Nolan’s life goes to shit in one afternoon. Fired, broke, ego crushed, he runs away to this tiny town that looks like it was ripped out of some cozy postcard, the kind of place where the loudest thing at night is a cricket and someone’s shitty truck. He just wants to drift, jerk off in peace, maybe pull himself together eventually. Instead, he walks straight into a war. A mega-corp shows up with glossy smiles and legal papers, ready to kick everyone out and drill the ground until there’s nothing left but holes and regret. And the most ridiculous part? The one thing standing between the town and total ruin is who he decides to fuck. Not metaphorically. Literally, who he puts his dick in changes the fate of everything.

Every route feels like its own little universe. One evening you’re on a rickety porch swing with the girl who pretends she doesn’t care, her shirt two sizes too small for those massive tits that bounce even when she breathes. She lights a cigarette, complains about the corporate scum, then suddenly she’s on her knees between your legs, mouthing off about “stress relief” while her lips wrap around your cock. The blowjob scene there is slow and messy, with more focus on her expression than any fancy camera bullshit. She gags, wipes spit off her chin with the back of her hand, grins like a brat, then asks you what you’re willing to sacrifice. You click a choice while your dick is still inside her throat. That’s the tone. Plot and porn stitched together so hard they start to feel the same. Another night, different path, you’re in a cramped office drowning in paperwork with the “responsible” woman. She’s got the biggest boobs in the whole game, all tightly packed into a blouse that begs for mercy. She makes you help her crunch numbers for some sneaky legal counterattack, and it’s actually kind of tense, kind of smart. Then, as a “reward,” she closes the door, climbs on your lap, pulls your cock out and presses it against herself while your hand is buried under her bra, fingers squeezing those huge, warm tits. She starts grinding, whispering in your ear about court filings and land ownership while you’re trying not to cum in your pants too early. When she finally slides you in and rides you until you creampie her on her desk, the game quietly shifts a flag in the background that changes the entire endgame strategy. It looks like a porn scene, but the script underneath is doing work.

What really sells it is how low-key rude the game is about your choices. You don’t just pick “good guy” or “asshole” from a menu. You decide whose bed you end up in, how honest you are with them, whether you pull out or fill them up, whether you help with their weird late-night problem or just jerk off alone thinking about their huge tits and fall asleep. There are several moments where the game lets you be a selfish dick in very horny ways. Like the shower scene where she’s already stroking you with soapy hands, water running over those big breasts, and you can either help her wash or just grab her head and fuck her throat until she’s choking on your cum, then pretend you didn’t notice she wanted more intimacy. That tiny click will echo much later when the town is on the edge and she suddenly trusts you less, or more, depending how you handled her. There’s a masturbation scene where Nolan imagines different futures with each woman, jerking himself off while the game quietly branches according to whose face he’s picturing when he finishes. Handjob scenes sometimes feel more loaded than full-on sex, because you’re talking about eviction notices while a soft hand is squeezing the base of your cock, thumb rubbing the tip as pre drips out, and you’re choosing dialogue options that might save or damn your neighbors. It’s horny, yes, but weirdly heavy too. Then again, nothing is really fair when your orgasm is basically a vote.

I didn’t expect to laugh this much while, you know, also being wildly turned on. *Furry Bang Town* sounds like some cheap meme bait, but halfway through the first date scene with that smug wolf barista (he keeps pretending he’s bored while his tail literally wags), I realized this game knows exactly what it’s doing. There’s this weird mix of parody and genuine horniness - it flirts with irony but still goes all in when things get wet. The humor hits that awkward space where you don’t know if you’re supposed to cringe or moan. And the writing? Kind of broken in places, but in a way that feels like someone poured their kinks into Google Translate and said, “good enough.” It works. Too well maybe.

I keep thinking about Judy - not the movie one, but the version here who’s somehow both a cop and a futa stripper on weekends. Her route wrecked me; she teases like she’s reading your mind, then there’s this beach scene where she just drops the uniform and starts talking about “justice” while grinding against your thigh. It’s ridiculous. I almost closed the tab, but the sound design pulled me back - heavy breathing layered with seagulls and waves, absurdly effective. Then suddenly, boom, Pokémon crossover out of nowhere. A Lucario bartender offering “protein shots.” I wanted to roll my eyes, but I was already clicking through dialogue faster than I’d like to admit.

The public use scenes are messy in every sense - crowded cafe bathrooms, fur everywhere, people pretending not to watch. It’s filthy, kind of funny, and weirdly intimate. I hated that it made me feel something beyond just arousal. Also, the ending just stops mid-sentence, like the dev gave up or came too early. Still, I can’t stop thinking about that line where the pony character whispers, “You smell like story.” What does that even mean? Maybe nothing. Maybe everything. I’m probably overthinking it, but whatever - this game got under my skin in ways it really shouldn’t have.

