This broke-ass protagonist hits you right in the feels, honestly. Like watching your buddy crash on couches after his life implodes, except this dude's got Disney princesses throwing themselves at him. The setup feels weirdly authentic - kicked out, wallet empty, desperately job hunting in some forgotten town where everyone knows everyone's business. Then boom, suddenly he's surrounded by Elsa wanting to Netflix and chill, Jasmine ditching Aladdin for some quality time, and Belle getting real creative with those library books. The whiplash between realistic struggle and fantasy fulfillment shouldn't work but somehow does? Maybe it's because the writing doesn't pretend this makes sense, just rolls with the absurdity.

What gets me is how they handle the Disney angle without being cringe about it. These aren't just copy-paste characters with new outfits - Pocahontas has actual personality beyond the noble savage trope, Mulan's got that warrior confidence translating into bedroom dominance, and Wednesday Addams brings her signature deadpan humor to some surprisingly kinky scenarios. The visual novel format lets them flesh out personalities between the steamy scenes. Though honestly, some dialogue feels clunky when they're trying too hard to sound modern while keeping character voices recognizable. Rapunzel's dirty talk sounds like she's reading from a script sometimes, but when Ursula starts getting freaky with those tentacles... damn.

The dating sim mechanics feel tacked on rather than integrated - you're mostly clicking through conversations waiting for the good stuff. Which is fine because the good stuff delivers hard. Chel from El Dorado absolutely steals every scene she's in, and the variety keeps things interesting even if some encounters feel rushed. Princess Tiana deserves way more screen time considering how much effort went into her character development. Still scratching my head over why they included Kidagakash from Atlantis - seems random but her scenes are surprisingly hot. Game's definitely not polished but the raw enthusiasm makes up for technical shortcomings.

You wake up in Sonic’s blue spiky body on this weirdly quiet island, with zero idea how you got there and way too much blood in the wrong place. The game doesn’t waste time pretending to be deep. You click around, you poke into random places, you pretend to care about the “mystery of the island”, but everybody knows why you’re actually here. Amy shows up early, all pink and clingy, and the writing leans hard into that obsessive fangirl vibe. One second she’s telling you that Tails is locked up in Chemical Plant, next second you’re already getting options that basically translate to “act like a horny hero” or “act like a slightly less horny hero”. It’s not subtle. I liked that. Or maybe I hated it. I’m not sure, I clicked everything anyway.

The best part for me is how it keeps pretending it’s a serious Sonic adventure with mother emerald, Eggman trying to make a new life form, world in danger, blah blah, while you’re clearly just building a harem of furries with big… personalities. Blaze shows up with this cool serious attitude, like she’s too good for horny nonsense, and ten clicks later you’re seeing her in a situation you definitely never saw on your old Sega emulator on your phone. Rouge? Completely untrustworthy, which is perfect, because every time she talks I’m waiting for her to stab me in the back or sit on my face. Sometimes both. There are dialog choices that act like you’re planning strategy, who to recruit, how to attack Eggman, but the “strategy” is mostly about which girl you want to flirt with first and how much you can push before the game rewards you with another explicit scene. And of course Tails is suffering offscreen while you’re getting handsy with everybody. Relatable, honestly. My love life also feels like I’m the side character locked in Chemical Plant.

The actual adult scenes are not shy at all. The game knows exactly what Sonic fans have been searching on incognito mode for years and just leans into it. You get Amy going from cute to desperate, Blaze trying to keep control and failing, Rouge being a total tease, and then you have Sticks, who feels like she escaped from some conspiracy subreddit and landed straight into porn. The tone jumps around all the time, sometimes goofy, sometimes surprisingly sweet, sometimes just straight up filthy for three clicks in a row. I laughed at a few lines that clearly were written by someone whose first language also isn’t English, then got turned on, then laughed again because a sex scene used the word “teamwork” like it was a fetish. The “plot” with Eggman and the mother emerald is only there to justify why all these hot animal girls are stuck together on one island and why you have an excuse to “form a team” by fucking your way through the cast. I kept telling myself I was chasing the emerald, but the only gems I actually cared about were attached to the girls’ chests. It’s messy, horny, a bit stupid, sometimes oddly romantic for three seconds before it goes back to raw hentai energy. Honestly, it feels like the exact kind of disaster a lonely Sonic fan would dream up after a bad day and too much internet. In a good way. Or a bad way. Whatever, I still clicked every option.

