This broke-ass protagonist hits you right in the feels, honestly. Like watching your buddy crash on couches after his life implodes, except this dude's got Disney princesses throwing themselves at him. The setup feels weirdly authentic - kicked out, wallet empty, desperately job hunting in some forgotten town where everyone knows everyone's business. Then boom, suddenly he's surrounded by Elsa wanting to Netflix and chill, Jasmine ditching Aladdin for some quality time, and Belle getting real creative with those library books. The whiplash between realistic struggle and fantasy fulfillment shouldn't work but somehow does? Maybe it's because the writing doesn't pretend this makes sense, just rolls with the absurdity.

What gets me is how they handle the Disney angle without being cringe about it. These aren't just copy-paste characters with new outfits - Pocahontas has actual personality beyond the noble savage trope, Mulan's got that warrior confidence translating into bedroom dominance, and Wednesday Addams brings her signature deadpan humor to some surprisingly kinky scenarios. The visual novel format lets them flesh out personalities between the steamy scenes. Though honestly, some dialogue feels clunky when they're trying too hard to sound modern while keeping character voices recognizable. Rapunzel's dirty talk sounds like she's reading from a script sometimes, but when Ursula starts getting freaky with those tentacles... damn.

The dating sim mechanics feel tacked on rather than integrated - you're mostly clicking through conversations waiting for the good stuff. Which is fine because the good stuff delivers hard. Chel from El Dorado absolutely steals every scene she's in, and the variety keeps things interesting even if some encounters feel rushed. Princess Tiana deserves way more screen time considering how much effort went into her character development. Still scratching my head over why they included Kidagakash from Atlantis - seems random but her scenes are surprisingly hot. Game's definitely not polished but the raw enthusiasm makes up for technical shortcomings.

You start as this mafia prince kind of guy, rich kid with a target painted on his back, thinking life is just booze, guns and pretty women, and then everything goes straight to hell in like two minutes. One ambush, a lot of bullets, and suddenly your powerful crime family is just red stains and broken windows. The game throws you into that chaos from inside his head, so it feels less like “I am playing a character” and more like “oh shit, that’s my dad getting executed.” It’s all from your eyes, even the sex, so every scene hits kind of personal. Not deep-artsy personal, just “yeah, I’m really here, my dick’s out, this is happening” personal.

Natalya, the bodyguard, basically steals the whole thing. She gets you out alive and then you’re stuck with her in this dry, endless desert, hunted, tired, horny, scared, and somehow still flirting in the middle of it. She’s not some shy anime waifu, she’s tall, scary, a little fucked in the head, with that soldier mindset. One moment she’s snapping a guy’s arm like a breadstick, the next she’s pinning you to a rock with her boot on your chest and asking if you’re “still a man after all that crying.” Half the scenes with her feel like foreplay even when nobody’s naked. There’s one bit where you’re hiding behind a broken car, bullets hitting the sand around you, and she just grabs your face, kisses you hard, then shoves you away and goes right back to shooting. Totally not realistic, but it made me laugh like an idiot.

It calls itself a visual novel, but it’s not only dialog boxes and “do you love her or do you love her more” kind of thing. You’ve got choices that mess with your score, some little combat-ish moments, and a bunch of paths where you can act like a loyal heir, or a petty asshole, or some horny idiot who thinks with his cock while hitmen are literally tracking you. Sometimes the pacing is like a wild house party where the music keeps changing mid-song. One moment you’re digging into who betrayed your father, interrogating some bruised thug about which rival family ordered the hit, and then boom, horny desert campfire scene where you’re half traumatized and half grinding against someone who probably killed more people than you ever met. It’s weirdly hot and also kind of messed up. There’s romance too, but “romance” here means guns on the table, bruises on your neck, and girls who tease you about being soft while they unzip your pants. At one point I forgot I was chasing the truth behind the massacre because I was too focused on getting a better “score” with one of the women, and when the game suddenly threw more soldiers at me, I actually said out loud: “bro, can I finish getting laid first?” That mood sort of sums it up.

Eddie and Rachel look like that boring happy couple you scroll past on Instagram, the ones with the polite smiles and the rented apartment that pretends to be “cozy”. The game starts right there, in that fake normal vibe, with him already quietly falling apart inside and her trying to keep the whole thing from collapsing. There’s debt hanging over them like a nasty pop-up ad you can’t close, his dick is not cooperating because stress killed his confidence, and the only thing that still feels solid between them is this shared idea that they’re “a team”. The fun part is watching how fast that word stops meaning anything once money, pride, and a hungry cocked-up world start to push on them from all sides. The dev doesn’t rush it. You just read their chats, watch how they text, look at tiny reactions that feel a bit too familiar if you’ve ever stalked someone on WhatsApp or Telegram when you already knew something was off but still pretended it was fine.

