It’s ridiculous, really - Fry crash-lands among yellow people and the first thing I notice is how the lighting in Moe’s bar makes everyone look like melted butter. That’s not a complaint, by the way, it’s kinda hot. The game starts off pretending to care about Fry’s “mission” or whatever, but everyone knows it’s about catching those awkward glances through half-open doors. You know that guilty thrill when you’re watching something you shouldn’t but can’t stop anyway? That’s the whole mood. I spent too long peeking at Marge cleaning up with that slow, bored face, and boom - there’s a toy lying around that definitely isn’t for cleaning. Then Homer walks in and I swear he stares at it like it owes him money. Anyway. The humor is nasty in a way I didn’t expect: cheap but confident, like it *knows* you’re gonna laugh right before doing something pervy.

It tricks you with “rpg” talk but it’s less about grinding stats and more about grinding, well, you know. One second I’m fiddling with an inventory full of… creative gadgets, next I’m accidentally triggering a voyeur sequence with Shauna and it’s both funny and embarrassingly detailed. The sort of scene you’d alt-tab from if anyone walked by, but also the one you’d think about while pretending to scroll Instagram later. What gets me is how Fry reacts; he’s equal parts idiot and horny philosopher, muttering about destiny while fumbling with something that buzzes. It’s peak absurdity, but somehow it fits this crossover chaos between Futurama and Springfield.

I keep telling myself the “writing” is what I like - the dumb jokes about quantum teleportation and Meg Griffin’s cameo that somehow spirals into a weird morality lesson (don’t ask what kind) - but nah, I’m lying to myself. It’s messy, dumb, sometimes too self-aware, but I don’t stop playing. The sandbox setup means half the fun is doing things out of order just to watch characters react like they remember last night’s mistakes. Sometimes they even mention you. That’s the part that kinda freaked me out. Maybe that’s the point: voyeurism isn’t about watching - it’s about getting caught.

Alright so this My Hero Academia parody thing caught me completely off guard. Like, I went in expecting some basic fanservice nonsense but ended up spending way too much time figuring out how to properly "counsel" Rumi Usagiyama without her kicking my virtual teeth in. The rabbit hero's got this whole tsundere energy mixed with straight-up predator vibes that honestly makes zero sense but somehow works? One minute she's calling you a weakling, next she's grinding against your lap during what's supposed to be a professional therapy session. The AI-generated artwork looks decent enough for what it is, though Midnight's proportions are absolutely ridiculous even by anime standards.

What really gets me is how the dialogue system actually matters here. You can't just mash through conversations hoping for the lewdest option - these heroines will shut you down hard if you come on too strong too fast. Mirko especially seems programmed to test whether you're actually paying attention to her personality quirks or just trying to speedrun to the sex scenes. When I finally unlocked her bedroom scene after like an hour of carefully balanced flirting and psychological manipulation, the payoff felt genuinely earned instead of just handed to me. Though honestly the handjob animations could use some work, they loop weird.

The sandbox structure lets you bounce between different heroines whenever you want, which is perfect for when Midnight starts getting too clingy or Rumi's attitude becomes insufferable. Each girl has her own therapy schedule and mood system that you gotta track, plus there's this weird minigame where you massage their stress points that's way more involved than it needs to be. Sometimes the translation feels a bit off too - like when Mirko says something that's probably meant to be seductive but comes out sounding like a grocery list. Still hit different though, not gonna lie.

Your grandparents vanish off the face of the earth, everyone acts like they’re dead, and the whole town just kind of… moves on. Years later you roll back in, phone in your pocket, brain full of horny thoughts you really shouldn’t have while asking people about missing old folks. It starts quiet. A simple mobile-style interface, tapping around like you’re just checking Instagram, but each location you poke has a little secret. A window left half open. A shower running too long. A MILF neighbor “too friendly” who somehow knows way more about your grandparents than she should, but instead you’re watching her bend over, thinking with your dick and not your head. Classic.

