Hello my dear friend. This is a kinetic story, i know i know... don't freak out, you want to play a game with possibility to choose but this is pre story. Pre story to give a fine little taste for the future, to hit a note that may lead to a melody or a symphony of your hand squish-squash:) Mainly this is pre story of a young(18 years old) girl Anita, who is experiencing new discoveries of her sexuality,body and feelings, but also you can experience the perspective of view and feelings of her father, that i think can give a richer taste. So i hope you will enjoy this story (about 30-45 mins long).
Have a great day/evening/night my friend​!

This one starts like some half-serious detective visual novel, then quietly pulls your pants down while you’re still nodding along to the “we help innocent prisoners” talk. You got the guy who always wanted to be Sherlock but with a dick, his justice-obsessed girlfriend who actually has a spine, and their tiny agency circling the drain. Money problems, boring clients, rent breathing on their neck. Normal noir setup. Then that Sawyer guy shows up, big celebrity detective with slick PR, fake smile, and this vibe like he’s already undressing both of them in his head while talking about “partnership” and “mutual benefit”. First case you do under his name, it still feels mostly clean: interview a witness, follow some shady clerk, connect clues on the board, whatever. You’re thinking “ok, just mystery with boobs here and there”. Then it tilts. Not fast, it’s slower, like a bad idea you decide to try once and then it keeps happening.

I really liked when the game lets you swap between the guy and the girl during one investigation, not in a tutorial way, just suddenly you’re in her head while she’s getting cornered in an office by some rich asshole you’re supposed to be “interviewing”. She’s trying to stay professional, asking about alibis and timelines, and he keeps leaning closer, asking if her boss knows she’s “this tight” with clients. You can play her as stiff and righteous or let her hesitate a bit too long when he touches her thigh. That tiny pause feels worse than any big “corruption meter” bar. Later you jump back into the male POV, sitting in a car outside, thinking she’s just taking long with the questioning, and you can choose to trust her or start doubting. I hate that the coffee cup in that car scene has this ugly texture that looks like it came from some 2009 stock pack on Google Images. Every time I see it I get annoyed and then forget I was annoyed because next thing I’m watching her kneel down in that same asshole’s office, trying to bargain with her mouth for information. I’m not even sure if I liked that scene or if it just stuck in my brain like gum on shoe.

The sex itself, when it hits, is more about situation than some perfect angles. There’s this blowjob in a cramped archive room where she’s trying to keep quiet, filing cabinets all around, dude’s belt clinking every time he bucks his hips. The camera hangs too long on her eyes, red and watery, like the game is asking “this what you wanted, detective?” and yeah, it kind of is, but also you feel like shit in a hot way. Sometimes the romance stuff between the main two actually feels sweet, like when they crash on the office couch after a long case and she climbs on top, just slow vaginal, kissing, talking about their future agency like it’s still theirs. It should be cute, but if you already pushed her down the dirty route, that same scene plays weird in your head because you know what she did last case to get that signed confession. The game never screams “you are corrupting her” in big neon letters, it just quietly offers choices that look practical: accept a shady deal to get access to a crime scene, agree to “private questioning” with a suspect, let the boss handle something off-screen. One moment I liked way too much: Sawyer calling you into his office, closing the blinds, and just calmly describing what “extras” your girlfriend did for a client, while you sit there pretending you knew already. That mix of mystery, humiliation, and powerplay feels filthy in a way Pornhub never hits. And then you’re back at your desk, filling out case notes as if nothing happened, like this is just another Tuesday at the agency. I forgot what I was even mad about. Something with that cup. Whatever.

Anita has one chance to secure her future - a stellar recommendation letter is her only path to success. With just two weeks to prove herself at her internship, she must quickly adapt to the challenges of a new workplace while navigating the delicate balance of home life. Her already strained relationship with her mother grows even more complicated with the presence of her mother’s partner - and his son, an unexpected variable in Anita’s turbulent life. Anita must carefully choose who to trust and where to find common ground, as every decision could shape her future. As work and home life get more complicated, Anita must deal with tough challenges, hidden family tensions, and the pressure of proving herself. Will she adapt and push forward, or will the weight of reality crush her before she even gets a chance at the future she desperately craves?

Continuation of the series "Anita's Discoveries" and "Weekend Lollygagging"

Astra is exactly that kind of heroine who looks like she belongs in some stiff royal propaganda painting, then opens her mouth and talks like a horny theatre kid who just discovered freedom and lube at the same time. She bolts from her golden cage, lands on this supposedly “remote” island that feels more like a traveling circus mixed with a cabaret and a burlesque tent, and just decides, yeah, I’m a performer now, and also I’m going to fuck whoever catches my eye. The game leans really hard into this traveling-show vibe: backstage drama, improvised acts, horny fans, jealous partners, that awkward moment when your “public performance” accidentally turns way too literal because the monster girl with the big tits misheard the stage direction. There’s this one scene where Astra is trying to rehearse something serious, like political speech level serious, and suddenly the script turns into a dirty poem about her ass halfway through, because of a text mini-game that you kind of flubbed. And she just rolls with it. The crowd goes wild. She blushes, then doubles down and starts describing how she wants to ride a furry mercenary in front of everyone. That’s kind of the whole tone: messy, horny, and surprisingly self-aware about what it is.

