First time I launched *House of Shinobi*, I kinda laughed because the main menu music tried *so hard* to sound grand and brooding that it looped in this weird offbeat way - almost like the composer’s laptop was overheating. But then something strange happened. I got pulled in. The way the game paces itself - slow, quiet scenes between sudden bursts of raw, filthy intensity - reminds me of watching late-night anime on a borrowed DVD player when the volume button didn’t work and you had to ride the tension between “God, this is hot” and “Please don't let anyone walk in.” That feeling’s still there, buried under all the messy UI. I swear I stared at the save screen for full five minutes wondering which thumbnail was my actual progress. But that’s kind of the point: it’s accidental intimacy mixed with clunky obsession.

When the game goes erotic, it doesn’t hold back. The moans aren’t cleanly recorded; they’re layered like someone mixed them through an old cassette filter, and somehow it fits better than most ‘HD’ adult games. The scenes with Tsunade and Hinata hit different moods - one warm and messy, the other oddly gentle, like you’re being dared to keep eye contact. It’s not just pixel art but deliberate rhythm: the breathing, the softened thuds, the moment right before a slap lands. Even the humiliation stuff - which I usually skip - felt written by someone who hates and loves their characters at once. That inner contradiction, man… it gets under your skin.

The funny part? Every now and then, the sandbox sections drag you into managing chores or wandering alleyways, like filler episodes in the middle of chaos. I both hated and loved it. It kinda reminded me of grinding in *Honey Select* but with accidental moral consequences. And let’s be honest: nobody needs a moral lesson after three back-to-back creampie routes, yet when Kushina looks at you afterward and says nothing, that silence lingers. Maybe the game isn’t trying to say anything deep. Or maybe it’s mocking the idea that desire ever needed a reason. I still don’t like the font, though.

Lily’s manor feels less like a “setting” and more like some horny group chat that accidentally turned into a religion. You’re this smug futa noble with a holy title slapped on top, walking around a house full of maids who have somehow decided your cock is basically divine scripture. It starts simple. You wander the halls, poke your nose into rooms you probably shouldn’t, talk shit, choose some dialogue, watch the girls react. One maid gets flustered when you tease her about praying for your “blessing” and two scenes later she’s on her knees giving that “blessing” the slowest, sloppiest oral in front of an altar like that’s totally normal. It’s half sex game, half “what if Catholic guilt but everyone actually likes it”.

The wild thing is how casual the corruption hits. First, you think: okay, cute nun outfit on this maid, standard stuff. Then you notice how the game keeps pushing that religious angle. Confessions that turn into handjobs. A “purity test” that is literally just Lily ordering a virgin maid to strip and bend over because “we must check for temptation.” There’s a nice little management loop hiding under all the lewd too. You assign maids to duties, pick who goes to the dungeon with you, who stays home, who you “reward” after a long day. Dungeon runs are just classic turn based fights, nothing fancy, but the context makes them funny. You’re beating up monster girls, then five minutes later you’re fucking them into your harem like it’s part of their onboarding process. One slime girl scene caught me off guard: she tries to drown Lily, combat ends, then the game calmly flips straight to Lily balls deep in her while we get that internal view, little animated pulse, and you just sit there like “yeah, that escalated fast.”

I kept telling myself I would focus on one girl, stay loyal, see her whole arc. That lasted until the older maid with the big ass and fake “I’m too mature for this” attitude walked in with a tray and Lily just ordered her to suck her off under the table during a serious talk about “faith.” The game loves that mix of silly and fucked up. There’s ***-ish stuff, some straight up harassment, and then it cracks a joke about house rules in the same scene. You’ll have a futa on futa titfuck against a stained glass backdrop like some kind of cursed church poster, then next room is a shy girl masturbating with a sex toy she “borrowed from storage” and trying not to get caught. Multiple protagonists pop in too, which is weird at first. Suddenly you’re not Lily, you’re one of the maids sneaking into Lily’s room to taste the “holy seed” while she sleeps, and the game just rolls with it. Group scenes get messy fast, creampies everywhere, nuns losing their faith between Lily’s legs, monster girls joining the dogpile, some lesbian side route that pretends Lily isn’t watching from the doorway. It’s all very animated in a way that makes you feel like the manor is alive and kind of sick in the head. My only real complaint is that one door near the chapel that makes the same annoying sound effect every time you click it, but I still kept coming back to it, hoping there was a scene hidden behind it where Lily corrupts the last stubborn virgin and crowns herself “Saint of Bad Decisions” or something.

