The main character decided to spend Christmas with his girlfriend Ariana, since he had the house alone... Ariana was happy because of all the dirty things they could do that night! But due to our protagonist's new job, the fun will have to be postponed.
This was very worrying for Ariana, since due to certain previous events, she couldn't stop thinking about how good a big black cock made her feel! Ariana was holding off temptation... But suddenly Santa Claus appears on the Christmas Eve! He needs the help of Ariana in order to regain his energy and save Christmas! And because of all she has endured, she will be more than pleasured to help him...

Based on "Let the Nightshine in" universe

Memory Machine feels like someone mixed a porn site with a cheap VR headset and a fucked up therapy session, then forgot to polish anything and just said, “Yeah, that’s good enough.” In a good way. You’re this guy sitting in a chair, basically being plugged into other people’s memories, and the whole thing plays out like an ASMR session that got horny and morally wrong. You don’t just look at scenes, you kind of “fall” into them. One moment you’re watching a shy girl looking at herself in the mirror, touching her own lips like she’s not sure they’re hers, and the next second you’re in her bathroom with her, close enough to count the tiny goosebumps on her neck while she slowly starts stripping. The sound design is low-key erotic as hell: tiny breath catches, the wet slide when she spits in her hand before wrapping her fingers around you, that little gulp after she swallows. It’s not clean, it’s not glamorous. It’s awkward and messy and that’s exactly why it hits.

What I like is how the teasing actually feels like teasing. Not the usual “two seconds and boom sex.” You sit through these moments where nothing “big” happens. A girl sits on your lap, grinding little by little, acting like she’s not doing anything, talking about normal shit while you’re painfully hard in her hand, and she’s pretending she’s just “curious”. She licks the tip of your cock once, then pulls away, smiles like she just won something, and you can hear her tongue pull away with that sticky sound. That drives me crazy more than the actual blowjob sometimes. And when she finally goes down on you, she doesn’t start like a porn star. It’s clumsy, too much teeth at first, then she gets more confident, hands pumping, drool dripping, taking you deeper, choking a bit, stubborn, like she needs to prove she can take all of it. There is a scene where she holds your cock against her tongue and whispers “I want to taste everything, all of it,” and when she does swallow, you hear the cum hit the back of her throat and then that thick gulp. It feels way too real for something made of pixels. Then in another memory, you get the opposite: girl wipes your load off her tongue with two fingers, stares at it, rubs it on her pussy while she masturbates and never even thinks to lick it. That memory stuck with me. I still kinda hate her for it and love her in the same time.

The corruption vibe isn’t loud in your face, it sneaks in. At first, some girls act all innocent, like proper virgins, flinching when you touch their bare skin, cheeks red when your hand slides up their thigh. There’s one memory where she says “I’ve never done anything like this, don’t look” while she plays with herself, spreading her lips just a little, then peeking through her fingers to see if you’re watching anyway. The game keeps pushing that line where she tells you no with words but moves closer with her body. She starts in baggy clothes, nervous, covering her chest with her arms. Later, same girl, same memory chain, she’s the one ordering you to sit down, stripping slow and deliberate, tits out in public space with windows open, basically turning herself into a little exhibitionist for you. Nudity near the window, fingers sliding between her thighs while she looks outside like she wants someone to see. That shift is where the machine concept actually feels fucked, because you know these are “memories” and not fantasies, and you’re replaying them like a horny tourist. At some point two girls start making out in front of you, giggling, one of them sitting on the other’s face while still stroking your cock with lazy, almost distracted movements, like you’re just another toy. There is this crazy little detail where you can hear the wet sounds from their tongues and the sloppy noise from her handjob at the same time, almost like binaural porn. Very ASMR, very brain-melting. I kind of wish the game let you control the pacing of each scene more, but also I know I’d just pause too much and ruin the flow. My stupid little tip for this game: use headphones, lights off, and let the teasing drag you. Don’t rush the orgasm, let the girls lead you where they want, even when it feels a bit wrong. That’s where the machine really gets under your skin.

Waking up naked in a city that looks like Silent Hill fucked a factory and then forgot to clean up after, that’s the vibe here. You open your eyes, have zero clue who you are, and the first real thing you focus on is this girl, Ophelia, who is hot in a wrong kind of way. Not wrong like “oh no, she’s evil”, more like “why does her body move like that and why do I like it so much”. She talks to you like she’s already decided you’re hers, and the game never really lets you feel fully safe around her, even when she’s stroking your cheek or dropping to her knees in first person view. One second you’re flirting, next second you’re both scavenging in a ruined supermarket while something wet and angry screams somewhere in the dark aisle behind the cereal. It’s messy, horny, and kind of romantic in that trash-fire way where the world is ending but you still argue about who gets to be on top.