What I really enjoyed, as a language nerd, is how the erotic dialogue is half elegant, half absolute trash in the best way. You have Astra saying stuff like “I renounce the crown, I choose my own pleasure” right before she’s getting railed by some huge monster with too many muscles and just enough manners to ask where he can finish. There’s a lot of fun with code switching: royal talk during foreplay, then she drops into full slut mode once the clothes fly off. Some lines clearly came from someone thinking in another language first, which I like a lot. You get these slightly weird metaphors like “your cock is beating at my entrance like a war drum” and it accidentally hits way harder than generic porn talk. The animated sex scenes match that vibe: they’re not trying to be super realistic, they’re just hungry, kinda theatrical. Astra has this enormous ass that the camera absolutely worships, and the game knows very well why half the people are here. The furry designs go all in on curves and fluff, especially when monster girls show up and start comparing whose tits are heavier while you’re deciding which one to help “warm up” before the show. There is one annoying thing: sometimes the choice-heavy system pretends you have ten paths, but a couple times it loops you back to the same scene, like the game’s winking at you and saying yeah, you’re fucking the princess anyway, stop pretending you want to be pure. I wish some of the combat bits mattered more for the sex outcomes, but whatever, I’m already too busy replaying the scene where Astra taunts a pissed-off marquis in full costume, then kneels in front of a “monster” on stage and sucks him off as political theatre while the crowd roars like this is the new constitution.

You have been summoned from our modern-day world into a fantasy world, to become the bodyguard of a beautiful young succubus. With the two of you now living together, you must learn to survive in this foreign world.

Choose between a male or female protagonist. Sexually train and level up your succubus companion, and evolve from a humble office worker into a powerful spellsword.

- Rebel Duet allows for traditional romances, harems, and healthy polyamorous relationships. It is up to you to decide the rules.
- Choosing a Male Protagonist leads to straight content, whereas a Female Protagonist is primarily lesbian with occasional (and optional) bisexual scenes.
- There are three main heroines, along with various side heroines and flings.
- The protagonist starts off weak, becoming much stronger in Act 3. If you are looking to play as a gigachad right away, this game may not be for you, as it takes some time to reach that point.

Royal Madness is probably the closest thing to a horny fairytale written by a very drunk court painter who really likes cats with huge tits and smug faces. You’re tossed in as Lewis, bastard ocelot prince, and the world instantly treats your royal blood like a kink rather than a title. It’s not subtle about it. Every rival, every “enemy,” every supposed threat ends up circling one question: are you fucking them into your harem, or are they turning you into their cute little pet instead. The game doesn’t pretend to be noble. It treats power as a sex toy and nobility as an excuse to collar people and re-style their bodies until they match your tastes a bit too perfectly.

What I liked is that the characters aren’t just recolors of the same cat-girl with different boobs. The art actually feels like someone sat there and thought “ok, what if a smug lioness warlord had hips like a fertility statue and armor that only makes sense if her nipples are a political statement.” Sometimes it looks messy, lines a bit shaky, anatomy going off on its own adventure, but that fits the energy. It’s not corporate clean, more like horny sketchbook that got out of control. There is this rhino general, for example, huge chest, scars across the muzzle, and when you win their challenge the magic doesn’t just slap “now they are pretty” filter. No, you literally watch the body warp piece by piece, broad muscles smoothing or sharpening, maybe the tits swelling stupidly big while they gasp halfway between outrage and getting turned on by losing. That slow change hits way harder than a simple “transformation finished” screen.

The actual structure is that loose sandbox style where you hop from one hot mess to another, switching perspective between male and female protagonist when the story feels like it, not when you are ready. One scene you’re Lewis using magic to slowly erode the pride of a tiger knight, teasing him until his cock and even his voice betray how much he wants to kneel. Next time the game flips and you’re playing as one of your own ex-rivals, now loyal, wandering your palace and accidentally starting something filthy with a new intruder who thought they’d be the one on top. That shift is the fun part. You see the same harem from different eyes, sometimes as a conqueror, sometimes as the newest toy, sometimes as the one being “improved” by your own magic. And the kinks slide around too. One route gives you a stacked lion queen that you carefully nudge from terrifying monarch into doting, overprotective mommy dom, then another throws you against a seemingly submissive bunny clerk that ends with you collared, hips reshaped, moaning her name while she tests how flexible ocelot royalty can be when properly “reformed.” Half the time I was cursing at the tiny UI buttons and weird pacing, the other half I was staring at the screen of my phone on the tram, trying not to bite my lip like a complete idiot.

