Astra is exactly that kind of heroine who looks like she belongs in some stiff royal propaganda painting, then opens her mouth and talks like a horny theatre kid who just discovered freedom and lube at the same time. She bolts from her golden cage, lands on this supposedly “remote” island that feels more like a traveling circus mixed with a cabaret and a burlesque tent, and just decides, yeah, I’m a performer now, and also I’m going to fuck whoever catches my eye. The game leans really hard into this traveling-show vibe: backstage drama, improvised acts, horny fans, jealous partners, that awkward moment when your “public performance” accidentally turns way too literal because the monster girl with the big tits misheard the stage direction. There’s this one scene where Astra is trying to rehearse something serious, like political speech level serious, and suddenly the script turns into a dirty poem about her ass halfway through, because of a text mini-game that you kind of flubbed. And she just rolls with it. The crowd goes wild. She blushes, then doubles down and starts describing how she wants to ride a furry mercenary in front of everyone. That’s kind of the whole tone: messy, horny, and surprisingly self-aware about what it is.

What I really enjoyed, as a language nerd, is how the erotic dialogue is half elegant, half absolute trash in the best way. You have Astra saying stuff like “I renounce the crown, I choose my own pleasure” right before she’s getting railed by some huge monster with too many muscles and just enough manners to ask where he can finish. There’s a lot of fun with code switching: royal talk during foreplay, then she drops into full slut mode once the clothes fly off. Some lines clearly came from someone thinking in another language first, which I like a lot. You get these slightly weird metaphors like “your cock is beating at my entrance like a war drum” and it accidentally hits way harder than generic porn talk. The animated sex scenes match that vibe: they’re not trying to be super realistic, they’re just hungry, kinda theatrical. Astra has this enormous ass that the camera absolutely worships, and the game knows very well why half the people are here. The furry designs go all in on curves and fluff, especially when monster girls show up and start comparing whose tits are heavier while you’re deciding which one to help “warm up” before the show. There is one annoying thing: sometimes the choice-heavy system pretends you have ten paths, but a couple times it loops you back to the same scene, like the game’s winking at you and saying yeah, you’re fucking the princess anyway, stop pretending you want to be pure. I wish some of the combat bits mattered more for the sex outcomes, but whatever, I’m already too busy replaying the scene where Astra taunts a pissed-off marquis in full costume, then kneels in front of a “monster” on stage and sucks him off as political theatre while the crowd roars like this is the new constitution.

Temptation’s Ballad feels like someone took a horny D&D session, removed the shy players, pumped the bard full of slutty energy and then forgot to write a safe word. You start in this medieval fantasy city that pretends to be serious with demons and noble houses and gods and whatever, but the game is very honest about what actually matters: who you’re going to fuck, how badly you’re going to mess up your party’s reputation, and how much property damage your dick (or tits) indirectly causes. It calls itself “fairly linear” but it doesn’t feel stiff. More like a drunk march in one direction where you keep getting distracted by a hot ass in the alley, some half‑clothed monster girl in a tavern, or a noble milf who really needs “help” with her magic circle. One moment you’re trying to act like a real hero, the next you’re getting your face sat on by a smug futa demon who treats you like her favorite chew toy. The story leans on the classic trio of idiots party setup: disaster gay, smug bastard, and something in between that definitely should not be trusted around potions. Their banter is half the fun, because they talk like actual horny people who overshare, tease, flirt too hard, then pretend it was “just a joke” while obviously staring at each other’s bulges. There’s real romance in there, surprisingly soft sometimes, and the game just throws it next to scenes where someone is getting spanked in a backroom while a voyeur peeks through the cracks. It shouldn’t work together, but it does, like putting lube on holy water.

The erotic tone is really on that line between silly and nasty. You get all the classic stuff: sloppy oral, tits used like they’re religious objects, thick cocks that clearly don’t follow standard fantasy anatomy rules, creampies that would absolutely require healing spells after. The city of Axia feels like a sandbox for kinks, even if the main plot is straight like an arrow. You’ll walk into a side scene thinking “okay, just dialogue” and suddenly there is a dommy knight stepping on someone’s chest, or a monster girl wrapping a tail around a guy’s throat while riding him. There’s casual interracial stuff, big black cock jokes thrown in like shitposts, and netorare tension playing in the background when someone’s crush gets a little too cozy with a rival. The game never stops to politely explain corruption or cheating either, it just lets you sit there with that ugly horny feeling in your chest while a character moans another person’s name. Sometimes the pacing is a mess and a really nice emotional beat gets bulldozed by a sex scene with way too much groping and not enough build up, like the writer was afraid to let you breathe. I kinda hate that. I also kinda love it. The soundtrack is the quiet hero here, by the way. Fantasy tavern strings and flutes that slide into slow, bass‑heavy, low‑tempo tracks when clothes start coming off, the kind of music that makes you turn down your volume on Discord because you know exactly what you’re doing. There’s even this one track that loops during a teasing scene where a character keeps grinding on your lap but “won’t let you cum yet” and the rhythm matches the fucking text speed. That little sync made me laugh and then immediately shut up because it actually turned me on. It’s not a classy game. It doesn’t want to be. It’s messy, loud, horny, too obsessed with big boobs and bigger problems, and Axia feels like a place where every summer vacation ends with someone pregnant, corrupted, or tied to a bed. Dare to play it alone, or invite company?

