You start as this mafia prince kind of guy, rich kid with a target painted on his back, thinking life is just booze, guns and pretty women, and then everything goes straight to hell in like two minutes. One ambush, a lot of bullets, and suddenly your powerful crime family is just red stains and broken windows. The game throws you into that chaos from inside his head, so it feels less like “I am playing a character” and more like “oh shit, that’s my dad getting executed.” It’s all from your eyes, even the sex, so every scene hits kind of personal. Not deep-artsy personal, just “yeah, I’m really here, my dick’s out, this is happening” personal.

Natalya, the bodyguard, basically steals the whole thing. She gets you out alive and then you’re stuck with her in this dry, endless desert, hunted, tired, horny, scared, and somehow still flirting in the middle of it. She’s not some shy anime waifu, she’s tall, scary, a little fucked in the head, with that soldier mindset. One moment she’s snapping a guy’s arm like a breadstick, the next she’s pinning you to a rock with her boot on your chest and asking if you’re “still a man after all that crying.” Half the scenes with her feel like foreplay even when nobody’s naked. There’s one bit where you’re hiding behind a broken car, bullets hitting the sand around you, and she just grabs your face, kisses you hard, then shoves you away and goes right back to shooting. Totally not realistic, but it made me laugh like an idiot.

It calls itself a visual novel, but it’s not only dialog boxes and “do you love her or do you love her more” kind of thing. You’ve got choices that mess with your score, some little combat-ish moments, and a bunch of paths where you can act like a loyal heir, or a petty asshole, or some horny idiot who thinks with his cock while hitmen are literally tracking you. Sometimes the pacing is like a wild house party where the music keeps changing mid-song. One moment you’re digging into who betrayed your father, interrogating some bruised thug about which rival family ordered the hit, and then boom, horny desert campfire scene where you’re half traumatized and half grinding against someone who probably killed more people than you ever met. It’s weirdly hot and also kind of messed up. There’s romance too, but “romance” here means guns on the table, bruises on your neck, and girls who tease you about being soft while they unzip your pants. At one point I forgot I was chasing the truth behind the massacre because I was too focused on getting a better “score” with one of the women, and when the game suddenly threw more soldiers at me, I actually said out loud: “bro, can I finish getting laid first?” That mood sort of sums it up.

Mooncity feels like that messy shelf in my figure closet where everything is thrown together, but somehow my eye still goes first to the cute dangerous girl with blood on her sword. The story pretends to be about this quiet guy, Welt, shipbuilder boy who just wants to care his mom and mind his own boring life, but the city basically grabs him by the collar and drags him through filth and boobs at same time. One street has cult idiots, next corner some gang shaking people for coins, then suddenly, oh, fluffy-eared escort leaning on the wall, tail flicking, asking if he wants “company” like she’s talking about tea instead of grinding his soul out of his body. I like that the game acts serious and horny in same breath. Sometimes it even works. Sometimes it feels like drunk fanfic I still bookmark.

The visual novel parts do a lot of heavy lifting here. You click, you read, you choose, and then suddenly you are in a brothel room with a wolf-girl warrior who has scars on her belly and this smug smile like she already undressed you ten moves ago in her head. She talks about work, about hunting monsters, about how she loves strong men, and then mid-sentence she just straddles the poor boy and rides him until his legs look like jelly. There is no shy fade to black, she keeps talking, teasing, asking if he likes being squeezed by strong thighs, if he prefers claws on his back or soft fur on his face. And when you think “okay, that was the lewd scene”, she just flips him over and starts using him like toy. I hated that. I replayed it three times. The monster girls are like that too: one flower-demon girl in the arena smiles really sweet, with petals on her head like cute headband, then traps Welt in thick vines, spreads his legs and makes him cum just from rubbing plant tendrils against his cock while audience screams for blood. It is awful and yes, I have screenshots saved in my Telegram chat with myself. By the way, the fishing minigame can go fuck itself, why is it more annoying than fighting actual monsters? Anyway. The turn-based combat surprised me because sometimes it suddenly gets rough in a fun way, like you think this is just grinding, but losing a fight means you wake up half naked, covered in bite marks from some catgirl thug, wallet empty and dignity missing, and you kind of want to lose again just to see what she does if she gets bored. The game world is cruel, filthy, too horny in stupid places and not horny enough in one or two scenes I really wanted more, but Mooncity feels alive in that sick, cute, broken way I keep collecting in my heart.