Jenny’s story hits that weird sweet spot between horny fantasy and something that feels like pages torn from a messy teenage diary that got fucked by a succubus on the way to publication. She’s a futa trying to pretend she’s just a normal girl, which is already funny because the very first time the game lets you see her in the mirror, the camera lingers on her tits and her cock like the dev spent hours thinking about how shame actually looks. Not the Tumblr, “I am sad about society” shame, but the “I’m clenching my thighs in the school bathroom because I got hard when my teacher adjusted her bra” kind of shame. The game keeps making these small moments where you’re half turned on and half thinking, “wow, yeah, that’s exactly how a brain spirals when it wants to cum and disappear at the same time.”

The fantasy angle sneaks up on you. At the start it just feels like a horny slice-of-life about a futa girl trying not to think about sex in public, and then suddenly there’s this quiet reveal that maybe her body is not a random mistake at all, that there are reasons, old magic, weird bloodlines, stuff that sounds like low-budget Tolkien fanfic but with way more titfucking and anal. You go from watching Jenny panic about changing in the locker room, trying not to pop a boner while other girls strip and gossip, to getting shoved into situations where exhibitionism stops being a kink tag and becomes a very conscious choice. Do you let them see? Do you let them touch? There’s this one scene where a “puzzle” is basically about how much you’re willing to expose yourself to a group, and if you “solve” it the serious way, you unlock an animated group sex moment where a shy virgin girl ends up pinned between Jenny’s big ass and another girl’s tongue. The logic of the puzzle almost doesn’t matter, because your brain has already built the sexual rhythm around it. It pretends to be a game about clues, but it’s really about pressure, teasing, and that edge between romantic confession and public indecency. And yeah, the romance parts sometimes feel almost too sweet, like someone slipped a wholesome yuri VN into a browser tab full of ahegao and internal view shots, but then there’s a milf casually groping Jenny in a side corridor, talking about “helping her relax” while you decide if you’ll let her pull your panties down or not, and the game remembers exactly what kind of website you found it on. Jenny spends half the time trying to stay in control and the other half getting ruined by her own body, her own curiosity, and her shitty habit of masturbating at the worst possible moment, with toys or fingers or somebody’s tongue, and the story is just that constant tug-of-war between “don’t let them know” and “please, someone, watch me cum.” It feels clumsy and horny and too honest in a way a lot of adult games are scared to be.

Denji’s trapped again, but this time it’s not about blood or blades. It’s a damn maze of moans and bad decisions. The walls hum like they’re watching, the air sticky with that half-sinful, half-desperate energy only Chainsaw Man chaos could pull off. Kobeni trembles like always - except now she’s trembling for different reasons. You can almost taste her panic when your hand slides under her shirt, that mix of fear and wanting that shouldn’t feel this hot but somehow does. Himeno’s smirk cuts through the tension like a knife dipped in smoke; she knows exactly what you’re thinking before you even move. She plays dirty, whispering things that make you forget which way is out, makes you think maybe getting lost forever wouldn’t be so bad.

The game doesn’t rush. It teases. One second you’re grinding through dialogue choices that seem stupidly simple, and then suddenly it hits you - this isn’t about saving anyone, it’s about corrupting them just enough to see who breaks first. Internal view scenes hit hard, no filter, no mercy. The sound design’s nasty in a good way - sticky breaths, little gasps, wet slaps echoing through the infinite corridor like applause. There’s humor too, weirdly enough. Power barges in at the worst possible moment, yells something ridiculous, and you still can’t help but laugh even as the screen flashes another throbbing close-up. It’s gross and sexy and kinda tragic all at once.

And yeah, the endings. Plural. You’ll probably screw up the first one, because some options look harmless until you realize they change everything. There’s a scene where Denji just stares at his own hands, covered in… well, you know, and it lingers longer than comfortable. That’s the thing - nothing here feels safe, even the pleasure. It’s messy, horny, strangely tender in places where it shouldn’t be. Like the game itself is laughing at you for getting turned on by its cruelty. And maybe it’s right.