Gwen feels like that girl you see on Instagram explore page at 2 in the morning, the one who starts normal and then each post she’s suddenly thicker, stronger, tits a bit bigger, smile a bit cockier, and you’re not sure when it stopped being “fitness progress” and turned into “okay this is fetish now”. The game basically leans fully into that slide. You pick if she’s a regular girl or packing extra, and then the whole thing is just following her around while she chases this obsession with becoming more. More muscle, more height, more boob, more everything. And unlike the usual clickbait, here it actually happens. You start off with this pretty cute, kinda nerdy Gwen and then a few scenes later she’s filling her top and low key flexing in every line of dialog like she just discovered r/girlswithmuscle and decided that’s her life path. The writing is light, horny and a bit awkward sometimes, which honestly fits. It feels like reading horny Discord logs someone polished a little, not some corporate porn script. She’s curious, pushy, gets turned on by her own reflection, and every time the game gives you a choice you know you’re going to pick the one that makes her bigger and you pretend you’re thinking about it, but you’re not.

What makes it a bit different from other visual novels like Being a DIK or all those Ren’Py clones you grab off itch is how shameless it is about the growth stuff. This is not “oh she just got a cup size up, wow”. There are moments where you watch her wake up, realize her tits are not only heavier but resting on her own abs that didn’t exist yesterday, and she just starts squeezing them and describing how the nipples feel too tight for the bra you literally saw her buy one scene ago. Or there’s a branch where she’s already fairly buff, like early crossfit influencer level, and a random encounter spirals into her getting off on lifting someone smaller, pinning them casually because she’s stronger now, then using that rush to push herself into another transformation. The muscles are not just a tag, they get fetish attention: veins, hardness, how her thighs start rubbing when she walks and she pretends she hates it. Then two clicks later she’s doing squats in front of a mirror, talking about how hot it is that her ass is swallowing the shorts. Sometimes it goes too fast, honestly. There are scenes where she jumps from “cute girl in a hoodie” to “amazon with breasts like overfilled balloons and a growing belly from all the weight gain kink stuff” in the space of a few dialogs and you wish the game slowed down a bit, made you earn each size jump more than just picking the obvious horny option. Also the AI generated art has those moments where a hand looks a bit cursed or a boob curve is… confusing, and it pulls you out for a second, like when Stable Diffusion forgets humans don’t have 3 shoulders. But then the next scene hits with Gwen trying on clothes that used to fit, popping buttons across her chest, laughing in that cocky “oh no, I’m just too big now” way, and you forget you were annoyed. It’s trashy, horny, kind of self aware, and the whole “bigger in every way” idea gets pushed way further than you expect on a random browser tab between Pornhub and Reddit.

Civilization is basically a smoking crater, the streets are full of rotting corpses and hungry dead things, and somehow this game still manages to feel more about horny, stupid human choices than about the zombies themselves. You start in this ruined city where everyone keeps saying “freedom” like it’s a religion, and yeah, they absolutely use that word as an excuse to fuck anything that moves, drink anything that burns on the way down, and chase every dark kink they were too scared to Google when society still had laws. The vibe is half horror, half “what if Pornhub and a bad trip had a baby during Halloween cosplay night,” and honestly it kind of works. The writing swings from serious to trashy in like two clicks, one moment you’re checking a blood–smeared hallway and the next you’re balls-deep in some girl who thinks moaning louder keeps the undead away. Spoiler, it doesn’t.

What surprised me is how often the story gives you a choice that looks simple on screen but hits weird after. You’re not just picking “fuck / don’t fuck” every time, sometimes it’s “do you help this desperate guy who’s clearly high as hell” or “do you use this girl’s messed up daddy issues to get what you want.” It pushes that line where you catch yourself thinking, ok, I’m kind of an asshole here, but then you click anyway. There’s a scene early on where you’re holed up in a shitty apartment, sirens long dead, city quiet like a morgue, and your partner for the night wants to try something rough while there’s a zombie literally scratching the door. The game lets you decide if you stop and deal with the threat or keep going and turn it into fear-play. I picked the second option. Felt dirty, didn’t regret it, regretted it, still not sure. That’s the type of thing that sticks. The horror is not the dead; it’s you getting used to this new normal where necrotic moans outside are just background noise while you eat pussy on a broken kitchen counter. And yeah, the game knows exactly what it’s doing when it leans into drugs, shady trades for sex, and people using the apocalypse as an excuse to finally turn their porn tags into real life. Sometimes it’s hot, sometimes it’s gross, and sometimes those two are the same thing and the game just shrugs and lets you click “continue.”