This thing starts with zero buildup and honestly I respect that. One second you’re just some regular dude killing time, next second there’s this smug little dark elf in your room acting like she owns the place and also your dick. It feels like someone mashed together a comfy slice‑of‑life anime and the kind of horny daydream you get in the shower, then went “yeah, that’s enough plot” and hit export. The whole story just rolls forward without choices, so you’re strapped to the chair watching this one long, escalating tease where she keeps flipping between soft caretaker and bratty succubus energy. She pampers you, sure, but it isn’t just “here’s a blowjob now”. It’s the way she wipes your sweat while calling you a pervert, the way she presses too close when she “fixes” your clothes, the way she sits on your lap like it’s the most normal thing in the world and your brain is screaming that this is absolutely not normal.

The best bit is how casual the comedy is. She slaps your ego around, calls you out when you try to act cool, cracks dumb jokes about your stamina, and you still end up hard as a rock because every insult is paired with a new view of her tits or that tight little ass. One moment she’s feeding you like some fantasy maid, next she leans in, whispers filthy stuff that would get your phone banned from the living room, then pretends she didn’t say anything. It’s got that Ren’Py “click, read, click, horny” rhythm, but smoother than I expected, like the writer actually knows how horny people think when they’re bored and lonely. There’s this massage scene where she gets behind you, breathes in your ear, kneads your shoulders, then slowly works her hands lower and lower, and you feel the shift from “aw this is sweet” to “oh fuck she’s really going for it” in a couple of lines. Then she tosses in some supernatural talk like it’s totally fine that some otherworldly elf is milking you dry in your own bed. The romance part sneaks up on you too. You start laughing at her stupid jokes, then suddenly you care when she acts a bit shy, then she’s riding you and you’re like, yeah okay, maybe I’d sell my soul for this too. The only thing that annoyed me is there’s this one sound effect that repeats when she moves on the sheets and once I heard it, I could not unhear it, it’s like a wet squeak that lives in my brain now and I’m slightly mad about it, but also I went back to replay that scene on my phone in the bathroom like an idiot, so whatever.

Solace City looks clean from far away, like a postcard you buy in an airport, but when you actually walk its streets it feels sticky, like someone spilled sex and blood everywhere and never wiped it up right. You play this guy who clearly has done some serious shit before the story starts, the kind of man who knows exactly how to break a jaw and still offers his seat on the subway. He shows up in this huge corrupt city with nothing but bad memories, a smart mouth, and that “I should probably mind my own business but I won’t” attitude. The whole thing is built around a mystery that keeps mutating. You think it is just missing girls, then suddenly you are snooping around a supposedly normal campus, watching drunk students pretend everything is fine while you know some of them might be running blackmail rings, porn stings, or worse. One moment you are joking with a cute girl outside a dorm, the next you are in a warehouse watching a guy bleed on the floor because you made a choice three scenes ago that pissed off the wrong people. The game loves this shit, this mix of flirting, violence, and “oh fuck, that escalated fast.”

Most of the time you are in visual novel mode, clicking through dialogue, picking who to help, who to lie to, and when to just grab someone by the throat and shove them against a wall. There are animated scenes for the fun parts, and the sex isn’t shy. Girls strip slow when they trust you, fast when they are angry and horny and trying to prove a point. One of the best moments for me was in a shitty little student bar: you are playing a dumb arcade-style minigame on a busted machine with this girl who looks too innocent for this city, betting clothes instead of coins. She starts losing on purpose, watching you from the corner of her eye, unbuttoning her shirt piece by piece while the neon lights flicker and some asshole pukes in the bathroom. Another time you are in a luxury penthouse, holding a gun you stole two scenes earlier, with a crime boss on his knees and his girlfriend in nothing but heels behind you, still catching her breath because you absolutely railed her to get her to betray him. Choices can swing you between “romantic protector” and “cold psycho” real fast. You might spend five minutes comforting a traumatized girl, letting her cry on your shoulder, then walk outside, grab the guy who hurt her, and pulp his face against a car hood. There is romance here, but it is romance built from bruises, secrets, and morning-after sex where nobody is sure if they are safe or just addicted. Sometimes the pacing feels like a drunk party: quiet talk in the kitchen, then suddenly someone is naked on the balcony screaming at the neighbors, then back to whispering about who disappeared last semester. You chase leads, unlock scenes, play around with minigames that pop up just when you were getting used to only clicking choices, and every time you think “ok, that’s enough crazy” the game just smiles and throws another girl, another threat, another chance to fuck or destroy someone right in your lap.

