Hilbert is supposed to be this big hero who finished his whole pokemon journey, right? Instead you meet him when his life is kind of fucked. Car crash, dreams shattered, and his Hypno just vanishes into thin air like it got bored of being a good little partner and went hunting for trouble. That alone already sets the mood: this world is not the safe PG region you remember from your childhood. Nuvema Town is now basically a legal sandbox for human and pokemon “free relationships”, and yeah, that means exactly what you think it means. You come back home and the place feels familiar and totally wrong at the same time, like returning to your old school and finding out it turned into a sex club with a research budget. The game sells that feeling hard. You walk through this chill little coastal town, talk to Serena or Gloria or whoever you bump into, and every conversation is half normal, half “wait, did she just casually mention fucking a Gardevoir like it’s normal brunch topic?”

The fun part is how the game drip feeds this. It doesn’t start with some giant orgy scene. Instead you get those moments where Nurse Joy looks a bit too happy when you mention Hypno, or Fennel is suddenly very interested in your “brainwave reactions” and asks if you can help her test something in her lab, just the two of you, lights low, machines humming. There is a scene with Juniper that really stuck in my head: she starts all professional, lab coat and serious talk, then it slowly slides into this weird mix of scientific curiosity and raw hunger. She talks about “inter-species bonding” while leaning over the desk so her big tits are almost spilling out, and you’re half listening, half thinking “is she going to ask me to help her with data or just bend me over the fucking chair?” And the game kind of refuses to separate those two. That’s the vibe all over. You’re not just clicking through porn; you’re wandering around a town where the line between research, romance and straight-up hentai bullshit is gone, burned, buried, and Hypno probably jerked off on the ashes.

Not everything hits perfectly, which is funny because the game doesn’t pretend to be polished. Some dialogues feel like the writer was horny, distracted, then came back and forgot what tone they started with. One moment you’re getting this heavy emotional talk about how Hilbert’s future was destroyed in the crash, next moment Mallow is just tossing horny jokes about “juicy berries” and you’re thrown into a scene where Tsareena is acting like a dominatrix with vines and legs for days. There is this small thing that annoyed me: the way fonts resize on mobile sometimes when a text box pops up in the middle of a hot moment, like you’re about to nut and suddenly boom, text overlap, because yes, this is a mobile game and your thumb is in the way. I swear it happened right when Officer Jenny started talking about her “special inspection procedure” and I had to move the dialogue box a bit and it killed the rhythm. Still, the animated bits make up for it, especially when Hypno’s influence starts to show in people’s eyes and bodies, and scenes with Delia, Hilda, or a smug Serena go from teasing to full-on, explicit “this is pokeporn and we’re not pretending otherwise”. Then out of nowhere the game throws in some gay tension with Cheren or Hilbert’s reactions to certain guys, like it’s poking you to see what you’ll pick. It all feels messy, horny, experimental, like someone mashed a dating simulation with a corrupted nostalgia trip and said, fine, let Hypno run wild, let Nuvema Town drown in research and cum and nobody is going to stop it.

Honestly, this one caught me off guard. You’d think after a dozen Naruto parody trainers they’d all blur together into the same soup of recycled sprites and lazy dialogue - but nah, this one’s got that weird, half-dreamlike pacing that makes you question if you actually clicked the right window. The story keeps slipping between “you’re some lost shinobi perv” and “you’re basically a hypnotist with boundary issues,” and somehow it works. Not cleanly, not smoothly, but like a drunk confession that goes on too long. I liked that about it. It doesn’t pretend to be noble; it just wallows in its own filth and smirks at you for following along.

The girls - hell, where do I start - Hinata’s the obvious comfort zone, soft voice and all that, but the dev went nuts with Tsunade’s scenes. Big doesn’t even cover it. There’s something almost mean about how her moments are written, like the game’s daring you to feel bad and failing miserably. Then there’s Konan, who gets criminally little attention, which pisses me off because she’s drawn better than half the cast. They all have these small quirks that make them feel more alive than they should - Sarada’s fake confidence, Temari’s sharp tongue that turns into begging way too fast. It’s messy, uneven, sometimes straight-up broken, but that’s part of the charm. When the hypnosis mechanic actually hits, it’s filthy in that old-school flash-game way - cheap, raw, no pretense.