You wake up in this soft, sugar-sweet all-girls academy where everything looks clean, polite, kind of like those mobile romance apps that pretend to be wholesome while everyone is secretly dripping with horny energy. You’re the new assistant teacher, which already feels wrong, because the way some of these students look at you is not “Sensei please help with homework” and more “Sensei I absolutely want to ruin your life with my thighs.” At first it feels like a normal school day: you walk the halls, talk to the girls, check their work, act like a responsible adult. Except their smiles are just a little too shiny, their memories slip a bit when you ask simple questions, and sometimes a girl says something that sounds like she already fucked you in a scene that never happened. It’s like your brain has save files you don’t remember making. One girl clings to your arm and calls you by a pet name you’re sure you never told her. Another one knows exactly what you’ll say before you say it. The romance here isn’t slow burn, it’s like someone already burned it once and you’re watching the leftover smoke.

The fun part is when the flirting starts feeling like déjà vu porn. You flirt with a shy class rep in an empty classroom, her hands shaking while she tries to confess some “secret.” She says this is her first time, but her dialogue feels weirdly polished, like she’s reading from a script she’s read a hundred times. You grab her waist, push her against the desk, her skirt rides up, and you get this strange sting in your head, like you did this exact scene before with different lighting. You keep going anyway, obviously. Her panties are damp, she’s biting your name, and for a second the whole background glitches and then snaps back. She acts like nothing happened and you’re the only one left breathing hard, wondering if this world is just looping your dirtiest choices. It’s horny, yeah, but also a tiny bit creepy in that “I should probably close this tab but I won’t” way. Sex scenes hit that mix of soft and filthy: girls that moan like good romance heroines but they’re also begging to be choked a little, or to be praised like they’re your perfect student while you rail them over the teacher’s desk. There’s one scene in the nurse’s office that goes from tender to absolutely feral the second the door “accidentally” locks and she asks you to check more than just her temperature. I got distracted staring at the little UI buttons during that scene because they don’t match the tone at all, they look like they belong in some cutesy otome, and it annoyed me more than it should. Anyway, the more you chase the girls and unlock their routes, the more the whole fake-school vibe breaks apart, like a horny dream that starts to remember it’s a nightmare. You’re supposed to guide your students, but half the time it feels like they’re luring you into repeating something you already did, like they’re trying to drag you back into old saves where you made worse choices. And the messed up thing is, the game kind of makes that feel hot.

Lussuria Academy feels like someone took all those “normal” magic school fantasies, poured a bucket of horny over them, then left the edges a bit rough on purpose. You’re the only human in a whole academy full of anthro girls, and that tiny detail never shuts up in the background. It’s in how they stare a bit too long, how their ears twitch when you walk past, how the teachers say “human” like it’s a spell that might backfire. The story moves like a slow finger tracing along your neck, not rushing, sometimes even stopping in awkward places. One moment you’re in a quiet corridor, sound of your own footsteps soft over some lazy background track, and then a fox-girl classmate catches you alone and the mood tilts from scholarly to “are we really doing this here?” without big fanfare. The music is simple, loops you’d normally ignore, but in this game they sneak under your skin. A calm, almost innocent melody during a late study session, then it fades, and suddenly all you hear is the little sounds: tails brushing fabric, a chair scraping, her breath hitching when you stand too close. The sex doesn’t crash into the screen with fireworks. It creeps in. A hand on your wrist a bit too long, a joke that turns dirty, a spell practice that somehow needs “body contact” for channeling. Then the CG hits and you just forget what the previous dialogue even said.

