Red arriving to this tiny Japanese village feels a bit like a runway model getting dropped in the mud. He comes from the city, full of porn brain and zero manners, and suddenly he is stuck between rice fields, bugs, and this old wooden house that smells like tatami and miso. As a fashion designer, my eyes go first to fabric and body lines, and Yuko, the grandmother, is basically a walking lingerie sketch that got trapped in an apron. She has this soft, heavy chest that keeps pulling the cloth away from her body, like the shirt is begging to open. Big hips under loose cotton, no bra at home, of course. Everything is too thin or too tight in the wrong place. If you ever tried a see-through yukata after shower and forgot panties, you know the vibe. The game leans hard into that. There is this scene where Red is helping her hang laundry outside, sun hitting the damp fabric, and you see her bra and panties dripping on the line. The camera lingers way too long on the granny panties, but they hug that ass with a kind of accidental sex appeal. I paused there to think how I would redesign them in black lace with a higher cut, but then Red starts staring at the outline of her nipples through the wet blouse and, yeah, focus gone.

What I like is how slow the corruption feels at first. Red pretends to help in the fields, gets sweaty, comes back inside, and just sits there with his legs wide, cock pressing his shorts, watching her bend over the low table. It is not subtle. You can see his erection shape, and the game does not shy away from that. When he "accidentally" brushes against her tits in that tight little kitchen, you feel that tension where she kind of freezes. Yuko starts as this quiet, polite, almost plain woman who hides everything inside baggy clothes, but once he starts teasing, she becomes a lingerie project that is slowly getting cut open. There is a point where he pulls her close while Hiroshi, the old farmer, is just outside, and his hand slides inside her top. The art really loves breasts, every curve, every fold where fabric presses into soft skin. He squeezes them while she tries to whisper "stop" and her body is clearly not stopping anything. Later, when he pushes his cock between her lips for the first time, it is messy, wet, and honestly more rough than romantic, and her mascara slightly smudged look hits this strange runway-afterparty fantasy. I hated one tiny thing though: his shoes. Ugly as hell and I could not stop seeing them in every standing scene, like why give so much detail to veins on the dick but those plastic-looking sneakers stay. Anyway, once the voyeur stuff kicks in, with Red fucking her from behind in cramped rooms while grandfather shuffles around nearby, the whole farm turns into this hidden catwalk of sin, where the only outfits that matter are half-open yukata, bunched-up skirts, and the marks his fingers leave on her thighs after he spreads them wide and buries himself inside her, again and again, like he owns both her body and her wardrobe.

Ellie from that zombie game and Lara from those old temple raider days stuck together in one filthy, horny mess is already kind of illegal, but the way this thing uses their feet is what actually surprised me. It starts almost innocent, like some weird fanfic fantasy where a regular dude ends up with both of them under his control, and you think “ok ok, just another basic porn parody”. Then you realize the whole focus is on socks and how much abuse you can squeeze out of a single sweaty foot. The game treats socks like gear, like actual tools for humiliation, not just decoration. You’re pulling Ellie’s dirty socks off slow while she glares at you, toes curling, and Lara is in the background with those tight sport socks still on, being forced to stroke you off with them while acting all proud and pissed at the same time. It’s fucked up and kind of funny.

What I liked is how often it lets you push them from “annoyed” into “broken-in toy” during actual sex, not just in some text box. One scene that stuck with me: you’ve already used Ellie’s feet, made her rub you until she’s breathing hard and confused, and instead of jumping straight to normal penetration, you pin her down in missionary, keep her ankles pressed against your shoulders, and the camera keeps cutting back to her soles. Not her face, not your dick, just those feet twitching while you slam into her. Meanwhile Lara is ordered to kneel at the side, licking your balls like some obedient slave, still wearing one sock, and that stupid detail somehow makes it nastier. Then later you flip Lara into doggystyle, really rough, hair pulled, face pushed down, and she’s forced to rub you with her feet between thrusts, basically getting used like a multi tool. It’s actually a bit much when you chain everything together: harassment, domination, rough fucking, feet in your face, them gagging on you, and you keep going anyway because the game kind of encourages you to be a selfish bastard. At some point I realized the male protagonist doesn’t even feel like a “character”, he’s more like a cock with dialogue, but in this type of hardcore crossover it weirdly fits. The AI-generated CG sometimes looks slightly off, like Ellie’s toes bending wrong or Lara’s expression clipping into weird “half angry half bored” mode, yet those little imperfections give the scenes this trashy bootleg energy that matches the whole vibe. You’re not here for romance, or plot, or to be a good person. You’re here to grab two famous girls by the throat, use their mouths, their pussies, their asses, and especially their socks and feet, and then pretend later it was “just parody” when you close the tab.