You know that feeling when a “romance” game pretends you’re some clueless virgin highschool kid again? This is not that. Here you’re a grown-ass guy who actually worked a real job, has some skills, and just wants to stop jerking off to the same three tabs in Chrome. You packed up, left your old life, landed in a new country, and now your “fresh start” somehow keeps circling back to one thing: mature women who look like they walked out of a horny architect’s sketchbook. The game leans into that hard. Every scene is built around you slowly slipping from casual chats into dirty confessions, from polite coffee to “she’s pressing her big tits against your arm and pretending it’s accidental” territory. It’s a visual novel, so you’re mostly reading and picking choices, but it feels more like you’re texting someone on WhatsApp you really shouldn’t be flirting with. Except here, you’re supposed to.

Valeria is the first hook, and she’s very much drawn like the kind of woman you’d zoom in on while pretending you’re just admiring the “art style”. Older, confident, that curve-heavy body that makes you wonder how her back isn’t killing her every day. She shows up in your life when you decide maybe it’s time to stop being alone, and from there the story stops pretending it’s pure romance. Conversations with her switch from soft and sweet to full-on horny so fast it’s almost funny. One moment she worries about your new life, the next she’s hinting that you should “come over and help her with something at night” and you both know she doesn’t mean fixing a door. The writing doesn’t always hit perfect English, some lines read a bit stiff, but honestly that makes the dirty talk feel more raw. When she drops a blunt line about how long it’s been since she had a real cock inside her, it lands. You’re not stuck in endless build up, but it doesn’t turn into brainless porn either. You get to tease, push, back off, and sometimes your “romantic” choice turns out even filthier than the direct one.

The pixel art hits a weird sweet spot. It’s simple, not ultra detailed, but the shapes are very clear about what the game cares about: soft thighs, big breasts, hips that take half the screen when she leans forward. The sex scenes don’t drown you in a million positions, but when Valeria climbs on top, or when a “friendly” hug lasts way too long and her nipples are obviously hard under that tight top, it’s more about how the scene built up than some crazy animation. You click through, you linger on expressions, on that moment when her face goes from “I shouldn’t” to “fuck it, I need this”. The choices you make can turn a quiet evening into a messy, sweaty fuck on the sofa where she tries to keep her voice down and fails. It already feels like the kind of game where every new woman you meet is going to be another flavor of trouble with a nice, heavy chest attached, and the story is just an excuse to keep putting you in front of milfs who are lonely, horny, and way too into you for their own good.

House full of ghosts, but they all look like skinny pretty boys in thigh highs and skirts. That’s the vibe here. You move into this creaky old place after your dad dies, with that weird heavy silence in the walls, and instead of dust and spiders you get these tiny smooth femboys showing up in your room, your shower, your bed, your head. They’re not transparent, they’re not “woo spooky”, they sit on your lap, breathe on your neck, grind on you, but everybody else just walks through them like air. So you’re having this soft yaoi daydream, dick hard, while the neighbor talks about plumbing, and this little crossdressing brat is licking your ear and calling you “onii-chan” even though you’re not related at all and also he’s legally an adult, calm down. The game sort of leans into that mental question: are you losing it, or is this a very specific kind of gay blessing that only you get. And it doesn’t answer. It just smiles at you with another pair of glossy lips and asks if you want to kiss him or make him choke on it.