The visuals are that kind of slightly imperfect 2D where a line isn’t perfectly clean and colors sometimes look like the artist was horny and tired at the same time. And it works. Fur texture is suggested with a few strokes, not hyper-detailed, so your brain fills in the softness when her thighs wrap around your waist. Breasts are drawn bold, unapologetic, but not all the same copy-paste shape. Some girls are lean and sharp, with smug smiles, some are thick, heavy hips, tails curling around your leg while they ride you like they’re trying to milk a spell out of your cock. There’s a catgirl whose moans hit this weird mix of purr and whimper and it stays in your head long after the scene ends, way more than whatever magic exam you passed. The magic stuff itself is almost casual. You’re casting with them, learning, charming objects, and then out of nowhere a training room turns into a place to pin a wolf-eared student against the wall and fuck her while candles flicker and she tries not to howl. They use spells as excuses: “We need to test human stamina,” “We should explore cross-species bonding,” and you’re sitting there, pants open, thinking yeah, real scientific.

What I liked most is how the pace messes with you. It’s not smooth. Some routes drag, you click through lines that feel like someone wrote them half awake, and sometimes the translation vibe slips, a phrase sounds off, and you snort instead of getting horny. Then two screens later, a teacher pulls you after class, locks the door, tail slowly curling as she explains “private tutoring” and your brain just melts. There’s this one scene where a shy bunny student tries to thank you for helping her in a duel. She invites you to her dorm room, the background is quiet, only a soft hum like outside wind, and she keeps fidgeting with her skirt. The camera lingers on little details: her trembling fingers, her ears folding when you sit beside her, the tiny squeak when your hand slides over her thigh. It takes ages before anything explicit happens, and then when she finally climbs into your lap, grinding nervously, the game doesn’t cut away. You hear the rhythm pick up, that wet sound, the shaky breathing layered over the same simple loop, and suddenly this silly furry magic VN feels way too intimate. It’s messy, sometimes clumsy, horny as hell, and when a fox teacher presses your face into her furry tits to “calm your mana flow,” you completely forget you ever came here to study.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

Laura feels like that girl from those old Italian coming of age movies, except here the camera actually stays in the bedroom and doesn’t politely fade to black when the clothes start coming off. She’s 26, hot in that natural way, not some anime balloon with physics from another planet. Curvy but believable. The story starts pretty harmless: small southern town, bullshit economy, a plan for a little shop and a small house, her and Mario doing the “we’re gonna make it” couple fantasy. Then little by little, you watch that fantasy get traded for quick cash and dirty favors, and somehow it’s horny and depressing at the same time. In a good way. Or maybe I’m just broken from too many early 2000s browser porn games.

Playing on phone actually fits it. Feels like reading filth on WhatsApp when you should answer work emails. It’s a simple click, read, pick choice kind of thing, but those choices sting a bit because the game doesn’t treat Laura like a bimbo puppet. She knows what she’s doing most of the time. She argues with Mario, she calls bullshit when she sees it, she still ends up with her mouth around some guy’s dick anyway because money talks louder than pride. There’s one scene where she’s in a car with this sketchy “business partner” of Mario, and it starts as small talk, nothing special, just some cheap flirting. Then the camera angle drops and she’s bent over, trying not to smear lipstick all over his cock while he holds her head. The writing isn’t “poetic” or anything, it’s blunt. You get stuff like “she feels the tip against the back of her throat and tries not to gag” and that’s it. Honest, a bit rough. Exactly the vibe.

The criminal side creeps in slow. First it’s just extra cash in an envelope, then suddenly the guys she blows have bodyguards. The sex itself is pretty straightforward: oral, classic pussy pounding, some kissing that actually feels like romance and not just a loading screen between positions. There’s this one quiet moment after a cheap hotel fuck where she’s lying on the sheets still half naked, texting Mario, acting like she was out doing errands. The game lingers a bit too long on that, and it hits weirdly hard. Like those old Flash games where you suddenly felt guilty masturbating because the story got sad for two clicks and then went right back to cumshots. Sometimes the dialogue is clunky, sometimes a scene ends too fast, sometimes her reactions feel a bit too cool for what just happened, but I kind of like that rough edge. It reminds me of the first dirty visual novels I played on Newgrounds clone sites, where nobody knew how to write women but somehow you still got hooked on their shitty little lives. Same energy here, just more focused on one wife slowly letting the world fuck her while pretending it’s still her plan.