Athena’s Revenge feels like someone smashed a Greek myth book, a porn folder, and a metal album cover together, then said “yeah, that’s fine, ship it.” You’re dropped into this hellish road trip with Stheno and Euryale, the kind of monster girls who look like they’d ruin your life and then complain you didn’t last long enough. It kicks off right after the last mess, no hand holding, no recap, just “we’re going to Hell to get Athena back, and we’ll fuck or murder anything that gets in the way.” Sometimes both. The world is all red glow, chains, and wet noises, with that chunky animated style where tits and asses move like they have their own physics engine. The first time Stheno walks toward the camera and her ass jiggles inside that armor, I actually paused and rewound like some horny archaeologist doing “research.”

The sex scenes are where the game stops pretending it’s about plot and just leans in hard. You’ve got monster girls with curves that make zero anatomical sense, demons with way too many tongues, futa surprise scenes that kinda sneak up on you in the best way, and this whole harem energy where every new ally or enemy feels like, “Ok, when do I get to ride that?” There’s one moment early on where the group hits a demon outpost, and instead of just slaughter, you get this interrogation that turns into a blowjob competition. Euryale on her knees, drool stringing, the demon’s cock throbbing in closeup while Stheno watches with this jealous smirk, like she’s annoyed but also kinda turned on. Then Igret shows up later, smug succubus queen, and her scenes are just filth. She wraps her tail around your neck, pushes you between her thighs, and it cuts between her face, that lazy half-lidded look, and her pussy grinding in your mouth while the background is literally burning. It’s stupidly hot. Then suddenly the story wants to be serious, talking about revenge and divine punishment, while a demon girl with huge tits is still panting on the floor from getting railed in the last scene. The tonal whiplash is hilarious and also… I liked it. Maybe. I think.

There’s a surprisingly nasty edge to the violence though. Heads get ripped off, guts spill, some angels and demons die screaming, and then five minutes later someone’s face deep in a slick pussy like it’s a reward screen. The harassment stuff is very in-your-face too, demons grabbing, groping, pinning the girls against walls, and the game flirts with that line where you go “hmm, ok, this is hot but also damn, dude.” Some scenes lean hard into that forced vibe, others flip it and the girls are the predators, like when Stheno pins a lesser demon, sits on his face, and tells him if he stops licking she’ll cut his tongue out. I kinda love her, kinda fear her, kinda wanna ask her to step on me. What really stuck in my head though is one tiny detail: the way saliva and cum are animated during oral. It clings to lips, stretches, drips on boobs, sticks to thighs, and they show it from these close angles that made me lean toward the screen like an idiot. At one point a demon girl swallows and a little bit spills out the corner of her mouth, trails down to her big tits, and I had to pause just to stare. Meanwhile, the choices you make in dialogue pretend to matter, sometimes they do, sometimes they don’t, but I still clicked like it’s Tinder with extra steps. And that one background sound in the citadel, that low humming thing? It got into my head and annoyed me for the rest of the playthrough, and I kept thinking I’d find an option to turn it off, but no, it just stayed there, buzzing, like a mosquito with a sound fetish.

You wake up in the car with your neck hurting like shit, seatbelt half twisted, phone buzzing with that one stupid notification about a “business meeting with Furina”, and from that moment the game just quietly tells you, yeah, something is wrong and you’re not getting a normal day. It feels like those mornings after you fell asleep grinding in Genshin and then dream leaks and memes got into your brain, only this time the dream walked out into your world instead. The game plays it like a reverse portal story: she is the one ending up here, in your boring modern city, in your cramped little corporate life, and you’re stuck doing this weird dance of “I’m a professional adult” while your cock and your curiosity are both completely not professional at all. The jokes land in that cheap, shitpost way, like some horny dev fused a doujin, a Discord server and one of those “AI generated” fan pics that look almost right but the eyes are a bit too knowing. Furina acts like your boss but also like she is cosplaying being human, and in between her playful bullying and fake HR talk she slowly starts pushing you into more… hands-on “meetings”.

What I like is how the choices always start tame and then spiral. You get something like: “Answer politely” or “Flirt a bit” and you think, ok, no big deal, and ten clicks later she is on your lap in the parked car, your seat pushed back, her fingers wrapped lazily around your dick while she keeps talking about quarterly reports with that smug look like she knows you’re two taps away from nutting in your pants. There is this one route where you try to stay strictly work focused, and she punishes you for it by going even harder on the teasing. Like, she kneels in front of you under the desk, “checking the wiring,” and your only real control is whether you look down at her or pretend it’s not happening while feeling her lips slide around your tip, slow and wet and way too noisy for an open-plan office. The oral scenes feel properly filthy, especially when she keeps that fake managerial tone while choking on you, mascara already a bit fucked, and the art leans into that AI-slick style where everything is slightly too perfect. Sometimes the fingers look off, yeah, or a stray strand of hair melts into the background if you stare long enough, but honestly when she is staring up at you with her mouth full, tongue pressed under the shaft, you don’t exactly care about anatomy errors. Kind of wish there was a fully cold, cruel route where she uses you more without softening, but the game keeps bringing her back to this bratty, chaotic energy that somehow feels nicer than it should. I’m not complaining. Actually I am, but I still kept replaying to see every way she could drag me from anxious “meeting” to completely used and emptied in places I shouldn’t be fucking my boss at all.