It tries to be a mystery first, and somehow still rubs your face in sex every few minutes. You follow clues like a point and click, only instead of boring keys and doors, you catch a girl masturbating with a toy on her couch because you checked the wrong camera at the right time. Or the right camera at the wrong time, depends how moral you are, I guess. There’s this voyeur vibe everywhere: security feeds in weird places, people who “didn’t know the camera is on,” and you, the good little detective, totally not replaying the clip three times before interrogating her about where she was the night your grandparents disappeared. The game teases you constantly. Women strip to distract you mid-dialogue, big tits pushed in your face while you’re trying to remember who lied about the last time they saw grandma. You tell yourself you’re focused on the case, but the next scene is you balls deep, creampie, and then going “oh shit, what was I doing again.”

What really messed with me is that there are superpower bits thrown into this small-town detective story like it’s normal. Suddenly you’re reading micro-expressions, nudging minds, or freezing time long enough to enjoy an “accidental” upskirt that lasts way too long to be accidental. It’s half sci-fi, half horny soap opera. The pacing is kinda weird sometimes, you’ll be in a really tender romance moment with a shy girl finally taking off her clothes slow, proper teasing, then the next tap dumps you in some sandbox area where a dominant older woman drags you around by the balls and talks like she owns the whole town. And you let her. Of course you let her. There’s one scene where a so-called respectable “auntie” type corners you during an “investigation,” pushes you into a chair, rides you until you’re shaking, then tells you important story info while you’re still buried inside her. That mix of information and sex is absolutely stupid and also exactly what my brain wanted. Animation helps a lot, nothing crazy, but enough bounce and wetness that when a big ass grinds on you, it actually feels like something. The game jokes about itself too, throwing in weird humor about old people, porn logic, and how no one ever calls the police, like it knows exactly what kind of trash it is. And yeah, sometimes the dialogue hits like a bad meme from 2014, yet I kept tapping, waiting for the next time a “serious interview” turned into you on your back, MILF on top, mystery temporarily forgotten under her.

Red shows up in this tiny desert shithole thinking he’s just gonna fix a busted motel, make some “quick cash,” and coast. Instead he walks into a sandblasted circus of thick moms, broken air conditioners, and way too many people who remember what he did years ago and still get horny about it. The game plays like one of those slow burn point and click stories where every time you think “ok, nothing left in this room,” you poke one more thing and suddenly you’re watching a shower scene through a cracked tile while pretending you’re checking the water pressure. The motel looks like it should be condemned, but it’s full of bored women with big asses and bigger problems, twins who are way too synced in how they tease him, and at least one granny who absolutely understands what a hard day of “manual labor” really needs at the end. Red is the classic idiot hero, always trying to act like a gentleman, while your mouse is directly steering him into every shameless voyeur angle possible, like peeking past curtains, checking “if the wiring’s okay” behind a half naked tenant, or listening way too long at doors that are very obviously not soundproof.

The sandbox vibe kicks in pretty fast. You just wander around the motel and the dead little town, click on stuff, and the game keeps rewarding you with new scenes, tiny horror moments, and jokes that honestly feel written by someone who had way too much horny energy and not enough supervision. One second you’re negotiating a room discount with a stacked milf who leans just a little too far over the counter, the next you’re dragged into the local weirdness where the lights flicker, shadows move, and you wonder if that girl in the hallway with the soft voice is really as cute as she looks or if she’s hiding a surprise package between her legs. It doesn’t treat the horror like a joke, but it still lets you laugh when Red gets scared of some old pipes and then two minutes later is completely calm watching a virgin guest get coached through her “first time” with a client because the motel suddenly discovered prostitution is the best business plan in town. The humor is all over the place, from dumb puns to trashy sex banter, and some scenes feel way too real, like scrolling Pornhub on your phone while you pretend you’re checking the weather app. The art leans into big tits, thick thighs and slightly wrong proportions in a way that somehow just works, especially when you’re watching the twins mess with him, acting innocent while they bend over in sync to “pick something up.” Red keeps saying he wants a fresh start, but every route you click just pushes him deeper into this place, into these people, into their beds, and honestly if the motel ever actually gets fixed it’ll feel like a scam, because the broken stuff is half the reason it’s so easy to get away with watching, touching, and crossing every line that should’ve stayed on the other side of the front desk.