Macario is such a mess of a man that he kinda feels real. Former boxer, body still thick and heavy, brain clearly not his strong point. The game drops you on him when his whole life is fucked: debts, cops, lost everything, dragged by a tax problem he probably never even understood. And then Miranda walks in, this “almost stepdaughter” who is supposed to just help him out, sign some papers, keep him out of prison while her mom is away. Instead you end up stuck with her in this fake little family bubble that gets way too intimate way too fast. As a voice nerd, I went in with low expectations and still got surprised: her voice is soft but not fake anime soft, more like a girl who learned to sound strong so no one sees she’s lonely. When she calls him “Macario” in that half annoyed, half caring tone, it hits different from when she lets a quiet “hey… dad” slip in the dark hallway after a tense scene. She’s not good at hiding how much it turns her on to play the daughter card, and you can hear it in the way her breathing changes line by line. I had to pause a couple times, not for the reasons you think, but to replay tiny pieces of dialog from the browser like some pervert director listening for micro‑moans.

The story acts like it wants to be about survival and taxes and second chances, then suddenly you are watching these two share a bed “just for tonight” and the whole tone flips from awkward to filthy. One moment they are arguing about grocery money, the next she’s whispering that if he wants to save cash they can shower together. The first time she crawls into his lap during a stupid movie night and pretends it’s nothing, the voice performance sells it so hard. She keeps her tone casual, joking, but there is this tiny tremble when her thighs “accidentally” spread and she asks if he’s “comfortable like this.” That tremble is erotic as hell. The sex scenes start hesitant, like both characters are trying to convince themselves this is just stress relief. When you finally push past the teasing and go vaginal, she tries to keep calling him by his name, but when you thrust deeper she slips into calling him “daddy” with this mix of shame and hunger that feels completely wrong and completely hot. There is a group scene later where they keep up that “we’re a family” mask while sharing her, and the way she tries to moan quietly so neighbors don’t hear, then fails, actually gave me goosebumps. It is not perfect, some lines sound like they were recorded in a closet with a cheap mic and there is this one moan she repeats a bit too often, but that roughness kind of matches Macario being a fucked up, broke boxer trying to play house with a girl who clearly wants more than just a fake father. If you’re into sensual delivery that slowly rots into outright incest fantasy and shared use, this thing crawls under your skin and stays there, like a dirty voice message you should delete but keep replaying anyway.

Matthew is a bit of a mess, and honestly that makes him hot in a weird way. Fresh grad, no clue what to do, absolutely overwhelmed by daddy issues and pressure, then suddenly you drop into his head like some horny guardian angel with an agenda. You’re not just clicking through his story, you’re literally steering his thoughts, poking at his fears, dangling pleasure in front of him like a carrot while the whole “save humanity” thing sits in the background going hello, remember me. One moment you’re having a serious talk with him about what it even means to choose something freely, next moment you’re pushing him to say yes to a girl who is clearly trouble, just because you want to see how far he’ll go when his dick is making the decisions instead of his brain.

The sci‑fi angle isn’t just some lasers and space wallpaper either, it feels more like you’re a strange higher being that can be both kind and a complete bastard at the same time. You flirt with him without ever really being on screen, which is kinda fucked up and kinda hot. Telling him “trust me” while you line him up for a threesome, watching him hesitate, then finally give in and grab those hips like he’s been starving his whole life. The sex scenes go from tender “I want you to feel safe” to full on “shut up and take it” pretty fast if you push him there. There’s this one moment where you convince him that relaxing is part of the mission, and he ends up with a girl riding him slow on the couch while the TV shows news about the world going to shit. He’s moaning, sweat on his chest, and in the corner the headline is literally talking about collapse. That contrast sticks in the head more than any cheap porn loop.