Elf MC, horny ancient ruins, and a world that looks suspiciously like someone mashed Google Maps with hentai brainrot. That’s kinda the vibe here. You’re this pretty boy elf guy wandering around a fantasy land that clearly wants you to get distracted by tits more than by history. One second you’re poking around some old kingdom mystery, clicking weird stone symbols, trying to solve what looks like a bootleg mobile puzzle from the Play Store, and the next second some monster girl is in your face asking for “help” that very clearly means “put it in me.” And yeah, the game doesn’t pretend to be shy about it. You talk, you point & click, you figure out what shiny thing goes into what hole, then usually something else goes into someone else’s hole. Clean loop.

The animations are actually decent for a first chapter, you get that 3D feel when the elf is buried between thighs or when he’s getting his cock stroked with slow handjob motions that don’t look like someone shaking a broom handle. Oral scenes go from gentle teasing to full deep throat pretty fast, which is nice, though the sound is sometimes weirdly quiet and then suddenly wet as fuck. Vaginal stuff has a nice rhythm when he’s pounding, especially when you finally push to creampie and you see everything pulse inside. They really like finishing inside. Like, really. Pulling out is apparently against elf culture or something. The romance angle is hit or miss; sometimes the dialogue tries to be sweet and it works, other times it feels like a pornhub comment thread translated through Google. But that kinda adds to the charm for me. It’s messy. The girls are a mix of “I will help you on your noble journey” and “take your pants off, traveler,” and the monster girl design is good enough I actually forgot about the treasure room behind her at one point. I still don’t forgive the game for making me replay the same little puzzle 3 times just because I misclicked once. That shit annoyed me and then I immediately forgot because there was an elf getting his cock sucked by a girl with fangs.

The point & click exploration has a nice “I’m lost but also kinda turned on” mood. Sometimes you’ll click something expecting lore and you get a blowjob offer instead. Other times you’re sure it’s sex time and it’s like “solve this pattern first, idiot.” The game loves teasing progress, edging you with small scenes before the bigger payoffs. There’s a part where you help a girl in danger, think it’s gonna be a quick thank you and goodbye, and then it just turns into this slow, almost romantic fuck with kissing, soft moans, and then a rough finish where she begs for you to cum inside her. I liked that. I also hated that the inventory icon is tiny as hell and my dumb eyes kept missing it. Never fixed that, just kept squinting like an old man. Whatever. If you wanna enjoy it, don’t rush. Click around, poke every corner, talk to characters twice, sometimes a normal line suddenly turns into flirting, and flirting turns into a hand under the belt. Let the elf be a little slutty scholar. Solve a puzzle, earn a blowjob. Fail a puzzle, reload and go again. That’s pretty much the religion of this game.

Sex in space always sounds kind of goofy in my head, but this one actually leans into that mess instead of pretending to be “hard sci-fi”. You start as this assistant to a big-shot senator on Earth, while Mars is trying to become its own thing with its own rules, own calendar, own kinks. Your boss is all about shutting down polygamy and polyandry, making marriage “pure” again, and then your character is constantly surrounded by people who very clearly don’t give a shit about that. So half the time you’re writing dry political speeches and the other half you’re secretly watching someone get their ass smacked red in a private office on a station orbiting Venus. Kind of a mood shift, but it works better than it should.

The sex itself is not shy at all. Big tits, big asses, a lot of focus on slow touching, groping, hands sliding under clothes during “serious” meetings. There are animated scenes where a calm talk about Martian independence suddenly turns into the candidate bending forward over a desk, skirt pushed up, and the protagonist’s hand comes down on her ass again and again while she’s trying to keep her voice steady. The game loves mixing politics talk with dirty stuff like that. Some routes get really messy with cheating: you can be the side piece for a married Martian diplomat, watching from a hidden camera while her official husband is busy somewhere else. There are scenes where you sit alone in your cabin on a Mars shuttle, jerking off while scrolling through secret footage on your mobile, watching your lover ride someone else’s cock and pretending you are okay with it. That voyeurism and netorare angle hits harder than I expected, because the story actually spends time letting you like these people first. It stings when you realize she is moaning louder for the other guy than she ever did for you. There are oral scenes where you feel less like a hero and more like a consolation prize, sitting on the edge of a bed while she goes down on you right after coming back from “meeting her campaign donor”. And sometimes the interracial angle pops up in a way that is not very subtle: Earth-born, Mars-born, different skin tones, different bodies, your character stuck in the middle trying to pretend this is all just politics. The game jumps from romantic cuddling after sex, where she snuggles into your chest and actually looks soft and in love, to cold, distant masturbation scenes where you’re alone again, jerking off to something on your phone because she did not show up. The romance has sweet bits, but the cheating keeps cutting through it, and somehow that mix of warmth and betrayal feels very on-brand for a future where love and law are constantly pulling in different directions.