The loop sneaks up on you. At first you just click around, pick up scrap, figure out some simple crafting, like “ok, I need this to not die, and that to impress the monster girl who can snap me like a twig but would rather tease me senseless”. Then you start thinking in turns. That nasty creature you meet in the subway? You’re watching its attack pattern, saving skills, deciding if losing here is actually a bad thing, because there is a non-zero chance it pins you down and suddenly you’re getting railed while the combat music is still echoing in your head. Sometimes it’s vaginal, sometimes it’s anal, sometimes the thing pulls out a surprise dick and your brain goes “wait what” at the same time your body goes “keep going”. The wild part is, a lot of these sexy punishments you can avoid if you don’t fuck up, but the game kind of tempts you to misplay. Like, you know that if you keep defending instead of killing her, this tall futa hunter might “reward” you by using your mouth until the screen literally fogs. I said I was going to play smart and then suddenly I am losing a fight on purpose like a clown.

The mood keeps swinging. You get this bleak, broken-city horror, ruined apartments lit by flickering signs, dead silence in one street and then some giggly banter with Ophelia as she strips piece by piece while pretending it’s part of a “strategic plan” to distract an enemy. Sure girl, it’s for tactics. She kisses another woman in front of you once, slow and deep, and you get that sharp jealous sting that hits harder than most jump scares. If you push it, they drag it into full lesbian territory and you’re just there, stuck between wanting to watch and wanting to join. There’s also these quiet POV moments when she crawls into your lap in some half-collapsed shelter, tells you stupid jokes, then casually opens your pants and starts sucking you off while still talking about survival routes like this is the most normal thing. The romance side is weirdly soft in places, with her asking little things about what you like, what you hate, how rough she can be, and from that point the dating sim brain kicks in and you start gaming her affection like it’s Tinder but with actual teeth. I wish the UI for the crafting menu didn’t look like it was slapped together in a hurry, but in a twisted way it fits the whole ruined-world energy, so I’m not even confident I want it changed. Just be warned: if you’re like me and tell yourself “I’m going to focus on survival”, you’ll still end up knee deep in sex scenes where losing a turn in combat means some hungry girl-monster is riding you in full animation and you suddenly forget completely why you came into that area in the first place.

Mira wakes up in a world that looks like somebody mashed together Skyrim mods, a horny D&D campaign and a trashy isekai anime they binge-watched on Crunchyroll while drunk. There are lecture halls with projectors and chalkboards, but outside the window you see floating ruins and half-dead eldritch skeletons drifting across the sky like they missed their bus. She’s supposed to be a “proper” adventurer-in-training, learning about mana theory and ancient rituals, but every time she walks down the academy corridor she ends up in some kind of mess involving too-short uniforms, invisible runes that definitely should not be glowing under her skirt, and at least one girl staring a bit too long at her thighs. The game just lets that linger. It loves the moment before anything actually happens, when you realise the class of mostly monster girls is way too interested in watching her squirm.

It plays like that friend in Discord who keeps sending you horny screenshots at work. One scene you’re in a serious lecture about old gods, the next you’re in the campus bathhouse where the tiles are foggy and someone “accidentally” left the door lock undone. There is a slow, lazy focus on skin, curves, texture, like the camera enjoys being a pervert as much as the player. The orc teacher with biceps like tree trunks leans over Mira to “correct her stance,” and her tank top rides up just a little too much, and you get a solid ten seconds of watching Mira pretend she isn’t staring at those abs. The demon girl has this perfect smug-face that feels like half of Twitter thirst posts, tail flicking while she backs Mira against a locker and whispers about all the things a proper mage’s body can endure. The satyr girl hides behind textbooks that are clearly too small to cover her boobs, especially when a stray wind spell blows through the courtyard. People in the background notice, their eyes follow, but nobody says it out loud; the whole game is like public indecency that society collectively agrees to ignore because it is fun to watch.

