You wake up in the middle of a place that’s half memory, half wet dream - the Soul Society twisted into something far less noble. Everyone looks familiar but wrong, like they’ve been peeled out of their uniforms and dropped into your fantasies. Rukia gives you that icy glare that somehow makes you harder, Rangiku leans too close when she talks about “duty,” and Yoruichi moves like she knows every nerve in your body already belongs to her. The game doesn’t waste time pretending it’s about honor or leadership; it’s about power, and how easily it melts when someone whispers your name while stroking your cock under the desk. You’re supposed to be the new commander, but half the time you’re just trying not to lose control while captains argue over who gets to “train” you next.

What hits different here isn’t just the sex scenes (though yeah, they’re filthy as hell). It’s how the choices twist things - one moment you’re punishing a disobedient subordinate with ropes and toys, the next you’re the one begging for release while Unohana’s calm voice tells you to endure. The writing has this strange rhythm: part parody, part genuine lust, like the devs couldn’t decide if they were making fun of hentai tropes or worshipping them. And maybe that’s why it works. When Hinata shyly offers herself as a peace gesture between worlds, it’s absurd, but then she moans your name and suddenly you forget to laugh. There’s voyeurism, there’s domination, there’s that weird line between love and control that keeps getting blurred until you stop caring which side you’re on.

It’s messy, inconsistent, and sometimes the dialogue sounds like it was translated twice through Google, but somehow that fits. This world shouldn’t feel clean. It should feel sticky, desperate, alive. You’ll come for the fanservice, stay for the chaos, and probably end up questioning why watching Tsunade pin you down feels more spiritual than any boss fight ever did.

Bolsdip sounds like the kind of town where nothing happens, but then you walk around for five minutes and suddenly you are watching your hot neighbor masturbate through a half open curtain and pretending this is “part of the investigation”. You play this young detective who comes back home carrying big city attitude, small town trauma, and a dick that keeps voting against professional ethics. On the surface it is this classic mystery thing: weird disappearances, rumors about supernatural shit, people keeping secrets. But the game quietly keeps shifting everything into sex. Every clue, every locked door, every awkward chat in the college hallway somehow slides toward blackmail, seduction, or some fucked up mix of both where you are not sure if you are saving them or corrupting them further. It feels less like solving cases and more like peeling clothes off reality, one layer at a time.

The way it plays is relaxed and a bit messy in a good way. You click around town, poke at objects, wait for certain times of day, and different scenes unlock depending on what you already screwed up or screwed. One run I spent ages orbiting the local professor, this classy-looking woman who talks like she teaches ethics but dresses like she cosplays her own students’ fantasies. Conversation with her starts academic, about motives and perception and all that, then suddenly she is pressing you against her office desk, whispering about “research” while her hand slides down your pants. It’s not just “sex scene, reward, next”. She keeps referencing previous choices, teasing you for hesitating when she first offered to “help you relax”, and if you push back she flips into this cool femdom mode, sitting on her chair and making you kneel between her legs while she explains moral philosophy like it’s foreplay. I wish the transitions between normal talk and horny talk were less abrupt sometimes, but at the same time that abruptness kind of feels right, like how real desire cuts into small talk without asking.

Next door is the milf who looks way too perfect for this shitty little town. She bakes, she smiles, she leans over in yoga pants in a way that absolutely counts as exhibitionism. She acts all caring, nostalgic about when you were younger, but the camera angle really cares only about her tits and her ass. You end up in these situations where you “help” her carry boxes, fix some minor thing in her house, and the reward rapidly goes from a hug to her guiding your head between her legs on the living room couch while some boring TV show is on in the background. There is this one scene where she pretends to be half asleep on the sofa and you are standing there, watching her nipples harden under the shirt, and the game lets you choose whether to be a good guy or quietly slide your hand under the fabric. It feels dirty in a very aware way, like the game is staring right into that part of your brain that always wonders what you would really do if nobody judged you. And then, when you think you have the pattern, the game throws that hidden baocat thing at you, so suddenly you are clicking around locations looking for a ridiculous little mascot that unlocks some extra lewd toy or secret animation. It is silly, breaks the mood, makes you grin, and somehow also makes the next blowjob scene feel more earned, because you hunted a stupid cat for it. The whole thing ends up like a horny detective diary: a slow burn of mysteries, voyeur moments, guilt-flavored orgasms, and the constant sense that Bolsdip itself is getting wetter and weirder the deeper you push.