I’ll admit, I got bored halfway through one route and just started clicking random choices, and somehow ended up in a scene with Mei Terumi that honestly shouldn’t have been as hot as it was. Maybe it’s the writing, maybe the timing, maybe I’m just easy. Either way, it stuck with me longer than I care to admit. There’s a roughness here that feels intentional, like the dev knew perfection would kill the mood. And yeah, some lines read like they were translated by a hungover intern, but whatever - it fits. It’s sleazy, shameless, and kind of brilliant in its own dumb way.

This Resident Evil parody throws you straight into Lady Dimitrescu's castle, and honestly? The devs knew exactly what they were doing. You're playing some poor bastard who's gotta survive Alcina's "trial" - which basically means getting dominated by a nine-foot vampire mommy and her equally stacked daughters. The turn-based combat system feels clunky at first, like they copy-pasted it from some RPG maker tutorial, but once you realize the real gameplay is about managing your stamina while getting your face buried in supernatural cleavage, it starts making sense. There's this one scene where Dimitrescu pins you against the wall and the camera angle is just... chef's kiss. The 3DCG models look decent enough, though Lady D's proportions are so exaggerated she looks like she'd topple over in real life.

Combat encounters blend into these weird BDSM scenarios where losing actually feels like winning. You'll find yourself deliberately failing just to see what creative punishment awaits. The spanking animations have more effort put into them than the actual sword fighting mechanics, which tells you where the priorities were. Sandbox elements let you explore the castle freely, groping your way through dark corridors while avoiding or seeking out the various monster girls lurking around. Some of the dialogue during sex scenes made me laugh out loud - not sure if that was intentional. The ahegao faces during climax moments are over-the-top ridiculous but somehow work within this campy horror-porn aesthetic.

What really caught me off guard was how they handled the size difference fetish stuff. Tall vs short dynamics play out in every interaction, from handjobs where your character can barely reach to titfuck scenes that look physically impossible. The harem aspect kicks in later when you're juggling multiple supernatural ladies, each with their own domination preferences. Voice acting ranges from surprisingly good to hilariously bad, but the moaning sounds authentic enough. Fair warning though - the grinding gets repetitive and some animations loop awkwardly.

It’s weird, the way *A Fortnight at Frenni Fazclaire’s 2* plays with tone - like, one moment it’s soft lighting and syrupy teasing from an animatronic wolf with silicone lips that catch the club’s pink glow just right, and the next second you’re hearing metal sc*** in the next room like something mechanical trying to breathe. I couldn’t decide if I was turned on or spooked half the time, which maybe is the point. The writing leans into that uncanny space where synthetic skin meets real loneliness, though sometimes it feels too self-aware about being a parody. It’s as if it winks so much it forgets to blink. Still, when Mia Mangle leans across the security desk and says things she shouldn’t know - stuff only the player would think - it hits that strange nerve of digital intimacy that good adult games sometimes stumble into by accident.

The furries here aren’t played for cheap fetish fuel (okay, not *just* that). There’s tension in every movement, more like stage performers improvising after hours than machines following code. I kept thinking about Nabokov because yeah, it’s sexy, but it’s also about control and play and being observed while pretending not to care. And then there’s the mobile version, where tapping through dialogue feels like petting something alive that pretends to glitch. Sometimes choices freeze for no reason - probably a bug - but it almost fits the mood: desire interrupted by static. The horror bits creep slow; shadows twitch behind velvet curtains even during explicit scenes, and the sound design hums under your skin like anxiety that smells faintly of perfume.

Honestly, the worst part is the damn loading screen image - I hate that smug smile they gave Aurora. Every time she flickers in before the menu loads, I kinda want her to malfunction just to break the eye contact. But when she starts singing that low note (yeah, she sings), everything stutters into this mix of comedy and obscene tenderness. Maybe I imagined that part. Or maybe the game wanted me to. Hard to tell where the line’s supposed to be anymore.