This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.

Death in this game feels almost like a dumb joke. One moment you’re gone, next moment some higher power tosses you back into the city like “here, go clean up horny ghosts now.” You’re not a hero, you’re more like a half-confused exorcist with a dirty mind, wandering around dirty streets and creepy apartments where every shadow might be a spirit or just a girl with tits that look like they’re breaking the fabric of her bra. It’s that kind of mix: cheap horror vibes, lots of soft colored lights, then suddenly there’s a MILF ghost asking if you’re here to banish her or “take responsibility” for waking her up. And honestly, you kinda want to do both. The whole thing plays out like an ecchi anime someone forgot to censor, with a bit of cheap cartoon style humor where even the scariest curses somehow end with you face-first in some big ass or with a hand up a shirt you probably shouldn’t be touching.

The story jumps around in a funny way. One moment you chase a curse to some old building, expecting some Ring-style crawly nightmare, and instead you bump into a tsundere waifu ghost that calls you an idiot for messing up the ritual while her gigantic boobs are literally clipping through her shirt. You talk, pick some choices, mess up a line, she gets pissed, and then somehow that leads to her pinning you against the wall and “absorbing your spiritual energy” with her mouth in a way that is absolutely not PG. There’s one scene in a tiny bathroom where the light flickers and the mirror starts bleeding, and out comes this shy specter girl with huge eyes and even huger tits, trembling like she’s actually scared of you, and when you purify her, the game flips it into this incredibly tender blowjob scene. It’s kind of sweet and fucked up at the same time. And then there’s a milf neighbor who’s not even dead, just “cursed,” walking around in a robe that never closes properly, and the game keeps giving you camera angles that stare right at her cleavage, like it’s reminding you every ten seconds that you’re not here for the plot.

What I liked is how it doesn’t pretend to be classy. Some scenes are just straight-up porn: you’re grinding this big-thighed ghost over a ritual circle while sigils glow under her ass, and she moans about how the curse is leaving her body while your dick is clearly the only exorcism tool being used. It’s stupid and hot. There’s one alley scene where a demon girl bends you over spiritually, and the choices you made before actually change her dialogue and how rough she goes, which caught me off guard because I thought it would be just click-next-to-cum. On the other hand, some “romantic” paths feel rushed like the dev got horny and stopped writing halfway, so you go from awkward small talk to full anal in maybe three lines of text, no buildup, just “okay, clothes off.” The text sometimes reads like it was written half on coffee, half on horny brain, with weird jokes that made me laugh just because they were so dumb, like a ghost calling your dick “holy staff.” And the game loves big tits so much it basically forgets asses exist, except for two or three scenes where the camera finally goes behind and you’re like: damn, where was this angle the whole time. Music is that chill loop you forget is there, which is good because you’ll be tabbing out to Telegram or watching something on YouTube between scenes, then suddenly there’s a haunted school stairwell and a busty spirit in a half-ripped uniform asking if you’re brave enough to “finish what she couldn’t in life,” and of course you pick the most degenerate option just to see how far it goes. It kind of feels like opening a cursed doujin and then realizing it reacts to the stupid choices you make, and by the time you’re balls-deep in another “purification ritual,” you’re not even thinking about ghosts anymore, just hoping the next girl moans louder and the dev remembers to add more positions this time.

Eddie and Rachel look like that normal anime couple you scroll past on Instagram reels and think, “yeah, they’re fine, next.” Then the game quietly takes that “fine” and just grinds it into horny dust while you sit there, phone in hand, feeling way too involved for someone who technically isn’t even in the story. It’s a kinetic visual novel, so no menu maze, no stat grinding, no “good husband route if you say the right thing” safety net. You’re basically trapped in the passenger seat watching this dude’s life spiral while his wife slowly slips out of his reach, text by text, pic by pic, call by call. There’s something really nasty and kind of addictive about how normal it all starts: money problems, job gone to hell, loans that look familiar if you ever opened your banking app and just stared at the numbers like they’re a joke. Eddie’s trying to keep his job, trying to make the boss happy, trying to handle his dick failing him from stress, and Rachel’s trying to help, trying to bring cash, trying to stay that supportive wife… until the “trying” turns into late replies, camera angles that are just a bit too flattering, and clothes that are “for interviews” but you can tell they’re chosen to impress very specific eyes that are not yours.