Man, this game threw me off right from the start. I opened it thinking it’d just be another messy parody with lazy jokes and pixel boobs, but nah, it’s got this weirdly hypnotic rhythm to it. Like, you’re Morty but not Morty - more like some version of him that’s seen too much hentai at 4 AM and still tries to act chill about it. The writing bounces between awkward teen panic and total degenerate confidence, which somehow works. One minute he’s nervously mumbling about interdimensional nonsense, next he's elbow-deep in something that probably violates a few universal laws. And god, the voice lines - half sound like a bad improv skit on Discord, half like someone’s actual bedroom mic confession. It shouldn’t be hot, but it kind of is.

There’s this one scene - can’t even call it a scene, more like a fever dream - where he’s stuck between two portals, both dripping with fluorescent slime, and you’re given this choice that makes zero sense but also feels like the most important decision you’ll ever make. That’s what this whole thing does: makes absurdity feel spiritual. The pacing is off, like purposefully off, dragging moments until you’re uncomfortable enough to laugh or maybe keep clicking because the animations start looping smoother the longer you stare. The control scheme is nothing fancy but you won’t care, because somehow the dialogues keep pushing into taboo, stepping over lines like they’re suggestions, and then circling back into weird emotional vulnerability that shouldn’t land but totally does.

I swear the backgrounds change depending on how bad you feel for laughing during the dark parts. Could be my imagination or just bad memory, can’t tell. The “Rick” version here is unhinged even by internet standards, giving these lectures that start about time travel and end in humiliation kinks. And the “Summer” side stuff - let’s just say it redefines uncomfortable curiosity. I tried alt-tabbing to Spotify halfway through a scene and forgot what song I was even playing. That’s how this game eats time and dignity together, one click at a time.

There’s something weird about how this one feels - the way it takes the whole Ben 10 universe and just throws shame out the window. You play as Albedo pretending to be Ben, which already sets the tone: lying, manipulating, and then somehow turning all that twisted energy into desire. The training part doesn’t even feel like “training,” not in the academic sense. It’s more like emotional blackmail mixed with light teasing until Gwen starts giving you that look that says she knows exactly what’s happening but pretends she doesn’t. Then there’s Charmcaster, who might actually be the only one having fun, because her lines feel improvised, almost too human - like she knows this is a parody and wants to out-parody it. The combat moments interrupt everything, yet somehow make it hotter? I don’t even know why. Turn-based fighting shouldn’t feel erotic, but the tension between attacks does something unusual when paired with the dialogue.

What threw me off was Julie - she arrives later than expected, acts innocent, then immediately flips the tone with these ridiculously detailed animations that linger longer than they should. There’s a sleep scene that made me pause for a bit, not out of guilt but because it’s so quiet, like the game itself is holding its breath. You can mess up interactions too, which I did on purpose the second time, just to see if Gwen would still act smug after losing trust points. She didn’t. She broke character completely, started being sweet. It was confusing and kind of perfect. Also, whoever wrote the Rook sequences either hates men in uniform or secretly loves them too much - it’s hard to tell.

I wish the sound effects weren’t so clean; they’re too precise, like digital slaps trying to mimic skin. Still, it’s absurdly addictive, the way every lewd moment doubles as a power fantasy. I kept switching between saving the world and ruining it because both options felt right. Maybe that’s the point, or maybe the devs just forgot to pick a tone. Doesn’t matter. I’ll keep opening it “just to test something.” Always end up back at the same scene anyway.