The school loves rules about modesty and discipline that exist only to be broken in front of an audience. Short skirts are “within regulations” if they technically cover the ass, which they do, until some enchanted gust flips Mira’s hem up right as she walks past a group of human supremacist boys who are very obviously trying not to look and failing miserably. The girls definitely look. There is a quiet lesbian hunger in almost every shot: the elf prodigy correcting Mira’s spell circle while her fingers linger way too long on Mira’s hip; the orc woman giving praise in that slow low voice that sounds more like a bedroom than a classroom; the satyr trying to explain lore while her eyes keep dropping to Mira’s cleavage like she forgot where faces are located. You are not just watching sex, you are watching people watch each other, watching them realise they’re into it. The humor hits that horny-gremlin vibe, like someone took the energy of late-night Reddit threads and stuffed it into a magical campus: boob jokes next to cosmic horror, panty flashes in the library where the books whisper about dead gods. It should not work, but it kind of does, especially when the camera just sits there while Mira pretends she doesn’t love being seen, her blush fighting with that tiny smirk at the corner of her mouth that says she really, really does.

Paula Honeybottom was a young soap-opera star before leaving it all behind for the love of her life, Dick. She settled for the role of a housewife and acting teacher instead. She was quite happy for 20 years - until the "love of her life" turned out to be an asshole and left her for his young lover.

He really was a Dick, apparently...

Now she is depressed, has lost all confidence in herself, and is looking over the edge of a slippery slope. Luckily, she isn't alone - she has two young people living with her, a boy and a girl, who will help her out and save her from a tragic end. What are they to her? Well, you decide...

What you also decide is if Paula stays as she is - a beautiful and curvaceous lady - or a fit and energetic 42-year-old teenager: by your choices, influence Paula's lifestyle and therefore her looks.

Welcome to "Over the Moon".
A lot has happened over the past 2 years, picking up from where 'A Moment of Bliss' ended. Welcome to the future, where memories can be transferred to Androids. You can now use VARGs, Virtual Augmented Reality Glasses, a new way to interact without leaving home. Your daughter Moon is a music star in the making, and her business manager wants you to write some songs for Moon for the television show "Madds Medusa." Here's the thing: your daughter hates your guts, and you need to spend a week with her.
How will things go?
​

First day back after the holiday break, only a few months of high school remain. But a strange announcement derails everything from then on.

Set in a parallel world, a young man sees his life and future changed in ways he had never imagined. All people over the age of 19 vanished, abilities and physicalities beyond what was normal are displayed by those who remained, and rules are imposed to accommodate the new order, eventuating a struggle for survival and supremacy unlike any before. Shrug into his uniform as he navigates his new reality, the whims of the masterminds behind the reformation, and the desires and intentions of every other teenager just like him.​

You play as a Math (MILF Hunter) exchange student in this game.
Your goal is to get good at math... blah blah. But the real story: get the MILF and live happily ever after.
What are you waiting for? Start the game!

I wasn’t even sure why I clicked “play” on this thing, maybe boredom, maybe curiosity, maybe just that dumb impulse you get when your brain wants something soft and warm to sink into. The game pretends to be about family drama and old memories, but five minutes in you realize it’s really about staring at people too long and overthinking every choice that might lead to someone taking their clothes off. Which sounds cheap, but it isn’t? Or maybe it *is*, and that’s kinda the charm. There’s this weird pacing, like half soap opera, half porno, with pauses long enough for you to question what you’re doing with your life before the next moan interrupts. Aunt Megan shows up looking like a walking contradiction - proper tone, dirty eyes - and I kept thinking, “she knows exactly what she’s doing.” Then forgot all about that thought when the screen went dark because I missed a dialogue cue.

What surprised me most: the teasing is actually… patient. Like, the game doesn’t rush. It lets you stew. Everyone’s pretending not to notice how tight the air gets whenever the MC walks into a room, and those moments hit harder because they feel almost accidental. One scene - with the older woman bent over a kitchen counter complaining about her back - had more tension than any of the “explicit” ones. Don’t even get me started on the small-tit character, she’s written like she’s always two seconds away from snapping at you, then does something so soft you forget what she said. Kinda embarrassing how much that worked on me. The sound design helps too - not high-budget, but the little sighs, the way footsteps echo on tile floors, it bleeds realism in all the wrong ways.

Anyway, I was gonna complain about how some routes feel half-finished, how the interracial scenes pop up outta nowhere, but then again, maybe that’s part of the mess. It feels human in that sense - uneven, horny, sentimental, lazy, weirdly tender. I stopped trying to find the “point” halfway through. Maybe that’s when it got good.