If you really want to squeeze every filthy drop out of it, don’t rush straight to the obvious sex scenes. Poke around the challenges, lose on purpose sometimes, see how the transformations twist when you’re the loser instead of the victor. Talk to characters again after you’ve changed them, especially the big tits crowd and the ones who pretended they didn’t care about you. Watch how their new bodies and new roles corrupt their own original goals. Treat each battle less like a level and more like a negotiation with the world’s nastiest fashion designer. That’s where the game actually gets hot.

"FaithBound 2": Build Your Faith, Break the Rules
In "FaithBound 2", you take control of the decaying Temple of Aphrodite, an unconventional cult hiding behind the facade of a cathedral by day. Gather funds, grow your following, and invest your "harvest" into upgrading the temple, all while keeping the authorities off your scent. Expand your religion through weddings, baptisms, sermons, and other events that allow you to reach a wider audience. You’ll need to maintain appearances to avoid unwanted attention!
When night falls, the temple only gets more interesting... Participate in wicked ceremonies, summon creatures through dark rituals, or initiate new nuns into your faith. Only these activities will generate the profit needed to pull a forgotten religion out of ruin.
Once you’ve collected your (perfectly legal) hard-earned money, you can invest it in numerous temple renovations. As you progress, you’ll unlock new possibilities, such as tending to your own garden or sending missionaries to do the dirty work.​

You’ll experience late-night heart-to-hearts where a woman opens up to her boyfriend, husband, or long-time partner with a confession: she’s been involved with someone else and make decisions for both of them. That’s right — it’s Netorare (NTR) at its finest, or worst, depending on your perspective.​

City looks normal for like five seconds, then you zoom in and it is all fucked. Cops take bribes like it is a sport, dealers run the corners, and this girl is just trying to drag her ass to school, keep her grades barely alive, and make sure her little brother has dinner that is not just bread and cheap cheese. She is not some shy anime cloud, she walks with that “I will kick your balls through your spine” energy, but you can see she is tired. Not soft, just worn down. Then on one shit morning she cuts through the wrong alley, headphones half in, school bag sliding down her shoulder, and hears Jack’s voice. Jack, the kind of rich bastard whose sneakers cost more than her rent. She stumbles into a conversation about product, routes, and who needs to be “taken care of” and you just know this isn’t going to end with a polite apology and everybody going home.

He sends a goon to shut her up and the game just goes “nah”. You get control, and instead of the cliché crying and begging, she plants her foot in his ribs, slams him against the wall, and you can practically feel his air leave his lungs. It is messy, almost clumsy, but that is why it hits. She knows a bit of self-defense, enough to turn a street grab into a full-on humiliation. Then Jack shows up, amused, angry, curious, all at the same time. From there, things spiral. The city becomes this playground of dirty deals and filthy favors where every scene can tilt between “I’m in control” and “oh shit, I really am not”. She goes to school, sits in a boring lesson, teacher droning, and your mind is still stuck on the way Jack’s hand closed around her throat in that warehouse corridor, pinning her to the cold wall while he whispered that she just became his favorite problem. The game likes to stall like that: normal environment, horny brain.

She starts taking shady jobs because money is a joke. Cleaning some thug’s office after hours while security cameras watch her bend over. Helping out at a club where the dress code is “short skirt, no pride”. You get these stripping scenes that start as “earn quick cash” and turn into a grind of groping hands, bills shoved between her thighs, her trying to keep it together while some loser in the front row records everything on his phone. You click through options that feel wrong in a good way. Do you let the boss smack her ass in front of everyone for a bonus or keep that last little piece of dignity and go home broke. The virgin angle is not just a tag they slapped on; the first time she is alone in her cramped bathroom, fingers shaking, replaying Jack’s threats and the way her own body betrayed her, it feels awkward and messy. She locks the door, leans over the sink, touches herself like she is angry at the idea of wanting any of this, breathing hard so her family does not hear through the thin walls. And the blackmail hits later, when those “side jobs” get turned into leverage. Screenshots. Video files. “You like being the tough girl? Then strip for the camera and prove it.” There is some light bdsm stuff baked into it, but it is always wrapped in that city grime, not clean and shiny. Rope that leaves marks, hands that grip too tight, orders hissed into her ear while textbook pages still open on her desk. And there is this one tiny thing that annoyed me: her school shoes look slightly different between scenes and it keeps bugging my brain every time she walks into class after spending the night getting pushed against a car hood in an alley where the streetlight flickers like a dying eye. I keep waiting for the game to explain it. It never does.