It’s weird how this one tries to be a parody but ends up accidentally saying something kind of tragic about Kobeni, like she keeps blushing through the whole thing yet the game never lets her be just cute or just desperate - it’s always both, tangled together. I kept thinking the demon part would be the main hook, but nah, it’s more about that half-panic look in her eyes when you push too far and she still whispers your name. The timing mechanic feels stupid at first, tapping along while she’s choking or trembling, but then it clicks and suddenly you’re syncing with her rhythm in a way that feels too real for a joke game. It’s messy, literally and emotionally, and the moaning voice lines loop wrong sometimes, which only makes it better somehow - like catching someone mid‑breath and refusing to let them finish.

What gets me is how the corruption doesn’t even feel evil. You start off thinking you’re dominating her, but by day five she’s the one steering things, pretending not to, grinding slow while talking about losing her job as if your cock’s the only comfort left. The writing trips over itself, grammar all over, and yet every line lands because it sounds like someone actually flustered trying to talk dirty and failing. There’s a scene in the bathroom where the mirror fogs up and for a second you see horns behind her reflection, tiny, twitching, like she’s halfway yours already. Then she laughs too loud. Totally ruins the moment. But it sticks.

I’ll say though, the creampie counter? Completely unnecessary and also perfect. It forces you to notice time passing, like this gross little calendar of need. The parody label doesn’t save it from being hot, and the humor doesn’t stop it from being kind of sad. Maybe that’s why I keep replaying it, telling myself it’s for the endings, but really just waiting to hear her gasp that same broken syllable again.

Ugly bastard time travel fantasy with school uniforms and way too much skin, that’s basically the whole vibe here. You’re this dude who remembers his life as a pathetic, bitter old perv, then boom, suddenly you’re back in your teenage body, stuck in that same boring school but now with full cheat codes in your brain. All the memories of who fucked you over, who ignored you, which teachers had huge tits under those tight blouses, which MILF neighbors walked around with that fat ass barely covered… and now you’re not some clueless virgin anymore in your head. You’re still “ordinary looking”, kinda ugly, kinda forgettable, but you think like a guy who’s watched too much porn and had zero therapy. That’s the fun part. Every hallway, every classroom, every bedroom is like “oh yeah, I remember what happens here in the future” and you try to break it, twist it, make it hornier.

The teasing is what sold me. Not just instant pussy delivery, you know? Like that scene where the stacked classmate leans over your desk, her shirt a bit too tight, her bra digging into those big tits, and she’s laughing at some dumb joke. In normal games she’d just giggle and walk off. Here your MC is running full horny inner monologue, remembering how she married some loser in the original timeline, how he used to jerk off thinking about her, and now he’s poking at her weak spots, saying the right little lines so she blushes and tugs at her skirt. You get those slow burns, the “accidental” boob presses, the late study sessions that end with her rubbing her thighs together while pretending nothing’s happening. I hate slow stuff and I was still locked in. Then again, sometimes it feels like the game is edging you on purpose and not in a good way, like “ok man, I get it, she’s shy, now let her suck something already.”

The ugly MC thing is surprisingly hot. Not monster ugly, just that dude you’d never look at twice, but girls start reacting different because he’s confident and lowkey manipulative as fuck now. There’s this scene with a MILF, older woman with a big ass squeezed into yoga pants, where she’s lecturing you about “being a good student” while you remember exactly how broken and lonely she was later in life. And you just nudge her, step by step, from “motherly neighbor” to “I’ll just help you with your stress” to her literally grinding on your lap while still trying to pretend she’s in control. It’s messed up, kind of sad, and also insanely hot. The game plays a lot with that corruption angle, not in a subtle way, more like watching a car crash where everyone has big tits. Sometimes it leans into romance and “true love” like you actually care about these girls, then two minutes later you’re jerking off in the school bathroom while remembering how their bodies feel, so yeah, nice whiplash. I wish the MC shut up less in his thoughts and more in dialogue, but whatever, I still clicked next like a trained animal.

