloodline that isn’t supposed to exist anymore, so when you start throwing your weight around, some girls get wet, some get scared, some try to play you, and some just let you use them because they think you’re the next big monster on the food chain. The sex scenes lean hard into that power shift thing. You start out kinda unsure, then suddenly you’re fucking from your own POV, hand around a throat, pushing a girl down into the mattress while she pretends she doesn’t like it but keeps grinding back. Creampies are constant here, not just a one‑off fetish. You finish inside, she looks up at you like, “You’re not supposed to do that,” but her legs are still shaking and you know she’ll let you do it again. The animations are not Hollywood level, but weirdly that makes them feel more raw. There’s this one scene in a back alley, neon light from some shitty bar sign hitting her skin, you press her against the wall and just slam into her, her panties pushed to the side, and the way her hips twitch when you cum in her feels almost too intimate for a mobile game you’re playing on the toilet while pretending to scroll TikTok.

What I liked most is how the cheating stuff isn’t treated like some big moral lesson. It just happens. You’re fucking a girl who clearly has someone else, you see the hints, the messages popping up on her phone that she ignores while she’s riding you, and instead of some drama talk, the scene doubles down on how wrong and hot it is. One moment she’s whispering that she shouldn’t be doing this, the next she’s begging you not to pull out. It’s scummy as hell and the game doesn’t apologize for it, which I respect in a dirty way. Not everything is perfect. Sometimes the dialogue tries to be deep and lands a bit like fanfic written on a bus, and there are moments where the pacing is weird. You’ll have this intense political vampire meeting where everyone threatens each other, and right after you’re just casually raw‑dogging someone on a couch like you didn’t almost start a blood war twenty minutes ago. But then again, that mismatch kind of works? Feels like you’re juggling sex, power, and secrets, and always choosing the wrong priority on purpose. The male domination angle is strong but not in a cartoon way. You’re not a screaming edgelord, you’re more like this calm, dangerous guy who realizes people will bend if you push in the right places, emotionally and physically. One of my favorite bits was a scene where you use your status to steal a girl from another vampire at a party, polite smile on your face while she kneels between your legs later, licking you slow, knowing she’s basically your trophy now. And yeah, playing from POV the whole time makes it feel personal in a way that hits different. You’re not just “controlling a character,” you are the asshole who keeps filling girls up and walking away like it’s all part of some big plan for your legacy.

This Resident Evil parody throws you straight into Lady Dimitrescu's castle, and honestly? The devs knew exactly what they were doing. You're playing some poor bastard who's gotta survive Alcina's "trial" - which basically means getting dominated by a nine-foot vampire mommy and her equally stacked daughters. The turn-based combat system feels clunky at first, like they copy-pasted it from some RPG maker tutorial, but once you realize the real gameplay is about managing your stamina while getting your face buried in supernatural cleavage, it starts making sense. There's this one scene where Dimitrescu pins you against the wall and the camera angle is just... chef's kiss. The 3DCG models look decent enough, though Lady D's proportions are so exaggerated she looks like she'd topple over in real life.

Combat encounters blend into these weird BDSM scenarios where losing actually feels like winning. You'll find yourself deliberately failing just to see what creative punishment awaits. The spanking animations have more effort put into them than the actual sword fighting mechanics, which tells you where the priorities were. Sandbox elements let you explore the castle freely, groping your way through dark corridors while avoiding or seeking out the various monster girls lurking around. Some of the dialogue during sex scenes made me laugh out loud - not sure if that was intentional. The ahegao faces during climax moments are over-the-top ridiculous but somehow work within this campy horror-porn aesthetic.

What really caught me off guard was how they handled the size difference fetish stuff. Tall vs short dynamics play out in every interaction, from handjobs where your character can barely reach to titfuck scenes that look physically impossible. The harem aspect kicks in later when you're juggling multiple supernatural ladies, each with their own domination preferences. Voice acting ranges from surprisingly good to hilariously bad, but the moaning sounds authentic enough. Fair warning though - the grinding gets repetitive and some animations loop awkwardly.