Erik comes back to this private island after a year away and the whole place feels like it’s holding its breath. That is basically the mood of the novel. Sunburnt paradise, empty villa, two twins walking around each other like they’re scared to breathe too hard because one wrong look and they are ready to fuck on the nearest piece of furniture. The story sticks you inside their heads a lot, both him and Lyna, and it hits that awkward horny childhood memory vibe, where you remember things you shouldn’t have stared at, touches that lasted a bit too long, late showers with thin walls. There is no “click this, choose that”, you just sit there and watch the tension grow while they pretend to be normal. It feels slow for a while, almost like the author is teasing you on purpose, with stupidly wholesome things like headpats, soft hugs, holding hands on the couch under some trashy Netflix show. Then there is that first real look, the moment he realizes her ass is not “little sister” anymore, and you can basically hear his brain break in silence. I run NSFW events, I saw people do kink performances in public, and still that quiet bedroom scene with nothing but eye contact and careful breathing felt filthier than a gangbang.

When it starts to go over the line, it really does not bother to pretend it is classy. You get a lot of dirty family talk, like, they lean into the taboo instead of hiding it. She teases him while he is trying to be the responsible one, climbs onto his lap, grinds slow, makes him admit he’s been watching her sleep. There is POV stuff that feels almost too personal, like you are the one between her thighs while she still calls you “bro” and says she shouldn’t like it this much. The game flips between him and her sometimes, and that makes the corruption hit harder, because you see how she talks about being a virgin and in the next chapter she is planning how to get his tongue between her legs without him running away. There is also a lot of focus on small physical kinks: toes on his lips, her foot pressing on his cock while she pretends to watch the waves, her sitting on his face like it’s totally normal. Then their mom Helga is on her way to the villa, and the vibe shifts again. She is not just “MILF appears, dicks out”. She has her own messy thing going on, a controlling presence, a bit of soft female dom energy, and she changes how both twins act. One moment it is this romantic, almost sweet incest bubble, and the next it is him getting jerked off under the table while Helga talks about family values and pregnancy like some twisted sermon. I actually hated one thing: there is a throwaway bit with a phone notification mid-scene, totally killed my rhythm, and then the story never mentions that chat again. It lives rent free in my brain. Still, when the anal and titfuck and all the other stuff finally explode after so much build up, it feels less like porn clips glued together and more like you followed two idiots all the way from “I will just hug you” to “I am going to fill my sister on the same bed we used as kids”. It’s wrong, it’s hot, it’s surprisingly emotional, and it really does not apologize for any of it.

Goblin Down feels like someone took a messy affair from a cheap motel, stitched it into a fantasy story, then forgot to iron the seams. Which I mean as a compliment. As a lingerie designer I kept thinking of it like a jealous little boudoir drama: tiny space, three bodies, way too much skin and not enough honesty. You start as this rookie adventurer who once got saved by a goblin girl, then years later she’s your wife, Qilka, and she’s basically the only one in the house with any common sense. Her design hits weirdly close to how I sketch green-skinned models: short, soft belly, those slightly too-big eyes that look innocent even when she’s getting railed, and that cheap village dress that screams “I can be pulled aside in one motion.” It’s not elegant, but it works. Like lace that scratches but looks hot in photos.

What hooked me most wasn’t even the orc at first, it was how fast the mood in the house rots once he shows up. One scene you bring this huge hurt bastard home like some stray dog, next scene you’re watching her fuss over him, wiping his chest, his thighs, pretending she’s just doing first aid while her cheeks are already a little flushed. There is this early voyeur moment where you peek through the cracked door and the animation has her hand hovering just a bit too long over his crotch, like she’s “accidentally” brushing it. That’s when the game stopped feeling like a heroic fantasy and more like catching your partner sexting with someone bigger. The actual sex escalates in a way that made my stomach twist: first it’s innocent tending, then a clumsy handjob where she looks like she’s not even sure how she got there, then full-on sloppy oral with her ears twitching and eyes rolled up, that classic ahegao face that would look stupid if the guilt wasn’t so heavy. Sometimes her expression is a bit too cartoony for the mood, by the way. I wanted one scene where she just looks wrecked inside, not only drooling and cross-eyed. But they never go there, they stay in that porn comic style, which annoyed me and I still kept going.

What I like, or hate, is how the corruption isn’t only about her. You as the husband are kind of pathetic and it’s hot in a really bad way. The game gives you these choices where you can pretend nothing’s wrong, go back to your guild work, or poke around like a paranoid idiot. I picked the coward route first, just left them alone, and later there’s this animated loop of the orc lifting her by the hips and pounding her from behind in your own bedroom, her ring still on her finger, and I actually paused and stared like it was some lingerie catalog shot I needed to analyze. Her little tits bounce against his stomach, the camera lingers on the creampie dripping out of her while she whispers how “it’s fine, he’ll never know.” It’s filthy and sort of beautiful in a trashy way, like mismatched bra and panties that somehow look better than a full set. There’s one scene where she rides him in your bed, looking back at the doorway, almost like she wants you to walk in and watch. That voyeur energy is crazy, even if a few transitions feel rushed, like they skipped a beat between nervous groping and full surrender. Still, the whole thing left me thinking about designing a set inspired by her: something green and torn at the hem, a little too small, like it belongs to a wife who says she’s loyal while her thighs are still sticky from someone else. And then I remembered this is just a short visual novel and I’m overthinking it while she’s taking orc dick again in the next CG.