This thing feels like someone smashed a horny VN with a petty revenge fantasy, sprinkled in a bit of Death Note brainrot, then left it in the oven a little too long. You play this smug, bitter dude who calls himself “Koibito”, which is already a red flag, and he gets his hands on a pink notebook that lets him rewrite people’s feelings if he knows their secret trauma. Not “oh no, she stubbed her toe” trauma, I mean actual deep shit. Abuse, shame, fetishes, all the broken stuff people bury and pretend isn’t there. You write her name, write the wound, then basically script her love life like a horny Google Doc. The wild part is how the game jumps from mystery tone to “ok now she’s on her knees” in like two clicks, and somehow it kind of works and kind of feels wrong in the way you open a private chat from years ago and hate yourself but keep scrolling anyway.

Sex-wise, it’s very direct. Big tits, big ass, camera not shy at all. When a girl gets rewritten, her whole vibe changes. One scene you’re watching this serious, sharp-tongued woman tear Koibito apart with words, next scene she’s bent over a desk, eyes glassy, moaning his name like he’s the only person in the universe. Vaginal, riding scenes, faces smashed into pillows, that kind of thing, with those 3D character models that sometimes look incredible and then from one angle the boobs sit like two bowling balls and you wonder if gravity died. The female domination moments are surprisingly fun, too. There are times where Koibito thinks he’s in control and the woman just flips it and sits on his face like he’s furniture, or pins his wrists while still technically being “under” his command. That power struggle has real teeth. It doesn’t feel like soft, fake femdom; some of the girls feel genuinely dangerous, especially this goddess thing hovering around him, watching like a cat staring at a mouse that already lost.

What caught me off guard is the humor. For a dark “rewrite her heart and fuck her” setup, the game throws in these petty, stupid jokes, like Koibito overexplaining why he’s not a creep while literally being the biggest creep in the room. There’s a reference to Tinder that made me choke on my coffee, because it hits a little too close. Also I opened Discord mid-game, totally forgot the window capture was on, and alt-tabbed back to a scene where a monster girl is riding him, drool and cum everywhere, and her tail is moving like it’s got its own agenda. Spent a full minute just staring at the tail animation like “who the hell coded this and why did they put so much effort into this part specifically”. That’s kinda the game in a nutshell: some details are weirdly polished, like tongue movement when she’s licking the tip, or the way her ass jiggles when he pulls out, and then another detail feels half-baked, like a facial expression stuck between horror and horny. The mystery side slowly builds around this detective, Leonor, who’s trying to track what Koibito is doing, and honestly she might be the hottest one just because she looks like she’d step on your neck without the help of any magic notebook. The choices feel heavy when you realize every command is basically you deciding how broken you want these women to be, but most of the time your monkey brain just goes “ok, now make her strip and beg for cock.” It’s wrong, it’s messy, it’s kind of fascinating, and I already know I’m not changing a single fucked up thing about it.

“The Mansion Mouse” looks kind of silly at first glance, and then suddenly you’re knee deep in dragon guts watching a tiny mouse soul get swallowed three different ways. It’s written like one of those weird fetish side-chapters from a manga spin-off that the main author probably didn’t supervise. You’re this little mouse, literally, waking up in a cage in some rich estate, and the “mistress” who owns the place feels like a giantess doujin artist accidentally got to write her whole route. She’s tall, she’s cruel in that lazy way, her fingers are way too big for you, and nothing about the scale is fair. One moment she taps the bars and calls you cute, next moment you’re dangling between claws of an anthro dragon girl who could probably chew through a car. The whole thing feels like somebody saw one panel of a vore manga, misremembered it, and then based a full visual novel on that misremembered panel. In a good way. Or at least an honest way. There are choices all over the place, but they mostly come down to “do you let yourself be meat in this specific style, or do you try to squirm into a worse fate.” You flick between them quickly, too quickly sometimes, like you’re speedrunning your own death gallery.

The giantess angle is strong here. Not just size talk, but camera stuck right up against skin, fur, teeth, folds, places you probably shouldn’t be seeing at that distance. There’s this scene with the dragon mistress where she presses you along her tongue and it cuts to an x-ray shot that looks like a biology lesson drawn by a horny teenager. You see the little mouse body sliding down, squeezed by muscle, and if you pick the wrong line of dialogue she doesn’t even slow down, just swallows and goes back to her book. Another path lets her “keep” you inside in a way that’s more unbirth than vore, like you’ve been downgraded from pet to living toy lodged somewhere way too warm and rhythmic. Those routes feel weirdly intimate and also kind of brutal, like the game can’t decide if it wants to be loving or mean, so it tries both in the same scene. There is blood in some endings, splashes of it, bones too, and then sometimes she licks you clean like you’re precious. It’s all over the place in tone. That’s part of why it works. The furry thing is not shy either. Everyone important is some anthro creature towering above you, paws or claws filling the whole screen, and you stay small the entire time. No magic fix, no growth potion to “even things out”, you just keep being food-sized while the story forks into several endings that all feel like different flavors of the same cruel joke. And yet I kept clicking, because somehow this miserable little mouse, trapped in a manor full of predatory women and dragons, feels more alive than half the polished stuff on Steam.