FSS Lamashtu feels like somebody mashed up a cold war naval thriller with a filthy space brothel and then forgot which part was supposed to be serious. You’re the freshly minted captain of this “experimental cruiser” that is absolutely not built for exploration, unless you count exploring how many holes your crew can take in a single patrol. Officially it’s the proud weapon of the Alliance, last hope in a long-ass war. Unofficially it’s your floating fuck-lab, staffed with officers who look like they came out of a horny AI art generator after you typed “war crime but sexy” too many times. The ship layout screen is almost a character by itself: bridge, medbay, cargo, those little tucked-away compartments you quickly learn are perfect for “private disciplinary sessions.” You jump between menus pretending to care about fleet orders, but the only thing you actually remember is which corridor you cornered that technician in when she kept “accidentally” brushing her giant tits against you.

The story likes to pretend it’s about geopolitics and rebellion, and sometimes it even tricks you. You’ll get this long briefing about the Neo-Terran strategic line, convoy raids, morale of the Alliance, all that stuff. Then two clicks later, you’re watching a proud enemy pilot on her knees, mascara running, mouth full of cum while she tries to spit out her rank and serial number. The tone whiplash is almost funny. There’s a certain charm in how the game refuses to pick a lane: you capture prisoners, you break them in slowly or just slam straight into collar-and-chain slavery, you’re supposed to feel the “moral weight” of it, but the next scene has them begging for anal like they read the script ahead of time. The AI CG does that exaggerated wetness thing, where every hole looks like you dumped a bucket of lube on it, and every creampie is this ridiculous white flood that should qualify as a bio-weapon. Sometimes the faces twist into that extreme, over-the-top ahegao that doesn’t even look human anymore, more like a melted idol poster, and it somehow fits this world where war propaganda and porn have fused into one genre.

What sticks in my mind most is how physical the ship starts to feel. You’re not just choosing sex options, you’re shaping routines. That science officer who starts with stiff posture and carefully zipped uniform? A few “private evaluations” in your quarters, and suddenly she’s walking around with visible bite marks on her neck, trying not to react when you casually grope her in front of others. There’s a scene in the hangar where two captured enemy girls are supposed to be processed for interrogation, and you can decide if that means basic questions or “group demonstration of Alliance hospitality.” The way their bodies are posed, covered in semen from multiple angles, has that bukkake ritual vibe, everyone participating because the war needs “unity.” You get toy usage too, not just as accessories but as tools of control: a vibrator left inside during a formal strategy meeting, the slow dawning horror on your new slave’s face when she realizes the remote is in your pocket while admirals talk about casualties. The game never really resolves whether you’re a genius commander or just a sex-obsessed tyrant who got lucky with experimental hardware. At some point there’s a tender-ish lesbian moment tucked awkwardly between brutal scenes, two crew girls comforting each other after a mission, fingers exploring, tongues slow and hesitant, and for once you’re not in the frame at all. It feels almost like the game forgot its own premise for a second, then remembers, throws you back into forced deepthroat in a dark interrogation room, and moves on like nothing happened.

I wasn’t even sure why I clicked “play” on this thing, maybe boredom, maybe curiosity, maybe just that dumb impulse you get when your brain wants something soft and warm to sink into. The game pretends to be about family drama and old memories, but five minutes in you realize it’s really about staring at people too long and overthinking every choice that might lead to someone taking their clothes off. Which sounds cheap, but it isn’t? Or maybe it *is*, and that’s kinda the charm. There’s this weird pacing, like half soap opera, half porno, with pauses long enough for you to question what you’re doing with your life before the next moan interrupts. Aunt Megan shows up looking like a walking contradiction - proper tone, dirty eyes - and I kept thinking, “she knows exactly what she’s doing.” Then forgot all about that thought when the screen went dark because I missed a dialogue cue.

What surprised me most: the teasing is actually… patient. Like, the game doesn’t rush. It lets you stew. Everyone’s pretending not to notice how tight the air gets whenever the MC walks into a room, and those moments hit harder because they feel almost accidental. One scene - with the older woman bent over a kitchen counter complaining about her back - had more tension than any of the “explicit” ones. Don’t even get me started on the small-tit character, she’s written like she’s always two seconds away from snapping at you, then does something so soft you forget what she said. Kinda embarrassing how much that worked on me. The sound design helps too - not high-budget, but the little sighs, the way footsteps echo on tile floors, it bleeds realism in all the wrong ways.

Anyway, I was gonna complain about how some routes feel half-finished, how the interracial scenes pop up outta nowhere, but then again, maybe that’s part of the mess. It feels human in that sense - uneven, horny, sentimental, lazy, weirdly tender. I stopped trying to find the “point” halfway through. Maybe that’s when it got good.