This one feels like reading someone else’s diary while jerking off and then suddenly realizing the diary belongs to you in ten years. It starts simple: long‑married couple, comfortable routine, sex life not dead but kind of stuck on autopilot. He’s loyal, a bit clueless, she’s loving but bored in ways she doesn’t even want to admit. Then something small goes wrong, she does one “little” thing to fix it, says it’s only this once, and that’s basically where everything goes to shit in the best possible way. The game doesn’t let you drive, it just straps you into her head and you watch her slide from nervous to curious to outright hungry. There’s no real choices, which sounds bad, but it also means the story can just punch straight through to some messed up places without pausing to ask you if you’re okay.

The sex starts very tame, soft kisses, a bit of teasing, playful handjobs that look like she’s still thinking “this is wrong” while her body is saying “just a little more.” Then the guardrail disappears. Voyeur stuff kicks in first, like that moment when she realizes someone’s watching her and instead of covering up she spreads her legs wider. You get slow scenes of her being harassed, the kind of “accidental” groping that stays too long, a dick pressed against her ass in a tight space, that awful hot mix of fear and arousal that the game really leans into. It doesn’t pretend it’s nice. It’s blunt about ***, blackmail, and all the ugly ways someone can use her weak spot against her. One minute she’s being forced to suck a guy off while trying not to cry, next minute she’s grinding on his face and orgasming so hard she forgets why she said no in the first place. The corruption feels like a checklist the dev is ticking off, and I loved that, even while it made me hate the husband for not seeing shit.

Later on it gets crowded. Group scenes where they treat her more like a shared toy than a wife, guys taking turns on her pussy and asshole while she’s pinned down, one dude in her mouth finishing with a messy creampie over her tongue while another finishes inside her raw. There’s this one bit where she’s getting railed from behind, her ass red from spanking, and she’s staring at her own reflection while another woman licks her nipples just to shut her up. That older woman angle is nice too, she’s clearly a milf, body thick and soft in all the right places, tits bouncing in those animated loops when she rides. The lesbian moments aren’t some gentle “girls’ night” either, more like she’s being taught how to be a good slut by someone who’s already too far gone. You get cheating, swinging, NTR all bundled together, and the husband watching, sometimes literally, sometimes just suspecting it, feeling like the last person to get the joke. The most fucked up part is how normal it starts to feel by the end, like yeah of course she’s on her knees again, of course another stranger is unloading inside her with zero condom while she whispers she still loves her family. And she does. That’s what makes it hit harder. The game never asks forgiveness and never gives it. It just keeps pushing until the hole she dug is so deep you can’t even see the sky anymore.

Neuro/Splice feels like someone grabbed a cyberpunk thriller, a fucked‑up body swap fetish, and a humiliation dungeon, blendered it together, and then forgot to clean the mess off the walls. In a good way. You’ve got this cop Ryke, corporate dog for NexaCorp, who ends up jammed into Cassie’s body, tossed straight into a mixed‑gender max security prison that looks like a cross between a riot and a sex club that never closes. He’s a guy in his head, stuck in this soft, dangerous female body, surrounded by assholes who think she’s just fresh meat. Guards grope when they feel like it, inmates test boundaries with “accidental” touches that are not even slightly accidental, and every little mistake you make, the game slaps you back with some brutal teasing or public humiliation. There’s this early scene where you misjudge who to talk to in the yard and instead of a simple “game over”, you end up pressed against a fence, hand forced between Cassie’s legs in front of half the block while some guard laughs and pretends it’s a “routine check”. That whole vibe of “you wanted to be the hero, now suck it up” never really stops. It keeps poking at the fantasy of control, then yanking it away. If you’re expecting soft cuddly romance, you loaded the wrong tab in your browser.

The wild part is that while Ryke is getting his ass metaphorically and literally beaten in Cassie’s skin, Cassie wakes up in his male body on the other side of the fence with all the power he used to enjoy. Suddenly the hunted rebel girl is the scary dude in uniform, walking down halls where people flinch when she passes. She can abuse that. Hard. Use her new status to harass coworkers, push underlings around, “search” suspects with hands that stay way too long in the wrong places. There’s this interrogation room scene where you can lean into full male domination, pushing a nervous female tech against the table, fingers slipping exactly where HR would have a heart attack, all under the excuse of “investigation procedure”. Or you can pretend to be decent while constantly edging the line, which is almost worse. The game loves turning basic choices into fetish traps. Say the polite thing, you still get dragged into some forced stripping in the showers later. Try to act tough, you get chained up, spanked, and mocked like a bratty girl who forgot her place. It toys with netorare stuff in a really sneaky way too. People talk about “Cassie” like she’s a thing that can be used, and you know it’s Ryke in there screaming, but the body reacts, the nipples harden, the thighs tremble, and the game does not let you pretend that isn’t hot. Meanwhile, outside the prison, Cassie in Ryke’s body gets chances to steal other people’s lovers, ruin relationships, and then walk away like it was nothing. It hits that nasty “I stole your girl and she liked it better” kink and then just moves on like it never happened. Honestly, I wish they toned nothing down. The more it kicks at comfort zones, the more it actually feels alive.