What I liked is how it swings between horny and kind of sad without warning. One second you’re picking a dialogue option about whether you want to pull his panties aside or make him keep them on while you push inside, the next second he’s asking if you’re scared to end up alone like your dad. The writing is weird, like the dev’s first language was feelings and porn, and English somewhere after that. Some jokes hit, some lines feel like Tumblr from ten years ago glued to Pornhub comments, but it sort of fits. The boys are all petite, flat chests, soft tummies, smooth thighs, and yeah you can tell the art is AI if you stare too long at hands or backgrounds, but honestly I was zooming in on the bulges and the way the skirts ride up when they sit wrong on your face. There’s this one scene on the stairs where your foot clips inside the step a bit, and it drove me insane, like, why that specific angle, why that tiny glitch, I kept thinking about it during a blowjob scene for no reason. Dialog choices actually do matter a little, you can be gentle or trashy, “are you okay?” or “open wider”, and they react in these small ways, shy smile, needy whine, a little blush when you call them “good boy”. Sometimes the pacing drags with too much inner monologue about grief, and then suddenly a petite femboy is riding you raw in your dead dad’s bedroom and moaning your name like it’s a blessing. The whole thing feels like someone’s horny therapy session turned into a visual novel, sloppy at the edges, kind of broken, sometimes really sweet, sometimes just filthy, like when the quiet one sits on your face and pretends you’re not there, “since I’m only in your mind anyway”, while your character is literally gasping into his damp panties. It’s romantic, but also not, but also yes. I don’t know. I clicked every lewd option I could and still felt weirdly soft in the chest after the last route, like I’d just masturbated to my own loneliness in cute thigh highs. In a good way, or maybe not.

Guard uniform, shitty fluorescent lights, that stink of sweat and bleach that almost comes through the screen, and then this guy shows up in your block. Artemis. Wrong kind of pretty for a place like that. Soft face, sharp eyes, mouth that looks like it was made to talk back and suck cock, both. The game just throws you into that fucked up mix of power and attraction without a slow intro, which I liked. You’re already in the role, already the one with the keys, but somehow he feels scarier than the whole cell block. Not scary like monster, scary like "I know exactly what you want and I’m going to make you admit it." The flirting starts way too early to be healthy, way too late to stop, and every line he drops has that vibe where you can’t tell if he’s actually scared or just acting weak so you’ll push harder. And yeah, it’s mostly reading and choosing, but it doesn’t feel dry, because half the time I was alt-tabbing out of sheer secondhand shame, then going right back in like a horny idiot.

The thing that got me is how the game keeps playing chicken with your morals. You get these choices like "do the professional thing" or "maybe just touch him a bit" and it sounds simple, but the writing keeps nudging you, poking at your curiosity, making the “nice” options feel kind of fake. At some point I realised I was picking the worse path just to see how far the dev will go, and it does go pretty far into fucked territory. There is that whole predator vs prey dance, but it flips. You start as the guard, the big man with the baton, but Artemis knows how to tilt his head just a little, sit on the bunk in that half-feminine pose, open his legs too wide, make you aware how easy it would be to hurt him and how much he kind of wants you to. Or pretends to. Hard to tell. That tension is the hot part, not even the actual explicit bits, though those are written with enough dirty detail that I had to stop reading on my phone in public transport after one very specific line about making him kneel on the cold floor of the cell. The world is cruel, the prison is worse, but the horny brain prevails.

It’s pretty dark without the game patting you on the head about it. No big speech about trauma, just little details: the way he flinches when you move too fast, the way other guards talk about inmates like meat, offhand comments about what happens in the showers. It’s messy, morally and sexually, like one of those old yaoi fanfics on LiveJournal that half of us cut our teeth on, only a bit more grown up and kinda meaner. Artemis is that type: slight, almost fragile, but with enough lip to make you want to shut him up by grabbing his neck. He’ll tease you, call you "officer" with this tiny smirk, then suddenly there is this one line where he sounds genuinely terrified and it punches you right in the gut while you still have a hard-on. The choices make you complicit. You can try to be the good guy, but the text never lets you feel clean, and honestly that’s why it sticks. Sex here is power, manipulation, pity, and actual lust all tangled together, not separated into nice categories. If you like your gay prison fantasies soft and wholesome, this is not that. If you always wondered how far a bored, lonely guard might go with a dangerous little femboy inmate who knows exactly what card to play, this thing crawls under your skin, rubs up against every bad impulse, and waits to see which button you press next.