Most of the tension lives in the phone. If you ever sunk too much time into WhatsApp or Discord drama, this hits way too close. Notifications feel like traps. You read Eddie scrolling, you see Rachel’s messages, and the timing of everything is just cruel. There’s that familiar teasing flavor where she’s still sweet, still calling him “hun” or whatever, but a random selfie has a bra that wasn’t there before, or a skirt that rides a little higher, and the background has some dude’s office in it. You’re not told directly, “hey, this is corruption now.” It’s more like you’re stuck doomscrolling the slow-motion cheating arc of your own relationship, except here you’re safe and also rock hard, which is messed up but that’s the point. The voyeur angle is strong, too. You’re not in the room while she’s touching herself, but you see the proof after. You don’t watch Eddie’s boss eye-fuck his wife in real time, but the CGs and the way the chat logs line up give your brain enough to fill the blanks on its own. At some point she’s not just helping with bills anymore; she’s “helping” in ways that clearly have nothing to do with loan interest, and everything to do with how far she’ll let them push her, and how far you’re willing to keep watching her fall. The wild part is how the romance never fully disappears. There are moments where you can tell she still loves him, still cares, even while she’s sending off pictures she would never have shared before, masturbating with someone else on call, or letting another guy “help her relax” because Eddie’s too worn out and too soft. It’s filthy, it’s cruel, it’s sad in a way that sits right next to horny instead of killing it, and the game never pauses to ask if you’re okay with that. It just keeps moving, like a group chat you know you should mute, but you sit there, staring at the screen, waiting for the next message anyway.

Lydia feels like that quiet girl from your math class who never talked, then one night you see her at a party half drunk, lips on another girl, mascara ruined, and you realise you had no clue who she really was. That’s the whole vibe here. She walks into this fancy New York college with her planner, her high grades, her “good girl” brain, and then the game basically throws her into sex, pressure, weird relationships, and some very questionable choices that you, as the player, keep pushing her into because it’s impossible not to test how far she bends. One moment she’s blushing because someone saw her underwear under that too-short skirt, next moment you’ve got her deliberately “forgetting” to close the curtains in her dorm room, staring at her own reflection on the glass while knowing people in the next building can see everything. I liked how the game doesn’t scream at you “this is corruption now”, it just lets you nudge her a bit, then a bit more, and suddenly Lydia’s the one saying the filthy lines in dialog that would have made her faint in the intro.

The routes with the girls hit different than I expected. When Lydia ends up in those lesbian scenes, it’s not just “oh look, two girls, boobs, done”. You get soft, clumsy kisses on a dorm bed with a friend, the kind where they both stop and giggle because teeth bumped, and then twenty minutes later you might have her pinned against a bathroom stall, one hand over her mouth while some other student is washing their hands at the sink, clueless. Or maybe not totally clueless. The game is weird like that, it loves that almost-caught tension. The trans romances are actually where I felt the dev flexing a bit. There’s that moment when Lydia’s staring at a hard cock and pretty face at the same time, trying to process why she’s more turned on than confused, and the dialog actually leans into her brain spinning, not just her body reacting. Sex scenes go from sweet vanilla dates and handholding to Lydia on her knees taking it deep and letting someone use her hair as grip, then back to cuddles like nothing happened. Some scenes are kind of stiff and the pacing jumps around without warning, like a Ren’Py script got smashed with a hammer and taped back together, but in a weird way that matches how her college life feels. You think you’re going for wholesome romance, suddenly you’re choosing whether she agrees to wear a collar under her turtleneck to class. Or if she lets a girl tie her wrists to the headboard and take pictures, “just for us”, which of course is never just for them. I kept meaning to try the more normal path and then found myself pushing her into another risky exhibition stunt, like making her walk down the dorm hallway in nothing but an unbuttoned shirt and panties, praying no RA shows up. It’s messy, horny, sometimes awkward, sometimes really hot, and Lydia never fully stops feeling like that smart, slightly lost college girl who might either graduate with honors or end up skipping lectures because she’s too busy getting fucked in someone’s off-campus apartment.