It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.

Work on this game started way back in March 2018, and it’s far from finished, constantly changing and expanding.

Control the game using simple text inputs.
Press Esc at any moment to jump back to the main menu.

The game saves your progress on its own seamlessly.

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Garth is that kind of idiot hero I secretly like. He swings a sword like it’s his first day holding anything sharp, gets distracted by every pair of tits bigger than his helmet, and somehow still ends up being the “chosen one” who has to punch a Lich King in the face. The game throws you into Gronia and just kinda shrugs like: “Yeah, figure it out.” No hand holding, no “go here, do that” on a perfect path. You wander, get lost, hit a random cave thinking it’s a shortcut, and suddenly you’re watching a milf mage push her boobs together around the MC’s cock while making those stupid ahegao faces that somehow work here. One moment you’re picking a turn in combat like a normal RPG, next moment you’re choosing whether to dump a load in her pussy or paint her stomach because your weak willpower stat got bullied by cleavage.

The funny thing is, the whole thing feels a bit janky and that actually helps. Combat is turn based, sure, but the real fight is you trying not to click “romance” every single time instead of “attack.” I spent way too long grinding goblins just to afford some dumb enchanted necklace to impress a barmaid with huge tits, just so I could unlock a scene where she rides Garth so hard the bed squeaks in the text. And yeah, that creampie is described in detail, like “warmth spilling out” and all that, the whole erotic novel treatment. Then right after that, the game just throws a stupid joke about sticky sheets at you like it’s nothing. The humor is actually good, not that forced Reddit stuff. Sometimes the timing is off and a serious moment gets undercut by a horny gag, but honestly, in a world where your main plot is “kill the Lich King while fucking half the population,” it fits. Also, tiny rant: the map icon in the top corner is ugly as hell, and I kept clicking it by accident when I just wanted to skip text, and now I hate that thing with passion and I’m not over it.

The slow-burn romance bits surprised me the most. There’s this older healer woman in one village, proper milf energy, and you don’t just get her naked in two lines. You help with some boring chores, small quests, listen to her talk about the past. At first I was annoyed, like “okay lady, shut up and bend over the table,” but then when the scene finally hits, it hits. She pulls Garth into her room, drops the robe, huge soft breasts bouncing, gets on her knees and gives him a titfuck while whispering how she hasn’t felt a young cock in years. That build-up made the creampie inside her feel earned, not just a random porn gif. And because of the sandbox style, you can totally miss stuff or screw a dialogue choice and lock yourself out of an ending. I stumbled into one “bad” route where the girl I was chasing ended up with somebody else, and the game just went “yeah, tough luck, try another path” instead of rewinding. Pissed me off, but in a good way, like a VN that respects you enough not to babysit. My advice if you jump in: don’t rush from sex scene to sex scene like it’s Pornhub. Wander around, talk to NPCs you’d normally ignore, lose a couple fights in combat just to see what happens, and actually read those flirty lines before you click the option that leads to your dick. That’s when Gronia starts feeling less like a quick wank and more like a horny fantasy world you kinda want to stay in.

A kinda funny thing happens when you start this game. It looks like yet another “average dude, average campus, surprise magic” story, and then suddenly you’re balls deep in theology, monster tits and emotional damage at the same time. The protagonist is that cliché hybrid of demon and angel, but he doesn’t remember any of it, so at first he’s basically a horny exchange student with a softboy face. You’re in this foreign country, pretending to be normal, flirting with this quiet green–eyed girl in class, and the game keeps throwing small hints that something is very wrong with both of you. Not in a “haha quirky” way, more like “why did her eyes glow when she kissed you behind the building and why did the air literally vibrate when you slipped your hand under her shirt”. The sex hits pretty fast, which I respect: that first scene where she climbs on top, riding you slowly on that cheap dorm bed, boobs bouncing in this almost hypnotic 3D animation, actually feels weirdly intimate. You see his hand shaking, not from fear but because his body is reacting to some buried power, like he’s about to cum and ascend to a shitty god at the same time.

Then it gets messy in a good way. You go back to your own country, you try to continue “normal life” with porn tabs open in the background, texting her on Telegram like a lovesick idiot, trading pics that start innocent and become “oh, that’s definitely a monster girl tail in the corner of the frame”. When she finally comes to visit, the romance flips into this harem snowball. Girls start orbiting around him: a demon-looking one with horns that curve like they want to grab your hips, a busty magic user who pretends she’s here only to “study your aura”, and I swear there is one scene where you’re supposed to be in danger but the camera spends a full minute slowly moving over a pair of massive tits while the dialogue talks about the fate of the world. The vaginal sex scenes are unapologetic: you see wetness, you see her pussy stretch when you push in, and sometimes the superpowers kick in during orgasms. One time, after fucking the green–eyed girl in the shower, every tile in the room cracks when you both cum, and she laughs like it’s normal that her climax breaks physics. That mix of holy and horny, of angel blood glowing under his skin while he’s pounding into some monster girl who calls him “my little apocalypse”, feels almost philosophical by accident. Like the game is saying: you are literally built from contradiction, so why should your cock or your heart choose only one path. And then the game forgets its own big thoughts and has you rail another girl on a classroom desk while time is frozen outside the window, which is somehow even more honest.