Office is quiet, Outlook is frozen again, so I alt-tabbed into this thing and suddenly my productivity went to hell. The game throws you into this “normal” married couple setup, except nothing stays normal for more than five clicks. They start as that typical cozy pair who probably has a joint Netflix account and matching coffee mugs, and then you poke a few dialogue options and boom, you’re pushing them straight into every filthy fantasy they were pretending they didn’t have. It’s not subtle. One moment you’re having this cute banter about daily life, next moment you’re choosing if the husband encourages his wife to wear that too-tight top to meet the neighbor or tells her not to… and obviously you click the bad option, because we all know why we’re here. The humor is actually decent, not that “haha so random” cringe, more like sarcastic couple jokes, horny and a bit mean, the kind that sounds like people who have actually been together for years. Sometimes it tries too hard to be funny, but at least it’s not talking to you like you’re a dumb teenager.

What really hooked me is how the wife’s personality shifts depending on what you push her into. You can keep her more shy and romantic, or slowly twist her into this hungry exhibitionist who gets wet just from being stared at, and the change feels earned because it comes from a hundred little choices. There was one scene where the husband “jokingly” dares her to flash in a parked car, and if you keep picking the bolder answers her breathing changes, the way she talks changes, and suddenly the joke’s not a joke anymore. If you go further, you end up in situations where she is flirting way too hard with a guy who should absolutely be off-limits, while the husband watches and pretends he is still in control. He isn’t. The game loves that line between “we are doing this together” and “she is slipping away into her own new kink world.” One route I picked had her drunk on attention from some smug asshole with perfect hair, and the husband is basically half cheering it on and half dying inside. That scene was hot and uncomfortable and I hated it and then replayed it to try an even worse choice. Also, her tits are huge in the nice useless way where a single button on her blouse is technically “clothing,” and the game knows exactly how to frame that, especially when you push her into tighter outfits. The corruption hits slow then hard, like that extra beer you really shouldn’t open during a “quick” lunch break.

Not every branch is gold. There is a path that tries to be all sweet and wholesome, and yeah, it’s cute for five minutes, then you’re just sitting there waiting for someone to get their clothes off properly. Some of the more hardcore options come a bit out of nowhere too, like you pick a slightly edgier choice and suddenly you’re knee-deep in a fetish scene that probably deserved two more steps of buildup. But at the same time, that messy feeling also kinda works for this story, because sex in long relationships is rarely clean and logical anyway. One run I had the wife turning into this bold, dirty talk machine, then a few scenes later she was shy again with a different guy and it felt like the script forgot what route I was on, which annoyed me more than it should. Also I still don’t like one of the blonde side characters; she talks like a TikTok comment section and I kept clicking through her lines just to get to the next bad decision for the main couple. Still, whenever I told myself “okay, last scene, then back to Excel,” I ended up chasing one more branch just to see how far the game would let me push this poor marriage before it snaps or mutates into something even hotter and more broken.

Office was dead quiet when I opened this in a side tab, pretending to be “checking Tableau dashboards”. Yeah, sure. This is not a numbers game, unless you count cup sizes like I do. The whole thing spins around this girl, Luna, who starts off feeling pretty average, kind of lost in routine. Nothing special on paper, basic student life, but the fun part is how quickly her “normal” becomes totally fucked in the best way once she finds that weird little shop. It feels like someone mashed a comfy slice‑of‑life VN with a horny growth spreadsheet, then forgot to clean up the formulas. You click through dialogue like usual, but every potion choice is basically a data point in a very perverted line chart. Tits go up, ass goes wide, clothes stop respecting physics, and you keep thinking “ok, that’s enough” then push one more increment anyway.