Not everything hits perfect though. Sometimes he overthinks in huge text blocks when all you want is to pull someone’s panties aside and get on with it. There’s a choice where you just want to say “yeah sure, let’s fuck”, but the option is written like some philosophy homework and you kind of roll your eyes. Still, when the visuals line up just right, the bodies look good enough that you forget you were annoyed five seconds ago. I liked how some of the girls don’t instantly act like brainless sex toys, they argue, they doubt, and when you finally talk Matthew into crossing a line with them, it feels dirty in a very human way. You watch him slide a hand under a shirt, fingers brushing nipple, her breathing changing, and in the back of your mind you know this might screw up his future, his morals, his “save the world” plan, but you press continue anyway. And that tiny guilt mixed with arousal, that’s where this game actually gets interesting. It’s not just about how many positions you can unlock, it’s about you slowly realizing you’re enjoying breaking this boy while pretending to guide him. Which, to be honest, says as much about the player as it does about poor Matthew.

This thing feels like someone took a horny RWBY Discord server chat, smashed it into Ren’Py, and hit “fuck it, good enough.” And weirdly, that’s kinda the charm. You’re not dealing with slick corporate porn here. It’s Ruby and Cardin in a messy little fantasy romance that should not work at all, but you sit there clicking like a raccoon in a trash can anyway. The writing swings all over the place: sometimes it’s sweet “shy girl with her first real crush,” sometimes it’s “oh, Cardin is absolutely rearranging her inside that Beacon dorm bed” and the text really leans into it, spelling out every wet sound like the dev had Pornhub open on one monitor and Ren’Py on the other. There’s this one scene where Ruby is trying to be all serious about her feelings and within like ten lines she is on her knees, drool on her chin, begging him not to stop. That tonal whiplash? Honestly felt like some of the hookups at my events. One moment deep emotional talk, next moment someone is grinding on a folding chair.

The pacing is like a half-drunk house party where the snacks run out but the booze doesn’t. Early on, the story toys with the whole “is this romance or is this just Cardin using her” thing, and if you know RWBY canon you keep going “no way she’d fall for this guy.” And then you click through a few more screens and she’s pressed against the wall, panties around her thigh, gasping his name with that kind of desperate little whine that makes you shift in your chair. The moaning audio carries more weight than it should. It’s not studio quality, you can literally hear that slight home-recording vibe, but when Ruby starts letting out those shaky little cries and the text mentions her legs trembling while he pushes in deeper, it suddenly feels way more obscene than it has any right to be. There’s this bed scene where she’s trying to keep quiet, biting into the pillow, and the game keeps flipping between her thoughts about how wrong it is and then describing exactly how her body is clenching around him. Honestly, kind of hot in that “this is almost too personal” way, even if a couple of lines sound like they came from a Wattpad account that got banned three times.

And yet, for every filthy detail that hits just right, there’s a tiny thing that pokes your brain. The UI is there, it functions, but that textbox color? I keep thinking about it and I wish it was different, even if it never will be. Some lines feel like the dev just let an AI autocomplete, like mid-sex Ruby suddenly drops a weirdly formal line that nobody with a dick inside them would say. The parody angle shows up mostly in how off-brand everything feels, like this is Beacon in some horny parallel universe where everyone’s moral compass is slightly broken. Still, when Cardin grabs her by the hips and slams into her from behind, making her yelp and stutter through his name, it absolutely sells the fantasy. There’s a moment where she’s sore, cheeks flushed, hair all messy, but still climbing back onto his lap because she “needs it again” even though she can barely sit. That kind of detail feels oddly specific, like the dev was remembering something way too clearly. It’s clumsy, shameless, way too focused on this one wrong-but-right ship, and somehow that makes it hit harder than it should. I closed the tab once, then opened it again on Chrome because I wanted to replay that one corridor scene where he corners her and murmurs in her ear while she tries not to moan loud enough for teammates to hear. I’m not proud of that. But I’m also not going to pretend it didn’t happen.