Teddy’s story here starts like some cheap sci‑fi porn fanfic that someone wrote half drunk, but it kinda works. You’re trapped in this virtual world thing, watching this orphan kid who got adopted by Sofia and Bob, and very fast it stops feeling like “oh poor boy” and turns into “ok this dude is going to fuck his way through every problem”. The game plays out like a visual novel that really, really likes MILFs and slow burn corruption. Not the subtle, artsy kind. More like Sofia leaning over in a low top, pretending she’s just being caring, while her tits are basically their own characters, and Teddy trying not to stare but the dialogue choices are like: “stare more”, “stare a lot more”, “pretend you’re not staring but still stare”. You click, things move, stuff jiggles, and suddenly you’re not caring about the mystery group that captured you at all.

Sex is not instant, which pissed off some guys in the poll I did, but a lot of us kinda enjoyed the teasing. You get that static VN framing, but then scenes flip into these short animated loops that kick in during stripping or blowjob stuff, and it actually gives some weight to the build up. When Sofia unbuttons her blouse the first time, it’s not just a CG swap, she does this slow, half‑guilty undress animation, turning away like she knows it’s wrong but also likes the attention from Teddy. That bit felt pretty hot. Same with the big ass shots when she bends over the couch, pretending to clean. There’s this “I know what I’m doing, but I’ll act innocent” vibe, classic corruption fantasy, and the writing tries to keep that weird line where everyone lies to themselves while you push them deeper into sex. Scenes can cut from kind of wholesome to “ok, now she’s on her knees giving a sloppy blowjob” in like three clicks, which sounds harsh but somehow fits the tone the dev is going for.

I had some small annoyances too. Text pacing jumps around. One scene Sofia is all shy and “oh Teddy, that’s not appropriate”, and then in the next event she’s grinding on him like she’s been a closet nympho for years, no big emotional bridge in between. Also, the virtual world premise with the shady organization in the background is cool on paper, but it sometimes just vanishes while you’re busy watching boobs bounce. Then it suddenly pops back up like “oh yeah, experiment number whatever”, and you’re like, alright, sure, I guess we still care about that. Some choices also pretend to be deep but are just flavor: pick line A or line B, you still end up with Sofia stripping on the bed, tits unleashed, legs spreading, same animation at the end. Still, there was one moment that stuck with me: Teddy sitting on the bed, Sofia next to him, the room quiet, her hand “accidentally” on his thigh. There’s a pause in the text, nothing moves, and you can almost feel that point where she stops being his safe adoptive mom and turns into the woman he’s going to fuck. That little shift, right before the clothes drop, is where the game actually hits its best kink.

You start as this mafia prince kind of guy, rich kid with a target painted on his back, thinking life is just booze, guns and pretty women, and then everything goes straight to hell in like two minutes. One ambush, a lot of bullets, and suddenly your powerful crime family is just red stains and broken windows. The game throws you into that chaos from inside his head, so it feels less like “I am playing a character” and more like “oh shit, that’s my dad getting executed.” It’s all from your eyes, even the sex, so every scene hits kind of personal. Not deep-artsy personal, just “yeah, I’m really here, my dick’s out, this is happening” personal.

Natalya, the bodyguard, basically steals the whole thing. She gets you out alive and then you’re stuck with her in this dry, endless desert, hunted, tired, horny, scared, and somehow still flirting in the middle of it. She’s not some shy anime waifu, she’s tall, scary, a little fucked in the head, with that soldier mindset. One moment she’s snapping a guy’s arm like a breadstick, the next she’s pinning you to a rock with her boot on your chest and asking if you’re “still a man after all that crying.” Half the scenes with her feel like foreplay even when nobody’s naked. There’s one bit where you’re hiding behind a broken car, bullets hitting the sand around you, and she just grabs your face, kisses you hard, then shoves you away and goes right back to shooting. Totally not realistic, but it made me laugh like an idiot.

It calls itself a visual novel, but it’s not only dialog boxes and “do you love her or do you love her more” kind of thing. You’ve got choices that mess with your score, some little combat-ish moments, and a bunch of paths where you can act like a loyal heir, or a petty asshole, or some horny idiot who thinks with his cock while hitmen are literally tracking you. Sometimes the pacing is like a wild house party where the music keeps changing mid-song. One moment you’re digging into who betrayed your father, interrogating some bruised thug about which rival family ordered the hit, and then boom, horny desert campfire scene where you’re half traumatized and half grinding against someone who probably killed more people than you ever met. It’s weirdly hot and also kind of messed up. There’s romance too, but “romance” here means guns on the table, bruises on your neck, and girls who tease you about being soft while they unzip your pants. At one point I forgot I was chasing the truth behind the massacre because I was too focused on getting a better “score” with one of the women, and when the game suddenly threw more soldiers at me, I actually said out loud: “bro, can I finish getting laid first?” That mood sort of sums it up.