What I liked is how slow the ramp is at the start. The first time her bra feels tight, it’s described so plain and small that my analytics brain instantly went “ah, baseline shift detected”. Then suddenly she leans over her desk, button strains a bit, roommate notices something is off, and you realise, oh, we’re actually doing a full time series here, not just one jump cut. It’s a visual novel, sure, but it feels like a growth sim hiding in VN clothes. You pick ingredients from the shop that sound half harmless, half cursed, mix them up, and there’s this little thrill when you click to the next scene like you’re refreshing a dashboard after changing filters. Some routes keep it modest for a while, like she’s just getting a bit more curvy, more confident, still fitting in public transport seats. Other times, if you go greedy with the recipes, she turns into walking fanservice and the story doesn’t even pretend to be realistic anymore. Which is fine. We’re already in “magic boob lab” territory.

I got irrationally annoyed by one tiny thing though: sometimes the dialogue repeats her surprise again and again, even after you already boosted her three times with the same potion. Girl, you watched your ass grow out of two pairs of jeans already, you are not “confused” anymore, you are running A/B tests on your own body. At least it feels that way. Still, there is this nice, guilty pleasure vibe when she looks at herself in the mirror and you can tell she is half scared, half turned on. That kind of scene hits harder than the big “wow huge now” moment for me. Also, the game quietly tracks your choices in the background like some horny analyst, feeding you different little reactions depending what path you push her toward. I kept thinking of it like a perversion funnel: start with mild curiosity, end with her filling doorframes and pretending this is still a normal student life. And yeah, I know I should have been doing pivot tables in Google Sheets instead of watching a fictional girl outgrow every outfit she owns, but honestly, watching those curves “trend upward” felt more satisfying than any quarterly growth report I ever made.

You wake up in Sonic’s blue spiky body on this weirdly quiet island, with zero idea how you got there and way too much blood in the wrong place. The game doesn’t waste time pretending to be deep. You click around, you poke into random places, you pretend to care about the “mystery of the island”, but everybody knows why you’re actually here. Amy shows up early, all pink and clingy, and the writing leans hard into that obsessive fangirl vibe. One second she’s telling you that Tails is locked up in Chemical Plant, next second you’re already getting options that basically translate to “act like a horny hero” or “act like a slightly less horny hero”. It’s not subtle. I liked that. Or maybe I hated it. I’m not sure, I clicked everything anyway.

The best part for me is how it keeps pretending it’s a serious Sonic adventure with mother emerald, Eggman trying to make a new life form, world in danger, blah blah, while you’re clearly just building a harem of furries with big… personalities. Blaze shows up with this cool serious attitude, like she’s too good for horny nonsense, and ten clicks later you’re seeing her in a situation you definitely never saw on your old Sega emulator on your phone. Rouge? Completely untrustworthy, which is perfect, because every time she talks I’m waiting for her to stab me in the back or sit on my face. Sometimes both. There are dialog choices that act like you’re planning strategy, who to recruit, how to attack Eggman, but the “strategy” is mostly about which girl you want to flirt with first and how much you can push before the game rewards you with another explicit scene. And of course Tails is suffering offscreen while you’re getting handsy with everybody. Relatable, honestly. My love life also feels like I’m the side character locked in Chemical Plant.

The actual adult scenes are not shy at all. The game knows exactly what Sonic fans have been searching on incognito mode for years and just leans into it. You get Amy going from cute to desperate, Blaze trying to keep control and failing, Rouge being a total tease, and then you have Sticks, who feels like she escaped from some conspiracy subreddit and landed straight into porn. The tone jumps around all the time, sometimes goofy, sometimes surprisingly sweet, sometimes just straight up filthy for three clicks in a row. I laughed at a few lines that clearly were written by someone whose first language also isn’t English, then got turned on, then laughed again because a sex scene used the word “teamwork” like it was a fetish. The “plot” with Eggman and the mother emerald is only there to justify why all these hot animal girls are stuck together on one island and why you have an excuse to “form a team” by fucking your way through the cast. I kept telling myself I was chasing the emerald, but the only gems I actually cared about were attached to the girls’ chests. It’s messy, horny, a bit stupid, sometimes oddly romantic for three seconds before it goes back to raw hentai energy. Honestly, it feels like the exact kind of disaster a lonely Sonic fan would dream up after a bad day and too much internet. In a good way. Or a bad way. Whatever, I still clicked every option.