The whole thing plays like someone stole a phone, unlocked it, and gave it to you. You’re not clicking choices to be a hero, you’re more like a creepy ghost sitting behind Eddie’s eyes while he tries to be the “good husband” and the “good worker” at the same time, and fails at both. The erotic stuff builds slow, mostly through Rachel’s side of the screen. At first she’s just desperate for a job, doing those semi-innocent selfies that are “only for my résumé” or “just to look more friendly”. Then the teasing starts to slip in. A bit more leg. Tight clothes. That moment she spends just a little too long on a message from some guy. You can feel the line moving and nobody says it out loud. The game is ruthless about that part: it never treats her like a cartoon whore, but also doesn’t protect her image. She wants to help Eddie, yes, and yeah, she also wants to feel desired again. That mix of guilt and arousal on her face when she masturbates after a flirty chat with someone who is not her husband is way more fucked up than any usual porn scene, because the writing already made you hear her breathing in your head before she even spreads her legs.

What really hits is how the corruption is not just about her pussy, it’s about the way they both look at each other. Eddie keeps staring at his phone, refreshing work messages, hoping his boss’s approval will fix his broken pride, while the person he actually married slides further out of his reach in the same rectangle he’s holding. There are voyeur moments where you see Rachel through screenshots, photos, or sneaky angles, like you’re peeking in from the corner of a chat window. She starts out shy, then slowly poses better, arches her back a bit more for that “just one more pic”, and the guys on the other side know exactly what they’re doing. There’s teasing, humiliating contrast between Eddie’s limp stress dick and the hungry reactions she gets online, and the game does not let you stop it or fix it. That’s the nasty charm of it. It’s a kinetic ride straight into that specific nightmare where your wife is still saying “I love you” while her fingers are shaking a little after cumming to someone else’s messages. No big choices, no clean escape, just that awful, hot, sticky feeling in your chest and your pants at the same time as you watch everything slide out of control.

Koji feels like that guy from every boring salaryman meme. Stable job, stable pay, stable marriage, stable everything, like his whole life is one long default setting on a porn site filter. Got the nice quiet wife at home, Minako, older but still lowkey hot in that “housewife who pretends she doesn’t know how good her ass looks in those leggings” way. Nothing really wrong, nothing really thrilling either. Then Rin drags home this smug little punk as her boyfriend and suddenly the whole safe little world Koji built starts dripping filth in the corners. Not in some overdone drama way, more like your brain just catches one angle too long and suddenly you’re rock hard and pissed off at yourself at the same time. You know that feeling when you watch something on XVideos that you swear you’re not into, then three tabs later that’s exactly what you’re searching for on purpose? Yeah. That.

The good part is how the game sits you right in that ugly horny spot. It doesn’t pretend Koji is a noble dude. He’s working late, tired, scrolling shit on his phone like FapHouse and Pornhub on the train, thinking about his sweet loyal wife while also getting turned on by clips where wives get passed around or talk back to their husbands. Then you come home and Rin’s boyfriend is there, way too loud, way too confident, way too handsy even when he’s just “helping” Minako with something. One scene you’re just watching them make dinner together and it feels normal, next second the camera goes a bit closer on Minako’s chest when she leans over him and Koji’s inner voice goes to a real dark place. Not dark as in murder, dark as in “why does it turn me on seeing my wife standing too close to another man” and then you get the choice to either shut that down or lean into it. Of course you lean into it, you animal. Tiny touches matter here. Stuff like Minako asking if her dress is too tight to meet Rin’s boyfriend, just casual, and Koji can either say “you look modest” or “you look a bit too sexy” and then secretly hope she doesn’t change. The tease is slow and kind of mean.

It plays a lot with the whole “who is stealing who” angle. Sometimes it feels like Minako is being taken from you, sometimes like you are the one serving her up on a plate and pretending to be upset. One route I had her texting other guys at night while Koji sits in the next room trying to focus on some boring company data, pretending he can’t hear the little alert sounds. Another moment she’s sitting on the couch with Rin’s boyfriend, both of them watching some stupid Netflix show, and you stay standing in the doorway too long. He spreads his legs, she doesn’t move away, your chest tightens, and suddenly the game throws you an option like “imagine her on his lap” that you didn’t ask for but your dick did. It’s not just straight “wife gets fucked and you cry”, it slides between jealousy, arousal, shame, actual love for her, and that fucked up happiness when she smiles more after getting attention from other men. And yeah, sometimes it goes full-on cruel, especially if you push the more hardcore stuff, but I liked that it lets Koji be complicit instead of only a victim. He corrupts himself, not just his wife. Though I’m still mad the game never explained why Rin’s boyfriend chews like that in one dinner scene. Couldn’t focus on the dialogue, just wanted to choke him and also watch Minako suck him off right there at the table. Anyway. The whole thing feels like someone recorded that phase where you discover a new kink from some random porn recommendation and turned it into a slow burn story that keeps rubbing salt and cum on the same wound over and over.